Difference between revisions of "Birrie le Roux"
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| − | LE ROUX, Birrie. (19*-) Set and costume designer. Studied at the [[University of Pretoria Drama Department|University of Pretoria]], then joined [[PACT]]. In addition worked for [[CAPAB]] and [[Space Theatre|The Space]] Theatre over the years, and did other freelance work, i.a. for [[Marthinus Basson]]. Her stage work includes ***, costumes for ''[[Dusa, Fish, Stas and Vi]]'', ''[[The Eternal Dance]]'', ''[[The Final Sting of the Dying Wasp]]'', ''[[Play it again, Sam]]'' at [[Space Theatre|The Space]] in the 1970s, ** designs for ''[[The Merchant of Venice]]'' ([[Maynardville]], 19** - [[Vita Award]] for best design, ''[[The Road to Mecca]]'' ([[Market Theatre]] 198*?/[[CAPAB]] , 19**?? – [[Vita Award]] for best design), O'Neill's ''[[A Long Day's Journey into Night]]'' ([[CAPAB]], 1989?*), [[Reza de Wet]]'s ''[[Mis]]'' ([[CAPAB]], 1993), Ibsen's ''[[Spoke]]'' ([[CAPAB]], 1990), ''[[Nag, Moeder van die Dag]]'' ([[CAPAB]], 1991), ''[[Merry Wives of Windsor]]'' (??* 199*), ''[[Die Skewe | + | LE ROUX, Birrie. (19*-) Set and costume designer. Studied at the [[University of Pretoria Drama Department|University of Pretoria]], then joined [[PACT]]. In addition worked for [[CAPAB]] and [[Space Theatre|The Space]] Theatre over the years, and did other freelance work, i.a. for [[Marthinus Basson]]. Her stage work includes ***, costumes for ''[[Dusa, Fish, Stas and Vi]]'', ''[[The Eternal Dance]]'', ''[[The Final Sting of the Dying Wasp]]'', ''[[Play it again, Sam]]'' at [[Space Theatre|The Space]] in the 1970s, ** designs for ''[[The Merchant of Venice]]'' ([[Maynardville]], 19** - [[Vita Award]] for best design, ''[[The Road to Mecca]]'' ([[Market Theatre]] 198*?/[[CAPAB]] , 19**?? – [[Vita Award]] for best design), O'Neill's ''[[A Long Day's Journey into Night]]'' ([[CAPAB]], 1989?*), [[Reza de Wet]]'s ''[[Mis]]'' ([[CAPAB]], 1993), Ibsen's ''[[Spoke]]'' ([[CAPAB]], 1990), ''[[Nag, Moeder van die Dag]]'' ([[CAPAB]], 1991), ''[[Merry Wives of Windsor]]'' (??* 199*), ''[[Die Skewe Sirkel]]'' (??*, 199*), ''[[Twaalfde Nag]]'' ([[Oude Libertas Theatre]] and [[Baxter Theatre]], 2005), ''[[Begeerte]]'' (Eugene O’Neill’s ''Desire under the Elms'', [[Baxter Theatre]] and [[KKNK]] 2006), . Won the [[Vita Award]] for best design twice. Also worked as designer on prominent films such as ''Fiela se Kind'' (198*), ''Paljas'' (1997), ''Meluda'' (200*) and ''The Story of an African Farm'' (200*). |
Revision as of 15:33, 16 June 2014
LE ROUX, Birrie. (19*-) Set and costume designer. Studied at the University of Pretoria, then joined PACT. In addition worked for CAPAB and The Space Theatre over the years, and did other freelance work, i.a. for Marthinus Basson. Her stage work includes ***, costumes for Dusa, Fish, Stas and Vi, The Eternal Dance, The Final Sting of the Dying Wasp, Play it again, Sam at The Space in the 1970s, ** designs for The Merchant of Venice (Maynardville, 19** - Vita Award for best design, The Road to Mecca (Market Theatre 198*?/CAPAB , 19**?? – Vita Award for best design), O'Neill's A Long Day's Journey into Night (CAPAB, 1989?*), Reza de Wet's Mis (CAPAB, 1993), Ibsen's Spoke (CAPAB, 1990), Nag, Moeder van die Dag (CAPAB, 1991), Merry Wives of Windsor (??* 199*), Die Skewe Sirkel (??*, 199*), Twaalfde Nag (Oude Libertas Theatre and Baxter Theatre, 2005), Begeerte (Eugene O’Neill’s Desire under the Elms, Baxter Theatre and KKNK 2006), . Won the Vita Award for best design twice. Also worked as designer on prominent films such as Fiela se Kind (198*), Paljas (1997), Meluda (200*) and The Story of an African Farm (200*).
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