Difference between revisions of "D.C. Boonzaier"

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== Biography ==
 
== Biography ==
  
Born Daniël Cornelis Boonzaaier at Patatsrivier in the Cape Province in 1865. He came to Cape Town in 1882 as a clerk in the Master’s Office, where he started drawing portraits from photographs of world celebrities. In 1903 he became the first cartoonist appointed to the permanent staff of the South African newspaper, ''[[South Africa News]]''. At the inception of the [[Afrikaans]] newspaper, ''[[Die Burger]]'', in 1915 he became its cartoonist until the 1940s, particularly famous for his caricatures and political cartoons.  
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Born [[Daniël Cornelis Boonzaier]] at Patatsrivier in the Cape Province in 1865. He came to Cape Town in 1882 as a clerk in the Master’s Office, where he started drawing portraits from photographs of world celebrities. In 1903 he became the first cartoonist appointed to the permanent staff of the South African newspaper, ''[[South Africa News]]''. At the inception of the [[Afrikaans]] newspaper, ''[[Die Burger]]'', in 1915 he became its cartoonist until the 1940s, particularly famous for his caricatures and political cartoons.  
  
 
Boonzaaier died in Cape Town in 1950.  
 
Boonzaaier died in Cape Town in 1950.  
  
In 1973, his work was included in the exhibition ‘South African Cartoonists and Comic Strip Artists’ at the Pretoria Art Museum.  
+
In 1973, his work was included in the exhibition ‘South African Cartoonists and Comic Strip Artists’ at the Pretoria Art Museum.
  
 
==Contribution to SA theatre, film, media and/or performance==
 
==Contribution to SA theatre, film, media and/or performance==
  
Boonzaier always had a keen interest in theatre  and theatre personalities, and is described as a “stage manager and capable actor among the gentlemen amateurs” and an “acute critic” by [[Jill Fletcher]] (1994). A friend of many theatre personalities, including [[Luscombe Searelle]] and particularly [[Stephen Black]], he did numerous theatre-related cartoons and most significantly, kept an enormously useful journal of his avid theatre going.  
+
Boonzaier always had a keen interest in the arts, including theatre  and theatre personalities, and corresponded regularly with artists and writers such as Leo Tolstoy, Sarah Bernhardt, George Bernard Shaw, Henry Irving, W.S. Gilbert and Arthur Sullivan.
  
The latter material was first published as "''My Playgoing Days''" in [[SA Review]], 9 March and 24 August 1932. These writings form the core of the second half of [[F.C.L. Bosman]]'s second volume on theatre in South Africa (1980), dealing with the period between 1855 and 1912.   
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[[Jill Fletcher]] (1994) described Boonzaier as a "stage manager and capable actor among the gentlemen amateurs" and an "acute critic".  A friend of many local theatre personalities, including [[Luscombe Searelle]] and particularly [[Stephen Black]], he did numerous theatre-related cartoons and most significantly, kept an enormously useful journal of his avid theatre going. The latter material was first published as "''My Playgoing Days''" in [[SA Review]], 9 March and 24 August 1923. These writings form the core of the second half of [[F.C.L. Bosman]]'s second volume on theatre in South Africa (1980), primarily dealing with theatre in Cape Town in the period between 1855 and 1912.   
  
His son, the famed painter [[Gregoire Boonzaier]] (who signed his work simply as "Gregoire") , also did some designs for theatre.  
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His son, the famed painter [[Gregoire Boonzaier]] (1909-2005)[https://en.wikipedia.org/wiki/Gregoire_Boonzaier] , also did some set designs and backdrops for theatre productions and covers and illustrations for published versions of [[Afrikaans]] plays.  
  
 
[TH]
 
[TH]
  
 
== Sources ==
 
== Sources ==
 +
 +
https://en.wikipedia.org/wiki/D._C._Boonzaier
  
 
[[Ludwig Wilhelm  Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: [[J.L. van Schaik]].
 
[[Ludwig Wilhelm  Berthold Binge]]. 1969. ''Ontwikkeling van die Afrikaanse toneel (1832-1950)''. Pretoria: [[J.L. van Schaik]].
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[[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
 
[[D.C. Boonzaier]]. 1923. "My playgoing days – 30 years in the history of the Cape Town stage",  in ''SA Review'', 9 March and 24 August 1923. (Reprinted in [[F.C.L. Bosman|Bosman]] 1980: pp. 374-439.)
  
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]].
+
[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 50-52, 302, 374, 442.
 +
 
 +
[[Mona Vida de Beer|De Beer, Mona]] 1995. Revised ed. ''Who Did What in South Africa''. Johannesburg: Ad Donker.
  
 
[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg.
 
[[Jill Fletcher]]. 1994. ''The Story of Theatre in South Africa: A Guide to its History from 1780-1930''. Cape Town: Vlaeberg.
 
== Sources ==
 
 
Binge 1969, Bosman 1928, Bosman, 1981, De Beer, 1995, Fletcher, 1994
 
  
 
Go to the  [[ESAT Bibliography]]
 
Go to the  [[ESAT Bibliography]]

Revision as of 15:00, 28 September 2021

D.C. Boonzaier (1865-1950) was a highly regarded South African political cartoonist, amateur theatre practitioner, critic and theatre diarist.

Biography

Born Daniël Cornelis Boonzaier at Patatsrivier in the Cape Province in 1865. He came to Cape Town in 1882 as a clerk in the Master’s Office, where he started drawing portraits from photographs of world celebrities. In 1903 he became the first cartoonist appointed to the permanent staff of the South African newspaper, South Africa News. At the inception of the Afrikaans newspaper, Die Burger, in 1915 he became its cartoonist until the 1940s, particularly famous for his caricatures and political cartoons.

Boonzaaier died in Cape Town in 1950.

In 1973, his work was included in the exhibition ‘South African Cartoonists and Comic Strip Artists’ at the Pretoria Art Museum.

Contribution to SA theatre, film, media and/or performance

Boonzaier always had a keen interest in the arts, including theatre and theatre personalities, and corresponded regularly with artists and writers such as Leo Tolstoy, Sarah Bernhardt, George Bernard Shaw, Henry Irving, W.S. Gilbert and Arthur Sullivan.

Jill Fletcher (1994) described Boonzaier as a "stage manager and capable actor among the gentlemen amateurs" and an "acute critic". A friend of many local theatre personalities, including Luscombe Searelle and particularly Stephen Black, he did numerous theatre-related cartoons and most significantly, kept an enormously useful journal of his avid theatre going. The latter material was first published as "My Playgoing Days" in SA Review, 9 March and 24 August 1923. These writings form the core of the second half of F.C.L. Bosman's second volume on theatre in South Africa (1980), primarily dealing with theatre in Cape Town in the period between 1855 and 1912.

His son, the famed painter Gregoire Boonzaier (1909-2005)[1] , also did some set designs and backdrops for theatre productions and covers and illustrations for published versions of Afrikaans plays.

[TH]

Sources

https://en.wikipedia.org/wiki/D._C._Boonzaier

Ludwig Wilhelm Berthold Binge. 1969. Ontwikkeling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik.

D.C. Boonzaier. 1923. "My playgoing days – 30 years in the history of the Cape Town stage", in SA Review, 9 March and 24 August 1923. (Reprinted in Bosman 1980: pp. 374-439.)

F.C.L. Bosman. 1980. Drama en Toneel in Suid-Afrika, Deel II, 1856-1912. Pretoria: J.L. van Schaik: pp. 50-52, 302, 374, 442.

De Beer, Mona 1995. Revised ed. Who Did What in South Africa. Johannesburg: Ad Donker.

Jill Fletcher. 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.

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