Difference between revisions of "Black-Eyed Susan, or All in the Downs"

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Described as "a nautical melodrama (with all its stock characters) that praises the patriotic British tar (sailor) while critiquing authoritarianism in the British Navy"[http://en.wikipedia.org/wiki/Black-Eyed_Susan], it was the playwright's Jerrold's first successful play, opening at the Surrey Theatre on 26 January 1829 and setting a new record of over 150 performances. It is a key play in the history of English melodrama, and became a stock play across the Empire, also in South Africa, till well into the 20th century.
 
Described as "a nautical melodrama (with all its stock characters) that praises the patriotic British tar (sailor) while critiquing authoritarianism in the British Navy"[http://en.wikipedia.org/wiki/Black-Eyed_Susan], it was the playwright's Jerrold's first successful play, opening at the Surrey Theatre on 26 January 1829 and setting a new record of over 150 performances. It is a key play in the history of English melodrama, and became a stock play across the Empire, also in South Africa, till well into the 20th century.
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==Translations and adaptations==
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== Performance history in South Africa ==
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== Sources ==
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http://en.wikipedia.org/wiki/Black-Eyed_Susan
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[[F.C.L. Bosman]], 1928: pp. 209,
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Go to [[ESAT Bibliography]]
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== Return to ==
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Return to [[PLAYS I: Original SA plays]]
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Return to [[PLAYS II: Foreign plays]]
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Return to [[PLAYS III: Collections]]
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Return to [[PLAYS IV: Pageants and public performances]]
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Return to [[South_African_Festivals|South African Festivals and Competitions]]
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Return to [[The ESAT Entries]]
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Return to [[Main Page]]

Revision as of 08:41, 22 April 2015

A comic play in three acts by Douglas Jerrold.

The original text

Described as "a nautical melodrama (with all its stock characters) that praises the patriotic British tar (sailor) while critiquing authoritarianism in the British Navy"[1], it was the playwright's Jerrold's first successful play, opening at the Surrey Theatre on 26 January 1829 and setting a new record of over 150 performances. It is a key play in the history of English melodrama, and became a stock play across the Empire, also in South Africa, till well into the 20th century.

Translations and adaptations

Performance history in South Africa

Sources

http://en.wikipedia.org/wiki/Black-Eyed_Susan


F.C.L. Bosman, 1928: pp. 209,


Go to ESAT Bibliography

Return to

Return to PLAYS I: Original SA plays

Return to PLAYS II: Foreign plays

Return to PLAYS III: Collections

Return to PLAYS IV: Pageants and public performances

Return to South African Festivals and Competitions

Return to The ESAT Entries

Return to Main Page