Difference between revisions of "A Thumping Legacy"
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1852: Performed on Tuesday 13 April and again on 21 April by the [[Garrison Players|Amateur Company]] under the title ''[[The Thumping Legacy]]'' in the [[Garrison Theatre]], as one of three fundraisers for the survivors of the troop ship ''Birkenhead''. It played as afterpiece to ''[[Don César de Bazan| Don Caesar de Bazan, or Love and Honour]]'' (Webster and Boucicault). | 1852: Performed on Tuesday 13 April and again on 21 April by the [[Garrison Players|Amateur Company]] under the title ''[[The Thumping Legacy]]'' in the [[Garrison Theatre]], as one of three fundraisers for the survivors of the troop ship ''Birkenhead''. It played as afterpiece to ''[[Don César de Bazan| Don Caesar de Bazan, or Love and Honour]]'' (Webster and Boucicault). | ||
| − | 1854: Performed under the title ''[[The Thumping Legacy]]'' by the [[ | + | 1854: Performed under the title ''[[The Thumping Legacy]]'' by the [[Amateur Theatrical Society Port Elizabeth]] in the new [[Port Elizabeth Theatre]] on Fridy 7 July, with ''[[The Road to Ruin]]'' (Holcroft). |
1855: Performed under the title ''[[The Cockney in Corsica]]'' | 1855: Performed under the title ''[[The Cockney in Corsica]]'' | ||
Revision as of 05:17, 23 May 2015
A farce by John Maddison Morton (1811–1891)
Contents
The original text
Performed in London as A Thumping Legacy in 1843. Often subtitled, or alternatively titled, The Cockney in Corsica
Performance history in South Africa
1852: Performed on Tuesday 13 April and again on 21 April by the Amateur Company under the title The Thumping Legacy in the Garrison Theatre, as one of three fundraisers for the survivors of the troop ship Birkenhead. It played as afterpiece to Don Caesar de Bazan, or Love and Honour (Webster and Boucicault).
1854: Performed under the title The Thumping Legacy by the Amateur Theatrical Society Port Elizabeth in the new Port Elizabeth Theatre on Fridy 7 July, with The Road to Ruin (Holcroft).
1855: Performed under the title The Cockney in Corsica in the Drawing Room Theatre, Cape Town, on Friday 13 July 1855 by Sefton Parry, as a benefit performance for the Patriotic Fund, along with A Capital Match (J.M. Morton) and Monsieur Jacques (Barnett).
Translations and adaptations
Sources
The Spectator, 18 FEBRUARY 1843, p. 15[1]
Bosman, 1928: pp. 402-3,
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