Difference between revisions of "Baxter Theatre"

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Since its opening in 1977 the complex has continued to provide a stage for all types of professional entertainment - music, drama, ballet, opera and intimate theatre. Even through the difficult years of racial segregation its doors remained open to everyone and it thrived, drawing on indigenous talent and creating a uniquely South African theatre tradition.
  
Bookshop
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The Baxter Theatre Centre consists of:
  
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•Theatre with 666 seats
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•Concert Hall with a fine Von Beckerath organ and seating for 638
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•the intimate Golden Arrow Studio Theatre with 172 seats.Bookshop
  
 
== Companies ==
 
== Companies ==

Revision as of 05:27, 7 December 2010

Situated on the University of Cape Town campus in Rondebosch. It opened as The Baxter Theatre in October 1977, named after William Duncan Baxter who had donated money for a theatre to be built that would be open for all. Renamed the It was initially run by John Slemon. He was replaced by Rodney Philips in 199* and he in turn was followed by Mannie Manim in 200* and Lara Foote-Newton in 2009. **


Facilities

Since its opening in 1977 the complex has continued to provide a stage for all types of professional entertainment - music, drama, ballet, opera and intimate theatre. Even through the difficult years of racial segregation its doors remained open to everyone and it thrived, drawing on indigenous talent and creating a uniquely South African theatre tradition.

The Baxter Theatre Centre consists of:

•Theatre with 666 seats •Concert Hall with a fine Von Beckerath organ and seating for 638 •the intimate Golden Arrow Studio Theatre with 172 seats.Bookshop

Companies

Baxter Theatre Company

Baxter Theatre Chidren's Company

Productions

It opened with a production of Leonard Bernstein’s Candide, directed by Mavis Taylor and starring Mark Baker and Roxanne Folley. Pieter Toerien staged The Deep Blue Sea, directed by Joan Kempton and starring Helen Cherry and James Faulkner in 1977. Barney Simon directed Cincinatti – Scenes from City Life starring Vanessa Cooke, Marcel van Heerden, Danny Keogh, Lesley Nott, Barrie Shah, Thoko Ntshinga, Bo Petersen, Sam Williams and Robin Smith for The Company here in1979. Alan Ayckbourn’s trilogy, The Norman Conquests, separately titled Table Manners, Living Together and Round and Round the Garden, was staged here in 1979. Beckett’s Waiting for Godot, directed by Donald Howarth and starring John Kani, Winston Ntshona and Pieter-Dirk Uys was staged here in 1980. Ronald Harwood’s The Dresser starring Michael Atkinson, Michael McCabe, Shelagh Holliday, Paddy Canavan, Lynne Maree and Simon Swindell and directed by Leonard Schach was staged here in November 1980. In collaboration with the Market Theatre they staged Stephen Gray’s Cold Stone Jug, based on the book by H.C.Bosman, and directed by Barney Simon in 1981. The Academy hosted the Baxter production of Seer in the Suburbs, the English translation of P.G. du Plessis’ Siener in die Suburbs starring Dale Cutts, Trudie Taljaard, Bo Petersen and Marcel van Heerden in 1981. Pieter Toerien and Shirley Firth staged their last joint production at the Intimate in September 1982 namely the Baxter Theatre production of Robert Kirby’s It’s a Boy starring Dale Cutts, Bo Petersen and James Irwin with direction by Keith Grenville. A.R.Gurney Jr’s The Dining Room starring Gordon Mullholand, Amanda Strydom, Ralph Lawson and Patricia Sanders with direction by Bobby Heany was staged here circa 1983. Pieter Toerien presented Agnes of God starring Fiona Ramsay, Pauline Bailey and Lena Ferugia and directed by Nikolas Simmonds here in 1983 before moving to the Alhambra. Julian Mitchell’s Another Country starring Sean Taylor, Neil McCarthy, Jeremy Crutchley and John Carson, directed by Nikolas Simmonds with lighting design by Pip Marshall opened here on 17 June 1983 before this Baxter production moved to the Market with minor cast changes in July. Keith Grenville directed Anyone for Denis? starring John Lesley and Erica Rogers at the Academy in 1983. They presented The Importance of Being Oscar starring Michael Atkinson, and Aleksei Arbuzov’s Old-World starring Zoe Randall and John Carson and directed by Rosalie van der Gucht, at the Leonard Rayne in 1984. Graham Wright brought the Baxter’s production of Steven Berkoff’s Decadence starring Bo Petersen and John Maytham (replacing Fiona Ramsay and Henry Goodman who had played the roles in Cape Town) with direction by Ron Smerczak to the Wits Theatre in 1984 after it ran at the Durban Alhambra. Bobby Heaney’s production of Strindberg’s Miss Julie starring Sandra Prinsloo and John Kani originated here and went to the Market in February 1985. Robin Levetan’s Skyf starring Sean Taylor originated here before playing at Upstairs at the Market in May 1985. Steven Berkoff’s Greek, directed by Mavis Taylor and Keith Grenville’s Not About Heroes, for Volute Productions was staged here in 1986. Esther van Ryswyk’s production of Hallo en Koebaai originated here circa 1987. David Kramer and Taliep Petersen’s musical District Six – The Musical ran here for six months in 1987. They staged Every Good Boy Deserves Favour starring Ralph Lawson, Roger Dwyer and the Cape Town Symphony Orchestra in 1988. Max Collie performed here circa1988. Fred Abrahamse’s production of A Midsummer Night’s Dream was staged at the Market through a Market-Baxter-Handspring Puppet Company collaboration in 1989. They presented Guys and Dolls over the festive season in 1990. Pieter-Dirk Uys starred in his satire An Evening with Evita Bezuidenhout during the same time. Leonard Schach’s Baxter production of Beecham was staged at the Civic’s Youth Theatre in 1993. Paul Slabolepszy’s Pale Natives was staged here in circa 1994. *** (Tucker, 1997)




Projects

Ikhwezi

See Ikhwezi Outreach Programme and Ikhwezi Theatre Festival

Sources

Tucker, 1997;

For more information

Go to the Baxter Theatre Centre website at http://www.baxter.co.za/


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