Difference between revisions of "Boetman is die Bliksem in!"
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| + | A play by Pieter Fourie (2000) | ||
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| + | == Description == | ||
''Boetman is die Bliksem in!'', a play by [[Pieter Fourie]], based on a letter to the press by [[Chris Louw]] in reaction to the book ''Afrikaners: kroes, kras, kordaat'' by Willem de Kerk, including the resulting reaction to Louw's letter. Essentially an older generation of Afrikaner leaders was accused of misleading a younger generation of Afrikaner males into fighting and dying for the despicable cause of apartheid. Directed by [[Marthinus Basson]] at [[Aardklop festival|Aardklop]], 2000. Performed at several venues countrywide during 2001. | ''Boetman is die Bliksem in!'', a play by [[Pieter Fourie]], based on a letter to the press by [[Chris Louw]] in reaction to the book ''Afrikaners: kroes, kras, kordaat'' by Willem de Kerk, including the resulting reaction to Louw's letter. Essentially an older generation of Afrikaner leaders was accused of misleading a younger generation of Afrikaner males into fighting and dying for the despicable cause of apartheid. Directed by [[Marthinus Basson]] at [[Aardklop festival|Aardklop]], 2000. Performed at several venues countrywide during 2001. | ||
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== Background == | == Background == | ||
| − | A different dimension of Afrikaner guilt was explored in the docudrama ''Boetman is die Bliksem in!'' [Laddie is the hell in!], developed by dramatist Pieter Fourie with director Marthinus Basson | + | A different dimension of Afrikaner guilt was explored in the docudrama ''Boetman is die Bliksem in!'' [Laddie is the hell in!], developed by dramatist [[Pieter Fourie]] with director [[Marthinus Basson]]. The project’s point of departure was an angry open letter sent by journalist [[Chris Louw]] to prominent academic [[Willem de Klerk]] in response to a book de Klerk had written about the Afrikaners. Louw attacked de Klerk and the older generation of Afrikaner rulers for lying and deceiving the younger Afrikaners and this led to a vigorous debate in the Afrikaans media. Louw’s letter and subsequent book on the subject, together with transcripts of radio and TV interviews, newspaper articles and other documentation of the debate were used as the basis of the stage play. Here were Afrikaner baby-boomers addressing the recent past and attacking the patronising manner in which the apartheid rulers had treated even their own offspring and left them to face the music after the demise of the regime, and to deal with the legacy of the leaders’ racist actions while they could go into comfortable retirement. [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms]. p. 114 |
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| + | == Performance history in South Africa == | ||
| + | Directed by [[Marthinus Basson]] for the [[Aardklop National Arts Festival]] in 2000 and later staged at the [[KKNK]] and [[Grahamstown Festival]] and in mainstream theatres. | ||
| + | |||
| + | ==Translations and adaptations== | ||
| + | |||
| + | == Sources == | ||
| + | |||
| + | |||
| + | Go to [[South African Theatre/Bibliography|ESAT Bibliography]] | ||
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| + | == Return to == | ||
| + | |||
| + | Return to [[ESAT Templates]] | ||
| + | Return to [[ESAT Plays 1 B|B]] in Plays I Original SA Plays | ||
| − | Return to [[ESAT Plays | + | Return to [[ESAT Plays 2 B|B]] in Plays II Foreign Plays |
| − | Return to [[ESAT Plays | + | Return to [[ESAT Plays 3 B|B]] in Plays III Collections |
| + | |||
| + | Return to [[ESAT Festivals B|B]] in Plays IV: Festivals and Pageants | ||
Return to [[South_African_Theatre/Plays]] | Return to [[South_African_Theatre/Plays]] | ||
| + | |||
| + | Return to [[The ESAT Entries]] | ||
Return to [[Main Page]] | Return to [[Main Page]] | ||
Revision as of 11:37, 25 February 2014
A play by Pieter Fourie (2000)
Contents
Description
Boetman is die Bliksem in!, a play by Pieter Fourie, based on a letter to the press by Chris Louw in reaction to the book Afrikaners: kroes, kras, kordaat by Willem de Kerk, including the resulting reaction to Louw's letter. Essentially an older generation of Afrikaner leaders was accused of misleading a younger generation of Afrikaner males into fighting and dying for the despicable cause of apartheid. Directed by Marthinus Basson at Aardklop, 2000. Performed at several venues countrywide during 2001.
Background
A different dimension of Afrikaner guilt was explored in the docudrama Boetman is die Bliksem in! [Laddie is the hell in!], developed by dramatist Pieter Fourie with director Marthinus Basson. The project’s point of departure was an angry open letter sent by journalist Chris Louw to prominent academic Willem de Klerk in response to a book de Klerk had written about the Afrikaners. Louw attacked de Klerk and the older generation of Afrikaner rulers for lying and deceiving the younger Afrikaners and this led to a vigorous debate in the Afrikaans media. Louw’s letter and subsequent book on the subject, together with transcripts of radio and TV interviews, newspaper articles and other documentation of the debate were used as the basis of the stage play. Here were Afrikaner baby-boomers addressing the recent past and attacking the patronising manner in which the apartheid rulers had treated even their own offspring and left them to face the music after the demise of the regime, and to deal with the legacy of the leaders’ racist actions while they could go into comfortable retirement. [Van Heerden (2008)][1]. p. 114
Performance history in South Africa
Directed by Marthinus Basson for the Aardklop National Arts Festival in 2000 and later staged at the KKNK and Grahamstown Festival and in mainstream theatres.
Translations and adaptations
Sources
Go to ESAT Bibliography
Return to
Return to ESAT Templates
Return to B in Plays I Original SA Plays
Return to B in Plays II Foreign Plays
Return to B in Plays III Collections
Return to B in Plays IV: Festivals and Pageants
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page
