Difference between revisions of "Amrach die Tollenaar"

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''[[Amrach die Tollenaar]]'' ("Amrach the publican") is an [[Afrikaans]] play in three acts by [[D.F. Malherbe]].  
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''[[Amrach die Tollenaar]]'' ("Amrach the publican") is an [[Afrikaans]] play in three acts by [[D.F. Malherbe]] (1881-1969).  
  
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==The original text==
  
about **, it was reworked by the author as a play and **Published by [[Nasionale Pers]], 1935.
 
 
 
''[[Op die Trekpad]]'' ("On the trek road") is an [[Afrikaans]] play in three acts by [[D.F. Malherbe]].
 
 
==The original text==
 
  
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Based on his own novel of the same name, the play has a Biblical theme of emerging nationhood, and is set in Amrach's  house a few days after the crucifixion of Christ and the conversion of Amrach's wife Miriam. The play was published by [[Nasionale Pers]]  in 1935. 
  
Based on his own novel , it was published by [[Nasionale Pers]] in 1935.  
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The play was a serious contender for the [[Hertzog Prize]] for Drama in 1935.  
  
  
 
== Performance history in South Africa ==
 
== Performance history in South Africa ==
  
1934?: Produced in Bloemfontein by produced the [[Toneelskool van die Hanekoms]].
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1934?: Produced in Bloemfontein by the [[Toneelskool van die Hanekoms]].
  
 
== Sources ==
 
== Sources ==

Revision as of 05:55, 30 November 2017

Amrach die Tollenaar ("Amrach the publican") is an Afrikaans play in three acts by D.F. Malherbe (1881-1969).

The original text

Based on his own novel of the same name, the play has a Biblical theme of emerging nationhood, and is set in Amrach's house a few days after the crucifixion of Christ and the conversion of Amrach's wife Miriam. The play was published by Nasionale Pers in 1935.

The play was a serious contender for the Hertzog Prize for Drama in 1935.


Performance history in South Africa

1934?: Produced in Bloemfontein by the Toneelskool van die Hanekoms.

Sources

https://af.wikipedia.org/wiki/D.F._Malherbe

J.C. Kannemeyer 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica. (Second edition, 1984[1], pp. 162

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