Difference between revisions of "Concert parties"

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http://ivormarkman.wixsite.com/photojournalism/south-african-womens-auxiliary-services
 
http://ivormarkman.wixsite.com/photojournalism/south-african-womens-auxiliary-services
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[[Neville Phillips]]. 2008. ''The Stage Struck Me!'' Leicester: Troubador Publishing Ltd.
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Swift, M.1974. "The Union Defence Force Entertainment Group in South Africa (World War II)". ''Scientia Militaria - South African Journal of Military Studies'', [S.l.], feb. 2012. ISSN 2224-0020. Available at: <http://scientiamilitaria.journals.ac.za/pub/article/view/935/946>. Date accessed: 24 May. 2015.
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[[Ivor Markman]]. "South African Women's Auxiliary Services"[[http://ivormarkman.wixsite.com/photojournalism/south-african-womens-auxiliary-services]]
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https://en.wikipedia.org/wiki/South_African_Army_corps_and_branches
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[[Percy Tucker]], 1997,
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https://en.wikipedia.org/wiki/Union_Defence_Force_(South_Africa)
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[[Temple Hauptfleisch]] 1985
  
 
Go to [[ESAT Bibliography]]
 
Go to [[ESAT Bibliography]]

Revision as of 07:15, 23 August 2018

The concept of a "Concert Party"

According to Wikipedia[1], a concert party is the collective name for a group of entertainers popular in Britain during the first half of the 20th century, functioning as travelling shows of songs and comedy, often put on at the seaside and opening with a Pierrot[2] number.

The tradition lasted from the 1890s until the 1950s, and similar concert parties were formed by several countries' armed forces during the First and Second World Wars. For example, during the Second World War, the British Armed Forces' concert party became known as the Entertainments National Service Association (ENSA), later succeeded by the Combined Services Entertainment (CSE). In South Africa the tradition, initiated inter alia by the South African Women's Auxilliary Services , led to the formation of the Union Defence Force Entertainment Unit in 1940 under the leadership of Major Myles Bourke.

As other forms of entertainment (particularly television) replaced variety shows in general, concert parties largely died out during the 1950s.

Concert parties in South Africa

During the early years of the World War II the South African Women's Auxilliary Services (SAWAS)[3] organised voluntary "concert parties" and other forms of entertainment at the various military camps in the Union. From this would come the idea of having a formally organised entertainment unit for the Union Defence Force (UDF)[4], which became known as the Union Defence Force Entertainment Unit.

The Unit created a number of such concert parties during the war years, deploying them at home and abroad. Among them were the Springbok Frolics, the Gypsies, the Crazy Gang, the

This activity and the many performers who had gained experience in the process, would have an enormous impact on the entertainment industry in South Africa after the war.

Sources

https://en.wikipedia.org/wiki/Concert_party_(entertainment)

https://en.wikipedia.org/wiki/Pierrot#England_2

http://ivormarkman.wixsite.com/photojournalism/south-african-womens-auxiliary-services

Neville Phillips. 2008. The Stage Struck Me! Leicester: Troubador Publishing Ltd.

Swift, M.1974. "The Union Defence Force Entertainment Group in South Africa (World War II)". Scientia Militaria - South African Journal of Military Studies, [S.l.], feb. 2012. ISSN 2224-0020. Available at: <http://scientiamilitaria.journals.ac.za/pub/article/view/935/946>. Date accessed: 24 May. 2015.

Ivor Markman. "South African Women's Auxiliary Services"[[5]]

https://en.wikipedia.org/wiki/South_African_Army_corps_and_branches

Percy Tucker, 1997,

https://en.wikipedia.org/wiki/Union_Defence_Force_(South_Africa)

Temple Hauptfleisch 1985

Go to ESAT Bibliography

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