https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&feed=atom&action=history
Éléonore de Rosalba, ou Le Confessionnal des Pénitens Noirs - Revision history
2024-03-28T13:45:10Z
Revision history for this page on the wiki
MediaWiki 1.33.2
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=238355&oldid=prev
Satj: /* Sources */
2023-06-12T15:06:23Z
<p><span dir="auto"><span class="autocomment">Sources</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:06, 12 June 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l33" >Line 33:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Eléonore de Rosalba ou Le confessionnal des pénitens noirs'', [[WorldCat]][http://www.worldcat.org/title/eleonore-de-rosalba-ou-le-confessionnal-des-penitens-noirs-anne-radcliffetrad-de-langlais-par-mary-gay-avec-figures-de-queverdo/oclc/463153928]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>''Eléonore de Rosalba ou Le confessionnal des pénitens noirs'', [[WorldCat]][http://www.worldcat.org/title/eleonore-de-rosalba-ou-le-confessionnal-des-penitens-noirs-anne-radcliffetrad-de-langlais-par-mary-gay-avec-figures-de-queverdo/oclc/463153928]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Mary Ellen Snodgrass. 2009. ''Encyclopedia of Gothic Literature'': p.193[https://books.google.co.za/books?id=zEAcjezGec4C&pg=PA193&lpg=PA193&dq=Eleonora+of+Rosalba+by++Anne+Radcliffe&source=bl&ots=F4UD-K9n_d&sig=Ya_zswZfIz4KQAsLeGAxLdaawa4&hl=en&sa=X&ei=Ib4kVbzgH4yM7AaTxIEI&ved=0CCEQ6AEwAQ#v=onepage&q=Eleonora%20of%20Rosalba%20by%20%20Anne%20Radcliffe&f=false]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Mary Ellen Snodgrass. 2009. ''Encyclopedia of Gothic Literature'': p.193<ins class="diffchange diffchange-inline">, [[Google Books]]</ins>[https://books.google.co.za/books?id=zEAcjezGec4C&pg=PA193&lpg=PA193&dq=Eleonora+of+Rosalba+by++Anne+Radcliffe&source=bl&ots=F4UD-K9n_d&sig=Ya_zswZfIz4KQAsLeGAxLdaawa4&hl=en&sa=X&ei=Ib4kVbzgH4yM7AaTxIEI&ved=0CCEQ6AEwAQ#v=onepage&q=Eleonora%20of%20Rosalba%20by%20%20Anne%20Radcliffe&f=false]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Facsimile version of the original French text, Google eBook[https://books.google.co.za/books?id=GKNSgUwHjpMC&printsec=frontcover&dq=inauthor:%22Pujos%22&hl=en&sa=X&ei=5rQkVbviOoqW7Ab54YD4DA&ved=0CCUQ6AEwAQ#v=onepage&q&f=false]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Facsimile version of the original French text, <ins class="diffchange diffchange-inline">[[</ins>Google eBook<ins class="diffchange diffchange-inline">]]</ins>[https://books.google.co.za/books?id=GKNSgUwHjpMC&printsec=frontcover&dq=inauthor:%22Pujos%22&hl=en&sa=X&ei=5rQkVbviOoqW7Ab54YD4DA&ved=0CCUQ6AEwAQ#v=onepage&q&f=false]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Emmet Kennedy , 1996, ''Theatre, Opera, and Audiences in Revolutionary Paris: Analysis and Repertory'': p. 132[https://books.google.co.za/books?id=LoEmV8ud3FAC&pg=PA132&lpg=PA132&dq=Eleonore+de+Rosalba&source=bl&ots=TsvDsy55Hr&sig=rAOugy55MJ2qjPYb0snukbFC2Ec&hl=en&sa=X&ei=pLAkVbPDLunV7Qbt54CICA&ved=0CD8Q6AEwBg#v=onepage&q=Eleonore%20de%20Rosalba&f=false]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Emmet Kennedy , 1996, ''Theatre, Opera, and Audiences in Revolutionary Paris: Analysis and Repertory'': p. 132[https://books.google.co.za/books?id=LoEmV8ud3FAC&pg=PA132&lpg=PA132&dq=Eleonore+de+Rosalba&source=bl&ots=TsvDsy55Hr&sig=rAOugy55MJ2qjPYb0snukbFC2Ec&hl=en&sa=X&ei=pLAkVbPDLunV7Qbt54CICA&ved=0CD8Q6AEwBg#v=onepage&q=Eleonore%20de%20Rosalba&f=false]</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=238354&oldid=prev
Satj: /* Sources */
2023-06-12T15:05:24Z
<p><span dir="auto"><span class="autocomment">Sources</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:05, 12 June 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Line 31:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>''Eléonore de Rosalba ou Le confessionnal des pénitens noirs<del class="diffchange diffchange-inline">""</del>, [[WorldCat]][http://www.worldcat.org/title/eleonore-de-rosalba-ou-le-confessionnal-des-penitens-noirs-anne-radcliffetrad-de-langlais-par-mary-gay-avec-figures-de-queverdo/oclc/463153928]</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>''Eléonore de Rosalba ou Le confessionnal des pénitens noirs<ins class="diffchange diffchange-inline">''</ins>, [[WorldCat]][http://www.worldcat.org/title/eleonore-de-rosalba-ou-le-confessionnal-des-penitens-noirs-anne-radcliffetrad-de-langlais-par-mary-gay-avec-figures-de-queverdo/oclc/463153928]</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Mary Ellen Snodgrass. 2009. ''Encyclopedia of Gothic Literature'': p.193[https://books.google.co.za/books?id=zEAcjezGec4C&pg=PA193&lpg=PA193&dq=Eleonora+of+Rosalba+by++Anne+Radcliffe&source=bl&ots=F4UD-K9n_d&sig=Ya_zswZfIz4KQAsLeGAxLdaawa4&hl=en&sa=X&ei=Ib4kVbzgH4yM7AaTxIEI&ved=0CCEQ6AEwAQ#v=onepage&q=Eleonora%20of%20Rosalba%20by%20%20Anne%20Radcliffe&f=false]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Mary Ellen Snodgrass. 2009. ''Encyclopedia of Gothic Literature'': p.193[https://books.google.co.za/books?id=zEAcjezGec4C&pg=PA193&lpg=PA193&dq=Eleonora+of+Rosalba+by++Anne+Radcliffe&source=bl&ots=F4UD-K9n_d&sig=Ya_zswZfIz4KQAsLeGAxLdaawa4&hl=en&sa=X&ei=Ib4kVbzgH4yM7AaTxIEI&ved=0CCEQ6AEwAQ#v=onepage&q=Eleonora%20of%20Rosalba%20by%20%20Anne%20Radcliffe&f=false]</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=238353&oldid=prev
Satj: /* Sources */
2023-06-12T15:05:03Z
<p><span dir="auto"><span class="autocomment">Sources</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 15:05, 12 June 2023</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Line 31:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>http://www.worldcat.org/title/eleonore-de-rosalba-ou-le-confessionnal-des-penitens-noirs-anne-radcliffetrad-de-langlais-par-mary-gay-avec-figures-de-queverdo/oclc/463153928</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">''Eléonore de Rosalba ou Le confessionnal des pénitens noirs"", [[WorldCat]][</ins>http://www.worldcat.org/title/eleonore-de-rosalba-ou-le-confessionnal-des-penitens-noirs-anne-radcliffetrad-de-langlais-par-mary-gay-avec-figures-de-queverdo/oclc/463153928<ins class="diffchange diffchange-inline">]</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Mary Ellen Snodgrass. 2009. ''Encyclopedia of Gothic Literature'': p.193[https://books.google.co.za/books?id=zEAcjezGec4C&pg=PA193&lpg=PA193&dq=Eleonora+of+Rosalba+by++Anne+Radcliffe&source=bl&ots=F4UD-K9n_d&sig=Ya_zswZfIz4KQAsLeGAxLdaawa4&hl=en&sa=X&ei=Ib4kVbzgH4yM7AaTxIEI&ved=0CCEQ6AEwAQ#v=onepage&q=Eleonora%20of%20Rosalba%20by%20%20Anne%20Radcliffe&f=false]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Mary Ellen Snodgrass. 2009. ''Encyclopedia of Gothic Literature'': p.193[https://books.google.co.za/books?id=zEAcjezGec4C&pg=PA193&lpg=PA193&dq=Eleonora+of+Rosalba+by++Anne+Radcliffe&source=bl&ots=F4UD-K9n_d&sig=Ya_zswZfIz4KQAsLeGAxLdaawa4&hl=en&sa=X&ei=Ib4kVbzgH4yM7AaTxIEI&ved=0CCEQ6AEwAQ#v=onepage&q=Eleonora%20of%20Rosalba%20by%20%20Anne%20Radcliffe&f=false]</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177934&oldid=prev
Satj: /* Performance history in South Africa */
2019-10-22T03:07:36Z
<p><span dir="auto"><span class="autocomment">Performance history in South Africa</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 03:07, 22 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l25" >Line 25:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the new [[Bree Street Theatre]], Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the new [[Bree Street Theatre]], Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' () as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' (<ins class="diffchange diffchange-inline">Martainville</ins>) as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (Anon.) as afterpiece.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (Anon.) as afterpiece.</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177933&oldid=prev
Satj: /* Performance history in South Africa */
2019-10-22T03:06:37Z
<p><span dir="auto"><span class="autocomment">Performance history in South Africa</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 03:06, 22 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23" >Line 23:</td>
<td colspan="2" class="diff-lineno">Line 23:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1844: Performed in [[Dutch]] by the joint company [[Tot Nut en Vermaak en Door Yver Vruchtbaar]] in Cape Town on 2 August, with as afterpiece ''[[De Kalkoen van Breda, of Menig Voordeel Komt Onverwacht]]'' (Van Ray).</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1844: Performed in [[Dutch]] by the joint company [[Tot Nut en Vermaak en Door Yver Vruchtbaar]] in Cape Town on 2 August, with as afterpiece ''[[De Kalkoen van Breda, of Menig Voordeel Komt Onverwacht]]'' (Van Ray).</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in <ins class="diffchange diffchange-inline">the new [[Bree Street Theatre]], </ins>Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' () as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' () as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177932&oldid=prev
Satj: /* Performance history in South Africa */
2019-10-22T03:00:31Z
<p><span dir="auto"><span class="autocomment">Performance history in South Africa</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 03:00, 22 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l26" >Line 26:</td>
<td colspan="2" class="diff-lineno">Line 26:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' () as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' () as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</div></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2"> </td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (Anon.) as afterpiece.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (Anon.) as afterpiece.</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177931&oldid=prev
Satj: /* Performance history in South Africa */
2019-10-22T02:55:30Z
<p><span dir="auto"><span class="autocomment">Performance history in South Africa</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
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<col class="diff-marker" />
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:55, 22 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l24" >Line 24:</td>
<td colspan="2" class="diff-lineno">Line 24:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">1867: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in the [[Theatre Royal]], Cape Town on 23 May, with as afterpiece ''[[Het Bankroet van den Schoenlapper]]'' () as afterpiece, followed by songs sung by [[J. de Quack]] and a ballet performance.</ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (Anon.) as afterpiece.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (Anon.) as afterpiece.</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177930&oldid=prev
Satj: /* Sources */
2019-10-22T02:50:52Z
<p><span dir="auto"><span class="autocomment">Sources</span></span></p>
<table class="diff diff-contentalign-left" data-mw="interface">
<col class="diff-marker" />
<col class="diff-content" />
<col class="diff-marker" />
<col class="diff-content" />
<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 02:50, 22 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l45" >Line 45:</td>
<td colspan="2" class="diff-lineno">Line 45:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: J.H. de Bussy. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 243, 255, 447, 458.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: J.H. de Bussy. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 243, 255, 447, 458.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 448-451, </div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. <ins class="diffchange diffchange-inline">443, </ins>448-451, </div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Go to [[ESAT Bibliography]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Go to [[ESAT Bibliography]]</div></td></tr>
</table>
Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177444&oldid=prev
Satj at 04:29, 12 October 2019
2019-10-12T04:29:12Z
<p></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:29, 12 October 2019</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l44" >Line 44:</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: J.H. de Bussy. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 243, 255, 447, 458.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>[[F.C.L. Bosman]], 1928. ''Drama en Toneel in Suid-Afrika, Deel I: 1652-1855''. Pretoria: J.H. de Bussy. [http://www.dbnl.org/tekst/bosm012dram01_01/]: pp. 243, 255, 447, 458.</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[F.C.L. Bosman]]. 1980. ''Drama en Toneel in Suid-Afrika, Deel II, 1856-1912''. Pretoria: [[J.L. van Schaik]]: pp. 448-451, </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Go to [[ESAT Bibliography]]</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Go to [[ESAT Bibliography]]</div></td></tr>
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Satj
https://esat.sun.ac.za/index.php?title=%C3%89l%C3%A9onore_de_Rosalba,_ou_Le_Confessionnal_des_P%C3%A9nitens_Noirs&diff=177442&oldid=prev
Satj: /* Performance history in South Africa */
2019-10-12T04:26:50Z
<p><span dir="auto"><span class="autocomment">Performance history in South Africa</span></span></p>
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<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #222; text-align: center;">Revision as of 04:26, 12 October 2019</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>1853: Performed in [[Dutch]] by [[Door Yver Bloeit de Kunst]] in Cape Town on 8 September, with as afterpiece ''[[De Nachtmerrie, of De Vampyr]]'' (Perinet - based on the German ''[[Das Neue Sonntagskind]]'') as afterpiece.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' () as afterpiece.</div></td><td class='diff-marker'>+</td><td style="color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>1876: Performed in [[Dutch]] by [[De Eendracht]] in the [[Athenaeum Hall]], Cape Town with ''[[De Twee Vrijers, of Liefde en List]]'' (<ins class="diffchange diffchange-inline">Anon.</ins>) as afterpiece.</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td><td class='diff-marker'> </td><td style="background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>== Sources ==</div></td></tr>
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Satj