Bartho Smit
(1924-1987) Controversial Afrikaans playwright, director, writer, publisher and philosopher. Born in ** , he studied philosophy at ***. Began as a poet, joined Perskor as a popular and inspirational publisher and became a founding member of the Sestiger Movement and the Skrywersgilde in the 1980s. Went to Germany to finish his doctorate in philosophy, but never did, for he got to know theatre there and returned prepared to become a dramatist and director. Marriage to actress Kita Redelinghuys reinforced his interest in drama as a medium. An intellectual and highly experimental writer with a respect for theatrical tradition and a flair for the dramatic and metaphoric, Smit’s work is vastly eclectic and often slightly cumbersome – yet memorable. He also directed many of his own plays over the years. Made his name with a few experiments with the realistic one act play, including his earliest work – Meisies van Vervloë Dae - and the play that established his reputation as dramatist, the haunting Moeder Hanna. Both produced by NTO in their NTO Kamertoneel in 1959, directed by Smit himself. He then moved on to the more highly charged and serious political work such as Die Verminktes (Tr: “The Maimed” S: in English in London: 1960, in Afrikaans by PACT: 1977; Tr: 1960, P: 1960??**), Putsonderwater (Tr: “Well-without-water, or The Virgin and the Vultures - S: PACOFS: 1969, Tr: 19**, P: 1962), Christine (S: 19**, P: 19**), and the satirical political comedy of Don Juan onder die Boere (“Don Juan among the Farmers/Boers” - S: 1960, P: 1960??**), Bacchus in die Boland (“Bacchus in the Boland” -S: 19**, P: 19**)and Die Keiser (“The Emperor”- S: 19**, P: 19**) to the frothy expertise of Man met ‘n Lyk om sy Nek. (“Man with a corpse around his neck” - S: 19**, P: 19**). On occasion acted as adjudicator for the FATSSA Play Festival. Smit is perhaps the most banned playwright in South African history, with virtually all his plays running into trouble (see entries on the individual plays). At the same time his superb translations of Moliére, Ionesco, ***, *** and *** were published in 19** and brought him many awards, including the **** Award. He was finally awarded the Hertzog Prize for Drama in 1978 in recognition of his work as dramatist with special mention of his plays [Christine]], Moeder Hanna, Putsonderwater and Die Verminktes (Beeld, 29 Apr 1978). His spirit lives on in a new generation of Afrikaans writers: Reza de Wet, Deon Opperman, Charles Fourie. SMIT, Bartho. Afrikaans playwright. He wrote Moeder Hanna which the National Theatre staged in 1959. His Afrikaans translation of Friedrich Dürrenmatt’s The Visit, directed by Fred Engelen with Anna Neethling-Pohl, was staged at the Johannesburg Civic Theatre in 1962. Ricky Arden directed his Die Man Met ‘n Lyk om Sy Nek for PACT at the Intimate in 1966. SMIT, Bartho, Moeder Hanna, eerste Afr. Skrywer wat vir die NTO self as regisseur opgetree het *. Studie in buiteland oor regie bv. Parys, Munchen, London, Wenen, Antwerpen, Amsterdam.. Don Juan onder die boere, Regie: Francois Swart, met Wilna Snyman, Pierre van Pletzen, Arnold Vosloo, Johan Malherbe, Jacque Loots. Ontwerp: dekor – Johan Badenhorst; Kostuums: James Parker; Sand du Plessis Theatre, 1985. Die jakkalsstreke van Scapino, vertaal deur Bartho Smit, Jannie Gildenhuys (regie), Tilana Hanekom, Siegfried Mynhardt, Pieter Geldenhuys, Kita Redelinghuys, Cobus Rossouw, Anton Grobler, Leonora Nel, Johan van Zyl, Frank Graves (dekor) Doreen Graves (kostuums), Peter Rorke (musiek gekomponeer).
Sources
See: SATJ Sept. 1987; Malan, 19**, Kannemeyer, 19**; Tucker, 1997
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