Difference between revisions of "C. Brink"
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| − | According to Bosman[http://www.dbnl.org/tekst/bosm012dram01_01/] there are two people named [[C. Brink]] who were involved in South African theatre in the 19th century. Possibly | + | According to Bosman[http://www.dbnl.org/tekst/bosm012dram01_01/] there are two people named [[C. Brink]] who were involved in South African theatre in the 19th century. Possibly part of the Brink family, including Mr [[C. Brink]], [[A.C. Brink]] and Misses [[J. Brink]] and [[C. Brink]]. |
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= '''Mr C. Brink''' = | = '''Mr C. Brink''' = | ||
Revision as of 05:59, 14 July 2016
According to Bosman[1] there are two people named C. Brink who were involved in South African theatre in the 19th century. Possibly part of the Brink family, including Mr C. Brink, A.C. Brink and Misses J. Brink and C. Brink.
Contents
Mr C. Brink
Mr C. Brink (17**-18**) was an amateur performer in Cape Town during the 1820s.
Contribution to South African theatre and performance
A member of C.E. Boniface's society, Honi Soit qui Mal y Pense, he appeared as "Robert" in De Vrouw met Twee Mannen (Pixérecourt) on 15 October, 1825.
Sources
F.C.L. Bosman, 1928[2]: p. 295-7, 372
Go to South African Theatre/Bibliography
Miss C. Brink
Miss C. Brink (17**-18**) was a young amateur performer in Cape Town during the 1820s. Possibly a relation of Mr C. Brink, A.C. Brink and the young Miss J. Brink.
Contribution to South African theatre and performance
She danced as one of the "Jonge Jufvrouwen" ("young women") in Honi Soit Qui Mal Y Pense's production of De Vrouw met Twee Mannen (15 October, 1825), as well as the Corps de Ballet of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
Sources
F.C.L. Bosman, 1928[3]: p. 295-7,372.
Go to ESAT Bibliography
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