https://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&feed=atom&action=historyBantu Men's Social Centre (BMSC) - Revision history2024-03-29T11:49:54ZRevision history for this page on the wikiMediaWiki 1.33.2https://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=8713&oldid=prevCentaps: Blanked the page2010-12-22T03:56:32Z<p>Blanked the page</p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 03:56, 22 December 2010</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The Bantu Men's Social Centre was started by Rev. Ray E. Phillips (1889-1967) of the American Board Mission in central Johannesburg for recreational activities by black South Africans. Phillips was a Congregational minister who in 1918 came to South Africa from the United States with Dora, his wife (1892-1967). During the forty years that the Phillipses spent in South Africa, Ray helped found a number of organizations to assist black South Africans, or to foster racial co-operation. Firmly opposed to segregation, Phillips was involved in the founding of the South African Institute for Race Relations (1929), the Johannesburg Coordinating Council for Non-European Welfare Organization, and the Jan H. Hofmeyr School of Social Work (1941), of which he was the director. The Hofmeyr School provided training for black social workers, among whom Winnie Madikizela, before her marriage to Nelson Mandela.[1] Political activists like Nelson Mandela and Walter Sisulu (1912-2003) were members of the Bantu Men's Social Centre, and the African National Congress's Youth League was started on its premises in 1944.[2]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The Social Centre was located at 1 Eloff Street at the edge of Johannesburg's central business district, among car dealerships and cheap food stores. Apart from a gymnasium, the Social Centre building featured a stage. Next door was [[Dorkay House]], a former clothing factory and eventual home to the [[South African Union of Artists]] (later known as [[Union Artists]]).</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Various plays were presented to a variety of audiences on the Social Centre's stage. In 1938, for example, [[H.I.E. Dhlomo]] presented ''[[Moshoeshoe]]'', a drama about the baSotho king,[12] performed in English. A large racially-mixed audience watched the all African cast that included Dhlomo. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A farewell concert was held at the Social Centre in 1956 for Father Trevor Huddleston, the missionary priest of Sophiatown.[18]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">In 1958 Athol Fugard's No-Good Friday was performed, showing for the first time the reality of black South Africans. Fugard held auditions at the Bantu Men's Social Centre which drew only males, who were either members of the Centre or musicians from Union Artists.[21] The cast included Fugard, who also directed, and first-time actors Stephen Moloi, Connie Mabaso, Dan Poho, Ken Gampu, Zakes Mokae, Preddie Ramphele, Bloke Modisane, and Gladys Sibisi.[22] The African Feeding Fund, through its white chairman, Hugh Tatham, was the sponsor. The audience comprised mostly black Africans. The only whites present were Tatham and his committee, actor and critic Bill Brewer, and acting teacher Benedicta Bonnacorsi.[23]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">On June 8, 1959 Fugard's ''[[Nongogo]]'' was performed by a cast comprising Cornelius Mabaso, David Phetoe, Solomon Rachilo, Thandi Khumalo and Zakes Mokae.[24][25] The significance of Fugard's racially-mixed plays at the Social Centre is that at the time other theatre venues prohibited racially-mixed casts.[26]</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">The Social Centre offered performances and training in jazz and classical music in the late 1950s. One room held a number of gramophones which members could listen and practice music to.[27] Eric Gallo, chair of Gallo Africa record company, donated musical instruments to the Social Centre.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Alan Cobley (1997) relates that membership declined during the apartheid era. In line with the Group Areas Act the Bantu Men's Social Centre was forced to close on December 31, 1971. The West Rand Administration Board occupied the building from 1973. Appeals by the Centre's executive committee for a building in Soweto fell on deaf ears. The Bantu Men's Social Centre issued its final report in 1975.</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">in 1934 it housed the [[National Thanksgiving]] (or [[Emancipation Centenary Celebration]]), which [according to [[Loren Kruger]], 1999] in a sense gave rise to the notion of the “New African” in South African Black culture. </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Numerous local works by such divergent writers as Dhlomo and Fugard were performed here over the years. For example [[Brian Brooke]] presented the grand dame of the English theatre, Dame [[Sybil Thorndike]] in a series of drama and poetry recitals with her husband, Sir [[Lewis Casson]]. They played for a black audience at the [[Bantu Men’s Social Centre]] in 1956. John Bolon staged a concert at the [[Bantu Men’s Social Centre]] in 1953, in a fund raising attempt for Father Trevor Huddleston. ''[[No-Good Friday]]'', [[Athol Fugard]]’s first play, was staged here in conjunction with the [[Union of Southern African Artists]]. Fugard himself appeared in the play, together with his black cast – [[Bloke Modisane]], [[Dan Poho]], [[Steve Moloi]], [[Ken Gampu]], [[Gladys Sibisa]] and [[Zakes Mokae]] in 1958. *** (Tucker, 1997)</del></div></td><td colspan="2"> </td></tr>
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</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3046&oldid=prevCentaps at 09:08, 6 October 20102010-10-06T09:08:35Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:08, 6 October 2010</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Bantu Men's Social Centre was started by Rev. Ray E. Phillips (1889-1967) of the American Board Mission in central Johannesburg for recreational activities by black South Africans. Phillips was a Congregational minister who in 1918 came to South Africa from the United States with Dora, his wife (1892-1967). During the forty years that the Phillipses spent in South Africa, Ray helped found a number of organizations to assist black South Africans, or to foster racial co-operation. Firmly opposed to segregation, Phillips was involved in the founding of the South African Institute for Race Relations (1929), the Johannesburg Coordinating Council for Non-European Welfare Organization, and the Jan H. Hofmeyr School of Social Work (1941), of which he was the director. The Hofmeyr School provided training for black social workers, among whom Winnie Madikizela, before her marriage to Nelson Mandela.[1] Political activists like Nelson Mandela and Walter Sisulu (1912-2003) were members of the Bantu Men's Social Centre, and the African National Congress's Youth League was started on its premises in 1944.[2]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Bantu Men's Social Centre was started by Rev. Ray E. Phillips (1889-1967) of the American Board Mission in central Johannesburg for recreational activities by black South Africans. Phillips was a Congregational minister who in 1918 came to South Africa from the United States with Dora, his wife (1892-1967). During the forty years that the Phillipses spent in South Africa, Ray helped found a number of organizations to assist black South Africans, or to foster racial co-operation. Firmly opposed to segregation, Phillips was involved in the founding of the South African Institute for Race Relations (1929), the Johannesburg Coordinating Council for Non-European Welfare Organization, and the Jan H. Hofmeyr School of Social Work (1941), of which he was the director. The Hofmeyr School provided training for black social workers, among whom Winnie Madikizela, before her marriage to Nelson Mandela.[1] Political activists like Nelson Mandela and Walter Sisulu (1912-2003) were members of the Bantu Men's Social Centre, and the African National Congress's Youth League was started on its premises in 1944.[2]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The Social Centre was located at 1 Eloff Street<del class="diffchange diffchange-inline">[3] </del>at the edge of Johannesburg's central business district, among car dealerships and cheap food stores. Apart from a gymnasium, the Social Centre building featured a stage. Next door was Dorkay House, a former clothing factory and eventual home to the [[South African Union of Artists]] (later known as [[Union Artists]]).</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The Social Centre was located at 1 Eloff Street at the edge of Johannesburg's central business district, among car dealerships and cheap food stores. Apart from a gymnasium, the Social Centre building featured a stage. Next door was <ins class="diffchange diffchange-inline">[[</ins>Dorkay House<ins class="diffchange diffchange-inline">]]</ins>, a former clothing factory and eventual home to the [[South African Union of Artists]] (later known as [[Union Artists]]).</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Various plays were presented to a variety of audiences on the Social Centre's stage. In 1938, for example, [[H.I.E. Dhlomo]] presented ''[[Moshoeshoe]]'', a drama about the baSotho king,[12] performed in English. A large racially-mixed audience watched the all African cast that included Dhlomo. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Various plays were presented to a variety of audiences on the Social Centre's stage. In 1938, for example, [[H.I.E. Dhlomo]] presented ''[[Moshoeshoe]]'', a drama about the baSotho king,[12] performed in English. A large racially-mixed audience watched the all African cast that included Dhlomo. </div></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3045&oldid=prevCentaps at 09:07, 6 October 20102010-10-06T09:07:52Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:07, 6 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the ''BMSC''. Is this right? A later name perhaps?</del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;">'''CHECK ON THIS''' </del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Bantu Men's Social Centre was started by Rev. Ray E. Phillips (1889-1967) of the American Board Mission in central Johannesburg for recreational activities by black South Africans. Phillips was a Congregational minister who in 1918 came to South Africa from the United States with Dora, his wife (1892-1967). During the forty years that the Phillipses spent in South Africa, Ray helped found a number of organizations to assist black South Africans, or to foster racial co-operation. Firmly opposed to segregation, Phillips was involved in the founding of the South African Institute for Race Relations (1929), the Johannesburg Coordinating Council for Non-European Welfare Organization, and the Jan H. Hofmeyr School of Social Work (1941), of which he was the director. The Hofmeyr School provided training for black social workers, among whom Winnie Madikizela, before her marriage to Nelson Mandela.[1] Political activists like Nelson Mandela and Walter Sisulu (1912-2003) were members of the Bantu Men's Social Centre, and the African National Congress's Youth League was started on its premises in 1944.[2]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The Bantu Men's Social Centre was started by Rev. Ray E. Phillips (1889-1967) of the American Board Mission in central Johannesburg for recreational activities by black South Africans. Phillips was a Congregational minister who in 1918 came to South Africa from the United States with Dora, his wife (1892-1967). During the forty years that the Phillipses spent in South Africa, Ray helped found a number of organizations to assist black South Africans, or to foster racial co-operation. Firmly opposed to segregation, Phillips was involved in the founding of the South African Institute for Race Relations (1929), the Johannesburg Coordinating Council for Non-European Welfare Organization, and the Jan H. Hofmeyr School of Social Work (1941), of which he was the director. The Hofmeyr School provided training for black social workers, among whom Winnie Madikizela, before her marriage to Nelson Mandela.[1] Political activists like Nelson Mandela and Walter Sisulu (1912-2003) were members of the Bantu Men's Social Centre, and the African National Congress's Youth League was started on its premises in 1944.[2]</div></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3044&oldid=prevCentaps at 09:07, 6 October 20102010-10-06T09:07:05Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:07, 6 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the ''BMSC''. Is this right? A later name perhaps?</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the ''BMSC''. Is this right? A later name perhaps?</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''CHECK ON THIS''' </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''CHECK ON THIS''' </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The Bantu Men's Social Centre was started by Rev. Ray E. Phillips (1889-1967) of the American Board Mission in central Johannesburg for recreational activities by black South Africans. Phillips was a Congregational minister who in 1918 came to South Africa from the United States with Dora, his wife (1892-1967). During the forty years that the Phillipses spent in South Africa, Ray helped found a number of organizations to assist black South Africans, or to foster racial co-operation. Firmly opposed to segregation, Phillips was involved in the founding of the South African Institute for Race Relations (1929), the Johannesburg Coordinating Council for Non-European Welfare Organization, and the Jan H. Hofmeyr School of Social Work (1941), of which he was the director. The Hofmeyr School provided training for black social workers, among whom Winnie Madikizela, before her marriage to Nelson Mandela.[1] Political activists like Nelson Mandela and Walter Sisulu (1912-2003) were members of the Bantu Men's Social Centre, and the African National Congress's Youth League was started on its premises in 1944.[2]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The Social Centre was located at 1 Eloff Street[3] at the edge of Johannesburg's central business district, among car dealerships and cheap food stores. Apart from a gymnasium, the Social Centre building featured a stage. Next door was Dorkay House, a former clothing factory and eventual home to the [[South African Union of Artists]] (later known as [[Union Artists]]).</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Various plays were presented to a variety of audiences on the Social Centre's stage. In 1938, for example, [[H.I.E. Dhlomo]] presented ''[[Moshoeshoe]]'', a drama about the baSotho king,[12] performed in English. A large racially-mixed audience watched the all African cast that included Dhlomo. </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">A farewell concert was held at the Social Centre in 1956 for Father Trevor Huddleston, the missionary priest of Sophiatown.[18]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">In 1958 Athol Fugard's No-Good Friday was performed, showing for the first time the reality of black South Africans. Fugard held auditions at the Bantu Men's Social Centre which drew only males, who were either members of the Centre or musicians from Union Artists.[21] The cast included Fugard, who also directed, and first-time actors Stephen Moloi, Connie Mabaso, Dan Poho, Ken Gampu, Zakes Mokae, Preddie Ramphele, Bloke Modisane, and Gladys Sibisi.[22] The African Feeding Fund, through its white chairman, Hugh Tatham, was the sponsor. The audience comprised mostly black Africans. The only whites present were Tatham and his committee, actor and critic Bill Brewer, and acting teacher Benedicta Bonnacorsi.[23]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">On June 8, 1959 Fugard's ''[[Nongogo]]'' was performed by a cast comprising Cornelius Mabaso, David Phetoe, Solomon Rachilo, Thandi Khumalo and Zakes Mokae.[24][25] The significance of Fugard's racially-mixed plays at the Social Centre is that at the time other theatre venues prohibited racially-mixed casts.[26]</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">The Social Centre offered performances and training in jazz and classical music in the late 1950s. One room held a number of gramophones which members could listen and practice music to.[27] Eric Gallo, chair of Gallo Africa record company, donated musical instruments to the Social Centre.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">Alan Cobley (1997) relates that membership declined during the apartheid era. In line with the Group Areas Act the Bantu Men's Social Centre was forced to close on December 31, 1971. The West Rand Administration Board occupied the building from 1973. Appeals by the Centre's executive committee for a building in Soweto fell on deaf ears. The Bantu Men's Social Centre issued its final report in 1975.</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3043&oldid=prevCentaps at 09:00, 6 October 20102010-10-06T09:00:36Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
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<col class="diff-marker" />
<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:00, 6 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the ''BMSC''. Is this right?</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the ''BMSC''. Is this right<ins class="diffchange diffchange-inline">? A later name perhaps</ins>?</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''CHECK ON THIS''' </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''CHECK ON THIS''' </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3042&oldid=prevCentaps at 09:00, 6 October 20102010-10-06T09:00:03Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 09:00, 6 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the <del class="diffchange diffchange-inline">'</del>''BMSC<del class="diffchange diffchange-inline">'</del>''. '''CHECK ON THIS''' <del class="diffchange diffchange-inline">Is this right?</del></div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' as the full name for the ''BMSC''. <ins class="diffchange diffchange-inline">Is this right?</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>'''CHECK ON THIS''' </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3041&oldid=prevCentaps at 08:59, 6 October 20102010-10-06T08:59:38Z<p></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:59, 6 October 2010</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB'''<del class="diffchange diffchange-inline">, The (</del>BMSC<del class="diffchange diffchange-inline">)</del>. '''CHECK ON THIS''' Is this right?</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''' <ins class="diffchange diffchange-inline">as the full name for the '''</ins>BMSC<ins class="diffchange diffchange-inline">'''</ins>. '''CHECK ON THIS''' Is this right?</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A social centre and venue in downtown Johannesburg, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=3040&oldid=prevCentaps at 08:58, 6 October 20102010-10-06T08:58:58Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 08:58, 6 October 2010</td>
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<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>A venue <del class="diffchange diffchange-inline">founded </del>in downtown Johannesburg and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. <del class="diffchange diffchange-inline">In </del>1934 it housed the National Thanksgiving (or Emancipation Centenary Celebration), which [according to [[Loren Kruger]], 1999] in a sense gave rise to the notion of the “New African” in South African Black culture. Numerous local works by such divergent writers as Dhlomo and Fugard were performed here over the years. <del class="diffchange diffchange-inline">***** BANTU MEN’S SOCIAL CENTRE: This was a social centre situated in Eloff Street Extension, adjacent to [[Dorkay House]]. </del>[[Brian Brooke]] presented the grand dame of the English theatre, Dame [[Sybil Thorndike]] in a series of drama and poetry recitals with her husband, Sir [[Lewis Casson]]. They played for a black audience at the Bantu Men’s Social Centre in 1956. John Bolon staged a concert at the Bantu Men’s Social Centre in 1953, in a fund raising attempt for Father Trevor Huddleston. No-Good Friday, Athol <del class="diffchange diffchange-inline">Fugard’s </del>first play, was staged here in conjunction with the Union of Southern African Artists. Fugard himself appeared in the play, together with his black cast – Bloke Modisane, Dan Poho, Steve Moloi, Ken Gampu, Gladys Sibisa and Zakes Mokae in 1958. *** (Tucker, 1997)</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Also have a reference to it as the '''BLACK MEN’S SOCIAL CLUB''', The (BMSC). '''CHECK ON THIS''' Is this right?</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A <ins class="diffchange diffchange-inline">social centre and </ins>venue in downtown Johannesburg<ins class="diffchange diffchange-inline">, situated in Eloff Street Extension, adjacent to [[Dorkay House]], founded in 1924 </ins>and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">in </ins>1934 it housed the <ins class="diffchange diffchange-inline">[[</ins>National Thanksgiving<ins class="diffchange diffchange-inline">]] </ins> (or <ins class="diffchange diffchange-inline">[[</ins>Emancipation Centenary Celebration<ins class="diffchange diffchange-inline">]]</ins>), which [according to [[Loren Kruger]], 1999] in a sense gave rise to the notion of the “New African” in South African Black culture. </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Numerous local works by such divergent writers as Dhlomo and Fugard were performed here over the years. <ins class="diffchange diffchange-inline">For example </ins>[[Brian Brooke]] presented the grand dame of the English theatre, Dame [[Sybil Thorndike]] in a series of drama and poetry recitals with her husband, Sir [[Lewis Casson]]. They played for a black audience at the <ins class="diffchange diffchange-inline">[[</ins>Bantu Men’s Social Centre<ins class="diffchange diffchange-inline">]] </ins>in 1956. John Bolon staged a concert at the <ins class="diffchange diffchange-inline">[[</ins>Bantu Men’s Social Centre<ins class="diffchange diffchange-inline">]] </ins>in 1953, in a fund raising attempt for Father Trevor Huddleston. <ins class="diffchange diffchange-inline">''[[</ins>No-Good Friday<ins class="diffchange diffchange-inline">]]''</ins>, <ins class="diffchange diffchange-inline">[[</ins>Athol <ins class="diffchange diffchange-inline">Fugard]]’s </ins>first play, was staged here in conjunction with the <ins class="diffchange diffchange-inline">[[</ins>Union of Southern African Artists<ins class="diffchange diffchange-inline">]]</ins>. Fugard himself appeared in the play, together with his black cast – <ins class="diffchange diffchange-inline">[[</ins>Bloke Modisane<ins class="diffchange diffchange-inline">]]</ins>, <ins class="diffchange diffchange-inline">[[</ins>Dan Poho<ins class="diffchange diffchange-inline">]]</ins>, <ins class="diffchange diffchange-inline">[[</ins>Steve Moloi<ins class="diffchange diffchange-inline">]]</ins>, <ins class="diffchange diffchange-inline">[[</ins>Ken Gampu<ins class="diffchange diffchange-inline">]]</ins>, <ins class="diffchange diffchange-inline">[[</ins>Gladys Sibisa<ins class="diffchange diffchange-inline">]] </ins>and <ins class="diffchange diffchange-inline">[[</ins>Zakes Mokae<ins class="diffchange diffchange-inline">]] </ins>in 1958. *** (Tucker, 1997)</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div> </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]</div></td></tr>
</table>Centapshttps://esat.sun.ac.za/index.php?title=Bantu_Men%27s_Social_Centre_(BMSC)&diff=2845&oldid=prevCentaps: Created page with "A venue founded in downtown Johannesburg and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the soci..."2010-10-04T08:16:34Z<p>Created page with "A venue founded in downtown Johannesburg and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the soci..."</p>
<p><b>New page</b></p><div>A venue founded in downtown Johannesburg and sustained by white philanthropists and black professionals and teachers from the 1920s to the 1950s as a gathering point for the social, political and cultural elite of the black urban community. In 1934 it housed the National Thanksgiving (or Emancipation Centenary Celebration), which [according to [[Loren Kruger]], 1999] in a sense gave rise to the notion of the “New African” in South African Black culture. Numerous local works by such divergent writers as Dhlomo and Fugard were performed here over the years. ***** BANTU MEN’S SOCIAL CENTRE: This was a social centre situated in Eloff Street Extension, adjacent to [[Dorkay House]]. [[Brian Brooke]] presented the grand dame of the English theatre, Dame [[Sybil Thorndike]] in a series of drama and poetry recitals with her husband, Sir [[Lewis Casson]]. They played for a black audience at the Bantu Men’s Social Centre in 1956. John Bolon staged a concert at the Bantu Men’s Social Centre in 1953, in a fund raising attempt for Father Trevor Huddleston. No-Good Friday, Athol Fugard’s first play, was staged here in conjunction with the Union of Southern African Artists. Fugard himself appeared in the play, together with his black cast – Bloke Modisane, Dan Poho, Steve Moloi, Ken Gampu, Gladys Sibisa and Zakes Mokae in 1958. *** (Tucker, 1997)<br />
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Return to [[South_African_Theatre/Venues|South African Theatre Venues, Companies, Societies, etc ]]<br />
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Return to [[The ESAT Entries]]<br />
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