Difference between revisions of "C.J. Langenhoven"

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LANGENHOVEN, Cornelis Jacob (C.J. or "Sagmoedige Neelsie".) (1873-1932). Attorney, politician, poet, novelist, playwright, essayist, hugely popular public speaker and  cultural activist, whose wit and breath of interest made him a legendary figure. A leader in the struggle for the recognition of Afrikaans from 1910 onwards, he in 1925 utilized his position as parliamentarian to draft and submitted the law which first recognized Afrikaans as an official language. Like so many of his contemporaries, he wrote every conceivable literary form, in order to establish Afrikaans as a literary and cultural language. Also wrote under a variety of other temporary pseudonyms, including "Halley", "Credo Exacto", etc. Beginning as editor of ''Het Zuid-Westen'' in Oudtshoorn, he later utilized his famous and popular weekly column in ''Die Burger'' for almost ** years (called ''Aan Stille Waters'' - "By Quiet Waters") to address every conceivable issue in society. His best known works today are perhaps the words of ''Die Stem van Suid-Afrika'' ("The Voice of South Africa" - the national anthem of the Union and the Republic till 1994, and still part of the new South African anthem), his comic novels - notably ''Sonde met die Bure'' ("Trouble with the Neighbours"), ''Herrie op die ou Tremspoor'' ("Herrie on the old Tram Track") and a children's story, ''Brolloks en Bittergal'' - the latter often performed as play .
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(1873-1932). Attorney, politician, journalist, poet, novelist, playwright, essayist, comic writer, hugely popular public speaker and  cultural activist, whose wit and breath of interest made him a legendary figure in South Africa.
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== His birth and training ==
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== Career ==
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== His career as writer ==
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Though baptised  Cornelis Jacobus Langenhoven, he published most of his work under the name [[C.J. Langenhoven]], though more familiarly known as "[[Sagmoedige Neelsie]]" (Soft-hearted Neelsie) or simply "[[Kerneels]]". Also wrote under a variety of other temporary pseudonyms, including "Halley", "Credo Exacto", etc.  
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 +
 
 +
 
 +
 
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=== Prose and poetry ===
 +
 
 +
 
 +
 
 +
 
 +
=== Plays and theatre ===
 +
 
  
 
Technically the more proficient of his generation as a playwright, his works were extremely popular and frequently republished. In view of Langenhoven's perception of his own role in the cultural development of the Afrikaner and the often moralizing tone of the plays themselves, Binge (1969) refers to his work as "educational theatre". He started with two short pieces called  ''[[Die Water Zaak]]'' ("The case about the water rights" -1906/7) and ''[[Die Trouwbelofte]]'' ("The wedding vow" - 1906/7), then wrote and published a series of brief but classic dialogues in ''Het Zuid-Westen'' during 1911 (specifically written for the gratis use by amateurs and schools, not professionals) - including ''[[Die Tweetalige Vonnis]]'' ("The bilingual sentencing"), ''[[Die Kijs abaut die Forro]]'' ("The case about the furrow"), ''[[Die Beproewings van 'n Prokureur]]'' ("The trials/torments of a lawyer"), ''[[Modelletjie van 'n Debat]]'' ("Little model of a debate"), ''[[Die Omslagtige Tant Lenie]]'' ("The Circumloquatious Aunt Lenie"), ''[[Piet Neulpotjie]]'' ("Piet Complainer") and ''[[Onvoorbereide Toesprake]]'' ("Unprepared Speeches", which he called a "burlesque"). His important fuller-length plays followed and are ''[[Die Familie Zaak]]'' ("The case about the family" -1911), ''[[Die Hoop van Suid-Afrika]]'' ("The Hope of South Africa" - 1913), ''[[Die Wêreld die Draai]]'' ("The World Turns", A reworking of ''[[Die Water Zaak]]'' - 1914), ''[[Die Onmoontlike Tweeling]]'' ("The Impossible Twins" - 19*), ''[[Petronella]]'' (19*)  ''[[Die Laaste van die Takhare]]'' ('The last of the backvelders", a final reworking of ''Die Water Zaak'' as a full-length work - 19**) , ''[[Die Vrouw van Suid-Afrika]]'' ("The Woman of South Africa" - 19**), ***, ***.  
 
Technically the more proficient of his generation as a playwright, his works were extremely popular and frequently republished. In view of Langenhoven's perception of his own role in the cultural development of the Afrikaner and the often moralizing tone of the plays themselves, Binge (1969) refers to his work as "educational theatre". He started with two short pieces called  ''[[Die Water Zaak]]'' ("The case about the water rights" -1906/7) and ''[[Die Trouwbelofte]]'' ("The wedding vow" - 1906/7), then wrote and published a series of brief but classic dialogues in ''Het Zuid-Westen'' during 1911 (specifically written for the gratis use by amateurs and schools, not professionals) - including ''[[Die Tweetalige Vonnis]]'' ("The bilingual sentencing"), ''[[Die Kijs abaut die Forro]]'' ("The case about the furrow"), ''[[Die Beproewings van 'n Prokureur]]'' ("The trials/torments of a lawyer"), ''[[Modelletjie van 'n Debat]]'' ("Little model of a debate"), ''[[Die Omslagtige Tant Lenie]]'' ("The Circumloquatious Aunt Lenie"), ''[[Piet Neulpotjie]]'' ("Piet Complainer") and ''[[Onvoorbereide Toesprake]]'' ("Unprepared Speeches", which he called a "burlesque"). His important fuller-length plays followed and are ''[[Die Familie Zaak]]'' ("The case about the family" -1911), ''[[Die Hoop van Suid-Afrika]]'' ("The Hope of South Africa" - 1913), ''[[Die Wêreld die Draai]]'' ("The World Turns", A reworking of ''[[Die Water Zaak]]'' - 1914), ''[[Die Onmoontlike Tweeling]]'' ("The Impossible Twins" - 19*), ''[[Petronella]]'' (19*)  ''[[Die Laaste van die Takhare]]'' ('The last of the backvelders", a final reworking of ''Die Water Zaak'' as a full-length work - 19**) , ''[[Die Vrouw van Suid-Afrika]]'' ("The Woman of South Africa" - 19**), ***, ***.  
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He also acted in some of them, notably portraying "Piet Retief" in the first production of ''[[Hoop van Suid-Afrika]]'' in 1913. Also famous for his idiosyncratic refusal to have his plays performed by professional companies, since he saw the works as a contribution to Afrikaner culture, not commodities to be sold. He did however allow amateur companies to perform his works for free of charge, thus making them a major staple of their various repertoires. (See Du Toit,  1988) [TH, JH]  
 
He also acted in some of them, notably portraying "Piet Retief" in the first production of ''[[Hoop van Suid-Afrika]]'' in 1913. Also famous for his idiosyncratic refusal to have his plays performed by professional companies, since he saw the works as a contribution to Afrikaner culture, not commodities to be sold. He did however allow amateur companies to perform his works for free of charge, thus making them a major staple of their various repertoires. (See Du Toit,  1988) [TH, JH]  
  
LANGENHOVEN, C.J. Afrikaans writer and playwright. [[PACT]]’s Afrikaans company staged his satire, ''[[Die Laaste van die Takhare]]'' in 1967 ***(Tucker, 1997)
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[[PACT]]’s Afrikaans company staged his satire, ''[[Die Laaste van die Takhare]]'' in 1967 ***(Tucker, 1997)
 +
 
 +
 
 +
== His career as cultural activist ==
 +
 
 +
 
 +
A leader in the struggle for the recognition of Afrikaans from 1910 onwards, he in 1925 utilized his position as parliamentarian to draft and submitted the law which first recognized Afrikaans as an official language. Like so many of his contemporaries, he wrote every conceivable literary form, in order to establish Afrikaans as a literary and cultural language. Beginning as editor of ''Het Zuid-Westen'' in Oudtshoorn, he later utilized his famous and popular weekly column in ''Die Burger'' for almost ** years (called ''Aan Stille Waters'' - "By Quiet Waters") to address every conceivable issue in society. His best known works today are perhaps the words of ''Die Stem van Suid-Afrika'' ("The Voice of South Africa" - the national anthem of the Union and the Republic till 1994, and still part of the new South African anthem), his comic novels - notably ''Sonde met die Bure'' ("Trouble with the Neighbours"), ''Herrie op die ou Tremspoor'' ("Herrie on the old Tram Track") and a children's stories, ''[[Brolloks en Bittergal]]'' and ''[[Loeloeraai]]''. Many of his works, especially the latter two were often performed as plays.
 +
 
  
  

Revision as of 07:02, 5 November 2013

(1873-1932). Attorney, politician, journalist, poet, novelist, playwright, essayist, comic writer, hugely popular public speaker and cultural activist, whose wit and breath of interest made him a legendary figure in South Africa.


His birth and training

Career

His career as writer

Though baptised Cornelis Jacobus Langenhoven, he published most of his work under the name C.J. Langenhoven, though more familiarly known as "Sagmoedige Neelsie" (Soft-hearted Neelsie) or simply "Kerneels". Also wrote under a variety of other temporary pseudonyms, including "Halley", "Credo Exacto", etc.



Prose and poetry

Plays and theatre

Technically the more proficient of his generation as a playwright, his works were extremely popular and frequently republished. In view of Langenhoven's perception of his own role in the cultural development of the Afrikaner and the often moralizing tone of the plays themselves, Binge (1969) refers to his work as "educational theatre". He started with two short pieces called Die Water Zaak ("The case about the water rights" -1906/7) and Die Trouwbelofte ("The wedding vow" - 1906/7), then wrote and published a series of brief but classic dialogues in Het Zuid-Westen during 1911 (specifically written for the gratis use by amateurs and schools, not professionals) - including Die Tweetalige Vonnis ("The bilingual sentencing"), Die Kijs abaut die Forro ("The case about the furrow"), Die Beproewings van 'n Prokureur ("The trials/torments of a lawyer"), Modelletjie van 'n Debat ("Little model of a debate"), Die Omslagtige Tant Lenie ("The Circumloquatious Aunt Lenie"), Piet Neulpotjie ("Piet Complainer") and Onvoorbereide Toesprake ("Unprepared Speeches", which he called a "burlesque"). His important fuller-length plays followed and are Die Familie Zaak ("The case about the family" -1911), Die Hoop van Suid-Afrika ("The Hope of South Africa" - 1913), Die Wêreld die Draai ("The World Turns", A reworking of Die Water Zaak - 1914), Die Onmoontlike Tweeling ("The Impossible Twins" - 19*), Petronella (19*) Die Laaste van die Takhare ('The last of the backvelders", a final reworking of Die Water Zaak as a full-length work - 19**) , Die Vrouw van Suid-Afrika ("The Woman of South Africa" - 19**), ***, ***.

He also acted in some of them, notably portraying "Piet Retief" in the first production of Hoop van Suid-Afrika in 1913. Also famous for his idiosyncratic refusal to have his plays performed by professional companies, since he saw the works as a contribution to Afrikaner culture, not commodities to be sold. He did however allow amateur companies to perform his works for free of charge, thus making them a major staple of their various repertoires. (See Du Toit, 1988) [TH, JH]

PACT’s Afrikaans company staged his satire, Die Laaste van die Takhare in 1967 ***(Tucker, 1997)


His career as cultural activist

A leader in the struggle for the recognition of Afrikaans from 1910 onwards, he in 1925 utilized his position as parliamentarian to draft and submitted the law which first recognized Afrikaans as an official language. Like so many of his contemporaries, he wrote every conceivable literary form, in order to establish Afrikaans as a literary and cultural language. Beginning as editor of Het Zuid-Westen in Oudtshoorn, he later utilized his famous and popular weekly column in Die Burger for almost ** years (called Aan Stille Waters - "By Quiet Waters") to address every conceivable issue in society. His best known works today are perhaps the words of Die Stem van Suid-Afrika ("The Voice of South Africa" - the national anthem of the Union and the Republic till 1994, and still part of the new South African anthem), his comic novels - notably Sonde met die Bure ("Trouble with the Neighbours"), Herrie op die ou Tremspoor ("Herrie on the old Tram Track") and a children's stories, Brolloks en Bittergal and Loeloeraai. Many of his works, especially the latter two were often performed as plays.



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