Difference between revisions of "C.A. Rouvière"

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A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]].  
 
A member of [[C.E. Boniface]]'s company [[Honi Soit qui Mal y Pense]].  
  
She danced as one of the Ballet Dancers in ''[[De Burger Edelman]]'' (28 May 1825), as one of the "Jonge Jufvrouwen" ("young women") in ''[[La Femme à Deux Maris|De Vrouw met Twee Mannen]]'' (15 October, 1825),  as well as the ''Corps de Ballet'' of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.
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She danced as one of the Ballet Dancers in ''[[De Burger Edelman]]'' (28 May 1825), as one of the "Jonge Jufvrouwen" ("young women") in both ''[[The Liar]]'' (Foote) and ''[[La Femme à Deux Maris|De Vrouw met Twee Mannen]]'' (Pixérecourt) on 15 October, 1825,  as well as the ''Corps de Ballet'' of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.  
  
 
== Sources ==
 
== Sources ==
  
[[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: p. 295-7.  
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[[F.C.L. Bosman]], 1928[http://www.dbnl.org/tekst/bosm012dram01_01/]: p. 282, 295-7   
  
Go to [[South African Theatre/Bibliography]]
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Go to [[ESAT Bibliography]]
  
 
== Return to ==
 
== Return to ==
  
Return to [[ESAT Personalities S]]
+
Return to [[ESAT Personalities R]]
  
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]
 
Return to [[South_African_Theatre/Personalities|South African Theatre Personalities]]

Latest revision as of 04:50, 24 August 2016

Miss C.A. Rouvière (17**-18**) was a young amateur performer in Cape Town during the 1820s. (Possibly also referred to as C. Rouvière in some cases.)

Contribution to South African theatre and performance

A member of C.E. Boniface's company Honi Soit qui Mal y Pense.

She danced as one of the Ballet Dancers in De Burger Edelman (28 May 1825), as one of the "Jonge Jufvrouwen" ("young women") in both The Liar (Foote) and De Vrouw met Twee Mannen (Pixérecourt) on 15 October, 1825, as well as the Corps de Ballet of 48 dancers (mostly children) in the Grand Finale of Ballet which ended the evening's entertainment.

Sources

F.C.L. Bosman, 1928[1]: p. 282, 295-7

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