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Sichel, A. 1977. Golden tribute [Anna Neethling-Pohl]. South African panorama, 22(3): 4-5. March. Sichel, A. Francois Swart : teaterdinamo. De kat, (5) : 34-37.

Sichel, Adrienne 1987. The Grahamstown Festival. South African theatre journal, 1(1):118-124 Sichel, Adrienne 1987. The Grahamstown Festival. South African theatre journal, 1(2):82-86 Sichel, Adrienne 1989. The 1989 Grahamstown Festival. South African theatre journal, 3(2):116-120; 72-90 Sichel, Adrienne 1990. The Grahamstown Festival. South African theatre journal, 4(2):115-117 Sichel, Adrienne 1988. The 1988 Grahamstown Festival. South African theatre journal, 2(2):89-104. SICHERMAN, CAROL. 1994. Drama and health education in Uganda: An interview with Rose Mbowa. South African theatre journal, 8(1):63-67. SICHERMAN, CAROL. 1999. Drama and aids education in Uganda: An interview with Rose Mbowa. South African theatre journal, 13(1&2):111-117. Sieberts, Elize 1947. Agter die skerms met Hamlet. Ruiter, 1(1): 60-61. May 9. Sides, D.B. Analysis of the functional basis for theatre planning today. South African architectural record, 5(8): 16-17. Siegfried Mynhardt. 1981. Scenaria, Special issue: 29. Siener in die suburbs. [Literary criticism]. 1972. Huisgenoot, 42(2609): 87-89. April 14. Siener in die suburbs. [Literary criticism]. 1972. Taalgenoot, 41(3): 23. February. Sizemore-Barber 2009. Stages of complicity, stages of healing: a look at two theatrical responses to South Africa’s Truth and Reconciliation Commission. In Gobodo-Madikizela, Pumla (ed. and preface); Van der Merwe, Chris (ed. and preface); Minow, Martha (foreword) Memory, Narrative and Forgiveness: Perspectives on the Unfinished Journeys of the Past. Newcastle upon Tyne, England: Cambridge Scholars; 321-340. SILBERT, RACHEL. 1964. Southern African Drama in English: an Annotated Bibliography. Johannesburg: University of the Witwatersrand Press. Silverstone, Catherine 2009. ‘Honour the real thing’: Shakespeare, trauma and Titus Andronicus in South Africa. Shakespeare survey, 62: 46-57. Singer, Jacqui 2009. Searching the silences for the sounds of a “new poetics” in the female voice. South African theatre journal, 23: 68-83. Sirayi, Mzo 1996. Oral African drama in South Africa: the Xhosa indigenous drama forms. South African theatre journal, 10(1): 49-61. Sitas, Ari 1986. Culture and production: the contradictions of working class theatre in South Africa. Africa perspective NS 1(1-2): 84-110. Sitas, Ari 1996. The workers’ theatre in Natal. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 132-139. Skool en toneel. Deel I. 1959. Unie, 56(6): 287-288. Skool en toneel. Deel II. 1960. Unie, 56(7): 370-371. Skool en toneel. Deel III. 1960. Unie, 56(8): 405-410.

Skordis, R. 2003. Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process. Stellenbosch: University of Stellenbosch. (M (Dram)-thesis.) SKOTA, T.D.M. (ed and comp). 1931. The African Yearly Register. Being an Illustrated National Biographical Dictionary (Who’s Who) of of Black Folks in Africa. Johannesburg: R.L. Esson. SLABBER, C. 1976. Stel Teater en Verhoog nou aan almal in SA oop, vra grotes. Rapport, 29 Augustus: 21. Slabbert, A. 1993. Modern theatre and the quest for God : a comparative study of the plays of Eugene O'Neill and Bartho Smit . Stellenbosch: University of Stellenbosch. (M(Dram)-thesis.) Slabolepszy, Paul. 1998. Paul and Janet praise Slab’s latest. Letter to the editor in: The Star, February 18, 1998: 2. Slier, Lionel 2006. King Kong and the Jewish connection. Jewish affairs, 61(4): 69-72.

Sloman, B. 1959. Language teaching through child drama. Transvaal education news, 55(1): 11-12. SLOSBERG, B. 1939. Pagan Tapestry. London: Rich and Cravan. Slovo, G. (2000) Red Dust. New York, London: W. W. Norton and Company. SMALL, Adam. 1961. Die Eerste Steen. Cape Town: HAUM. Small, G.R. 1979. Architect’s appraisal: the Hexagon theatre, University of Natal, Pietermaritzburg. Architecture South Africa, 5:9-11. June. Small, G.R. 1984. Durban’s provincial theatre complex under construction. Plann build dev, 68 : 5-8.


SMIT, Bartho. * Smit, Bartho 1949. Menigte juig. [Beroepsloopbaan van die Hanekoms]. Brandwag, 11(628): 21-23. October 14. Smith, Anna Deavere 1995. This is where the life is: impressions of the new South Africa. (Interview with the Market Theatre artistic director Barney Simon). American theatre, 12(5): 14-22. Smith, Charles. 2001. Pacofs-tariefverhoging kan kunste in VS knou. In: Volksblad, January 17, 2001: 1. Smith, Francois. 2002. Verlede bied nie waarborge. In: Die Burger, April 2, 2002: 4. Smith, I. 1977. Sy is bloot Yvonne Banning. Huisgenoot, 110-111. April 22. Smith, I. 1977. Wena se blus is nog la-a-ank nie uit nie. Huisgenoot, 56-58. April 8. Smith, I. & Van Heerden, J. 1977. Markgebou en sterrewag is nou teaters. Huisgenoot, 34-37. January 21. SMITH, J.F. 1981. Gesag en Onderdanigheid in die Dramas van Bartho Smit. Ongepubliseerde MA-tesis. U.W.K. 

Smith, Julian Frederick 1987. Kontemporere swart Afrikaanse                          gemeenskapstoneelaktiwiteit in die Kaapse Skiereiland: 'n ideologies-kritiese besinning./

Smith, Julian 1989. Kontemporêre swart Afrikaanse gemeenskapstoneel: dienswillig die uwe... Stilet, 1(1): 51-59. Smith, Julian 1990. Toneel en politiek. Bellville: Universiteit van Wes-Kaapland. Smith, M.E. 1987. Aantekeninge oor die eenbedrywe in Kollig.Klasgids: By die Studie van die Afrikaanse Taal en Letterkunde 22 (3): 40-48. Smuts, D. 1976. Melkboschplaas se kunstenarre. Sarie Marais, 28(1): 24-28. June 30. Smuts, D. 1979. [Yvonne Bryceland]. Fair lady, 14(17): 64-67. January 17.

Smuts, J.P. 1977. Chris Barnard se hoorspele. Standpunte, 30(1): 41-44. February. Smuts, J.P. 1984. Verby die woord: Nagspel. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 152-164. SMUTS, J P. 1990. Die musikale interteks by Die rebellie van Lafras Verwey. South African theatre journal, 4(1): 149-158. Smuts, J.P. 1993. Die aand van die fynproewer deur A.S. van Straaten. Reviewed in: South African theatre journal, 7(2): 136-139. Sneddon, E. 1981. Mag van die gesproke word. NEON, 37: 1-6.


Snow, Leida 1990. South African director encounters the Shuberts in the classroom. Theater week, 3(29): 31-32. February 26. Snowball, J.D. 2008. The impact of a change in ticket price on the demand for university live theatre: an illustrative case study of the Young Directors’ season at Rhodes Univesrity. South African theatre journal, 22: 119-129. SNOWBALL, Jeanette. D. 2008 Measuring the Value of Culture. Methods and examples in Cultural Economics (A study of the Grahamstown festival) Berlin: Springer-Verlag. Snowball, J.D. & Antrobus, G.G. 2009. The experiences of Fringe producers at the South African National Arts Festival: production, profits and non-market benefits. South African theatre journal, 23: 53-67. Snyman, H. 1970. Vyfling: T.T. Cloete. Unie, 67: 30-34. Snyman, Henning 1994. Kabaret: ‘n literêre grensgeval. South African theatre journal, 8(2): 27-37. Snyman, Maritha 1996. ‘n Pot vol winter : woordteks tot getransponeerde beeldteks. Tydskrif vir letterkunde, 32(21) : 43-60. Snyman, Maritha 1998. Kabaret van die Fin de Siècle: Le Chat Noir en Amanda Strydom se Vrou by die Spieël: ‘n vergelykende blik. Tydskrif vir Letterkunde. xxxvi/2: 76.

Snyman, N.J. 1985. Periandros van Korinthe (D.J. Opperman). Tydskrif vir letterkunde, 23(3): 112-123.

Snyman, R. 1987. Rolspel as aanvullende onderwysmetode vir kreatiewe onderrig en leer van taalvaardighede. Journal for language teaching, 21(3): 49-60. September. Snyman, Wilhelm. 1998. Fest: Praise and scorn in equal dollops. In: The Cape Times, July 7, 1998: 11.

Snyman, Wilhelm. 2003. Play pulls no punches on AIDS debate. In: The Cape Times, August 19, 2003: 10. 

 Social Sciences and Humanities Research Council of Canada, with University of 
 Society of Southern Africa, 2001; 13: 93-99. (journal article)

Solberg, Rolf 1999. Alternative theatre in South Africa :talks with prime movers since the 1970's. Pietermaritzburg : Hadeda. Solberg, Rolf. 2003. South African theatre in the melting pot :trends and developments at the turn of the millennium /interviews by Rolf Solberg ; [edited by Laurence Wright]. [Grahamstown, South Africa] : Institute for the Study of English in South Africa, Rhodes University. SOLE, KELWYN. 1984. Black Literature and Performance: Some Notes on Class and Populism. South African Labour Bulletin 9 (8): 54-76.

Sole, Kelwyn 1987. Identities and priorities in recent Black literature and performance: a preliminary Investigation. South African theatre journal, 1(1): 45 – 113.

Sole, T. 1980. Sun City theatre. Scenaria, (18): 29-30.


SOLOMON, E.: 193/34. The Arts in South Africa, Durban, Knox Printing and Publishing Co. Sommige vriende noem my bitterbek. [Wilma Stockenström]. 1977. Huisgenoot, 16-17. May 6. Songololo: Voices of Change (video) (Maureen Eke & Keyan Tomaselli) South African theatre journal, 6(2):96-98.

South Africa’s gains. 1941. Forum. 4(3): 31. South African amateur theatre grows. 1941. Forum. 4(10): 29. June 7. South African theatre. 1941. Forum. 3(48): 5. South African theatre helps to build national unit [Afrikaans and English societies produce Twelfth night]. 1940. Forum. 3(3): 5, 13. SOWDEN, Lewis. 1964. Both Sides of the Mask. The World of Muriel Alexander. Cape Town: Howard Timmins. Sowden, Lewis 1964. Both sides of the mask: the world of Muriel Alexander. Cape Town: Howard Timmins. Spangenberg, D.F. 1970. Afrikaanse dramakuns in die sestigerjare. De arte, 8: 36-29. Spangenberg, D.F. 1971. Afrikaanse dramakuns in die sestigerjare. Ons Erfdeel: Algemeen-Nederlands Tweemaandelijks Kultureel Tijdschrif, 14(3): 115-117. Speech and drama [Rhodes University]. 1970. South African panorama, 15(8): 28-29. Spelers in “Altyd my liefste”. 1948. Brandwag. 11(539): 5-7. January 30. Spelers van die staatstoneel. 1948. Huisgenoot. 32(1349):12-13. Januarie 30. SPENCER, BRENDA. 1992. Questioning the validity of a received interpretation of history which ignores colonial violence: A defence of Brenton’s Romans in Britain. South African theatre journal, 6(1):46-59. Spencer, Charles. 1996. Prophet in land of hope. In: The Telegraph, London, reprinted in EP Herald, February 12, 1996: 4. Spies, L. 1973. Hongerblom: hooglied en elegie. Standpunte, 26(3): 54-59. February. anorama, 18(8): 40-45. August.

Spitczok-Brisinski, Marek 2001. Powers of performance: discovering self, community and unity in South African theatre. Rondebosch: Centre for African Studies, University of Cape Town. Spitczok von Brisinski, Marek 2003. Rethinking community theatre: performing arts communities in post-apartheid. South African theatre journal, 17: 114-128. Spotlight on SA showbiz. 1971. Financial mail, 41: 164-167. July 16. Spotlight on performing arts finance. 1974. Business South Africa, 48-51. January.


Spring, Dorothy 1952. A century and a half of theatre in South Africa. Lantern, 2: 122-125. Oktober. Springbok frolics. 1940. Forum. 3(40): 5. December 28. Staal se rol in verhoogkuns. 1985. Yskornuus, 50(1) : 12-14.

Staatsteater Pretoria: ‘n oorsig in fotobeeld van die bouery van die teater en tonele uit die openingsaanbieding. 1981. Lantern, 31(1): 87-96.

Stagings: Ashraf Jamal interviews Fred Abrahamse, Mark Fleishman, Charles Fourie, Peter Hayes, Mannie Manim, Gerard Rudolf, Jane Taylor, Chris Weare, and Reza de Wet. 2000. In: Nuttall, Sarah & Michael, Cheryl-Ann (eds.) Senses of culture: South African culture studies. Cape Town: Oxford University Press. p. 197-211. Stark, Ulrich 1949. Voorwaarts... mars! [Derde reis van die Nasionale teater]. Brandwag, 11(614): 8-9. July 8. Stark, U. 1951. Kwarteeu van toneelwerk. Brandwag, 15(9): 16-19. March 30. Stark, U. 1952. Toneel vir almal. [N.T.O. reis met “Die jaar van die vuuros”; “As ons twee eers getroud is” en “The dam”]. Brandwag, 16(6): 28-33. March 7. Stark,U & Von Gordon, U. 1965. Loopbane in die uitvoerende kunste. My loopbaan, 16:204-208. Stark, U. 1979. Staatsteater Pretoria: pronkwerk vir Suid-Afrika. Lantern, 29(1): 40. Stark, U. 1981. Derduisende kweek reeds die Staatsteatergewoonte. Education and culture, 4(3): 4-6. Staroselskaja, N.; Rizzi, Daniela; Fevralskij, A.; Gorodnov, Andrej . Na scenach mira. IBT 1984 inskrywing 1060. Stassen, J.W. 1959. Toneel en kultuur : die ontwikkelingsgeskiedenis van die Hollandse en Afrikaanse toneel en drama in Suid-Afrika, 1801-1955. Bloemfontein: Universiteit van die Oranje-Vrystaat.. (D.Litt. thesis).

State theatre, Pretoria. 1980. Planning and building developments, 43: 6-19.

State theatre, Pretoria. 1981. South African builder, 60(5): 23-37.


State Theatre Advisory Board. 2001. Recommended Policy and Implementation Programme at National Level for the Performing Arts in South Africa. www.artslink.co.za/pansa State theatre’s award winning mechanical and electrical services. 1984. Architect and builder, 14-19. May.

Stathaki, Aktina 2007. A report on the 2007 Grahamstown National Arts festival. South African theatre journal, 21: 362-367. Stead, Rinie 1967. Portret van ‚n toneelpionier: hulde aan P.P. Breytenbach. Lantern, 17(2): 2-19. Stead, Rinie 1969. Raimond Schoop en die teater. Lantern, 18(4): 58-71. June. Stead, Rinie 1971. Sip of Jerepigo: Patrick Mynhardt maak toneelgeskiedenis. Lantern, 20(4): 72-80. June. Stead, Rinie 1981?*. Die Nasionale Toneelorganisasie. Unpublished manuscript, State Archives Pretoria. Stead, Rinie 1985a. "Die toneel is belangriker as ek" - 'n Persoonlike beskouing van P.P.B. Breytenbach. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 21-26. Stead, Rinie 1985b. The National Theatre Organization (NTO: 1947-1962). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 65-72.

Stead, Rinie Siegfried Mynhardt : ons laaste toneelpionier

Stead 1986 S Mynhardt Steadman, Ian P. 1980a. Critical responses to contemporary South African theatre. Critical arts, 1(3): 40-46. Steadman, Ian P. 1980b. Theatre of commitment: the political made theatrical in South African theatre. Scenaria, (17): 3. Steadman, Ian p. 1981. Performance research: a select bibliography. Critical arts, 2(1): 60-65.

Steadman, Ian 1981. Culture and context: notes on performance in South Africa. Critical arts, 2(1): 1-13. Steadman, Ian 1983. Night of the long wake by Dukuza Ka Macu. Reviewed in: Scenaria, (36): 29.

Steadman, I 1984. Black South African theatre after nationalism. Eng Acad rev, 2 :9-18.

Steadman, Ian 1984. Theatre, criticism and cultural studies: new directions for the 1980’s. Teaterforum, 5(1) 80-93.

Steadman, Ian 1984a. Alternative politics, alternative performance; 1976 and Black South African performance. In Daymond, M.J., Jacobs, J.U. & Lenta, M. (eds) Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 215-232. Steadman, Ian I984b.. Black South African theatre after Nationalism. English Academy Review. 2:9-18. Steadman, Ian 1984c. Theatre, criticism and cultural studies: new directions for the 1980s. Teaterforum, 5(1): 80-93. Steaman, Ian 1985.a. Black South African drama after Nationalism. English Academy review, 2: 9-18. Steadman, Ian 1985b. Drama and social consciousness: themes in Black theatre on the Witwatersrand until 1984. Johannesburg: University of the Witwatersrand. (Ph.D. Thesis). Steadman, Ian 1985c. The other face. Index to censorship 14 (1) : 26-30. Steadman, Ian 1986. Popular culture and performance in South Africa. Durban: Contemporary Cultural Studies Unit. Steadman, Ian Patrick 1986. Another world [Theatre – political aspects]. Leadership South Africa, 5(5) : 96-101.

Steadman, Ian 1987. Theatre and society. In Breitenbach R. (ed.) The arts in society, a collection of lectures. Grahamstown, 1820 Foundation. bladsye Steadman, Ian 1988a. Popular entertainment on tour (editorial). South African theatre journal, 2(2): 1-2. Steadman, Ian 1988b. Stages in revolution: Black South African theatre since 1976. Research in African literatures, 29: 24-33. Steadman, Ian 1989. Theatre studies in the 1990s. South African theatre journal, 3(2):1-3.

Steadman, Ian 1990a. The theatre industry in the 1990s. South African theatre journal, 4(2): 1-11. Steadman, Ian 1990b. Towards popular theatre in South Africa. Journal of Southern African studies 16 (2): 208-228. Steadman, Ian 1991a. My Children! My Africa! A/nd selected shorter plays, by Athol Fugard, edited by Stephen Gray. Reviewed in: South African theatre journal, 5(2): 111-112. Steadman, Ian 1991b. Theatre Beyond Apartheid. Research in African Literatures. 22(3):70-90. Steadman, Ian 1992a. Performance and politics: process and practices of representation in South African theatre. Theatre survey 33 (2): 188-210. Steadman, Ian 1992b. The uses of theatre. South African theatre journal, 6(1): 33-45. Steadman, Ian 1993. Theatre at the crossroads: An introduction to this special issue (editorial). South African theatre journal, 7(2):1-2. Steadman, Ian 1993. Collective creativity: theatre for a post-apartheid society. In: Hill, Romaine, Muller, Marie & Trump, Martin (eds.) African studies forum. Pretoria: Human Sciences Research Council. Vol. 2, p 74-88. Steadman, Ian 1994. South Africa. In Banham, Martin, Hill, Errol & Woodyard, George (eds). African and Caribbean theatre. Cambridge: Cambridge University Press. p. 101-112. Steadman, Ian 1994b. Towards popular theatre in South Africa. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 11-34. Steadman, Ian 1995. Introduction to Maponya: Doing Plays for Change. Johannesburg: Witwatersrand University Press. Steadman, Ian. 1995b. Editorial. SATJ 9/2: 1-2.

Steadman, Ian 1998. Race matters in South African theatre. In Boon, Richard & Plastow, Jane (eds) Theatre matters: performance and culture on the world stage. Cambridge: Cambridge University Press. p. 55-75.

Steenberg, D.H. 1980. Hoorspel as woordspel – A.S. van Straten: Pendoring (edms) beperk. Tydskrif vir letterkunde, 18(2): 187-194.


Steenberg, E. 1976. Chris Barnard se hantering van die kinderkarakter. Tydskrif vir letterkunde, 14(1): 60-67. February. Steenberg, E. 1983. Waar staan ons kindertoneel ? Klasgids, 18(3) : 12-16. Steenkamp, Sara 1982. A study of the symbol in Afrikaans drama (Tesis) Stefanova, Kalina 1999. Pour un théâtre authentique : cap sur l’Afrique du Sud ! [For an authentic theatre : head for South Africa]. Jeu : cahiers du théâtre, 93 : 118-123. STEFANOVA, KALINA. 2000. Eastern European theatre: Theatre in search of a face. South African Theatre Journal, 14:175-184 STEFANOVA, KALINA. 2000. Falling in love with South African theatre. South African theatre journal, 14:185-198. Stein, P. 1987. SATJ speaks to Philip Stein director of the AA Life Vita Awards. South African theatre journal, 1(2): 76-77. Stein, Pippa 1990a. Bridging the barriers: the making of Asinamali. South African theatre journal, 4(2): 99-105. Stein, Pippa 1990b. Pippa Stein interviews Mbongeni Ngema. South African theatre journal, 4(2) 99-105. Steinberg, Carol 1991a. Albie Sachs: our Shakespearian fool. The drama review, 35(1): 194-199. Steinberg, Carol 1991b. Now is the time for feminist criticism: a review of Asinamali! South African theatre journal, 5(2): 22-39. Steinberg, Carol & Meintjies, Frank 1993. The new South Africa? (apartheid; participation of blacks in Performing Arts Council of the Transvaal). TDR, 37(1): 7-8. Steinberg, Carol 1996. PACT: can the leopard change its spots? In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 246-259.

Steinberg, Carol 1993. Towards an arts council for South Africa. South African theatre journal, 7(2): 8-40. Stephanou, Irene & Henriques, Leila 2005. The world in an orange: creating theatre with Barney Simon. Johannesburg: Jacana. 

                         The art of physical intelligence /managing editor,
                         Calum Stevenson ; chief researcher, Juanita Finestone.
                         -- Grahamstown, South Africa : First Physical Theatre
                         Company, 2002.

Steyn, H. 1987. 'n Ondersoek na die waarde van drama en teater as ekstra-kurrikilêre aktiwiteit by Kaaplandse hoër- en laerskole. Stellenbosch: Universiteit van Stellenbosch. (M Dram-tesis.) Steyn, H. 1997. Die benutting van teater vir lewensoriënteringsprogramme : 'n teoreties-eksperimentele ondersoek . Stellenbosch: Universiteit van Stellenbosch, (D Phil verhandeling.) Steyn, L. 1964. Kruik se werk en doelstellings. Suid-Afrikaanse musiekonderwyser, 67: 7-8. Steyn R. 2007. Voetligte en applous: die beginjare van die Afrikaanse beroepstoneel deur D. Botha. Reviewed in: South African Journal of Cultural History, 21(1): 110-112.

Steynberg, F. 1970. Toneel: opvoering teenoor manuskrip. De arte, 8: 22-24. Stockenström, W. 1968. Malaise van die Afrikaanse beroepstoneel: ‘n diagnose. Teater SA, 1(2): 6. December. Stodel, Jack 1962 (1960?). The audience is waiting. Cape Town: Howard Timmins. Stoloff, C. 1954. Theatre without actresses. [Riebeeck Square, Cape Town]. Playtime, 10(99): 27. July-August. Stoloff, C. 1969. How should a theatre be designed? Architect and builder, 19(9): 8-11. Stopforth, Lourens Daniel Marthinus 1955. Drama in South Africa, 1925-1955 :a critical survey. Potchefstroom: University of Potchefstroom. Thesis (D.Litt.). Die storm [criticism]. 1978. Scenaria, June/July: 19. Storrar, Patricia 1968. Beginners please: a history of children's theatre in South Africa. Johannesburg: Children’s Theatre. Storrar, Patricia 1988. Drama at Ponta Delgada. Johannesburg: Lowry. Strange Library of Africana 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg /compiled by Rosemary Ursula Hoffman. Johannesburg : Johannesburg Public Library, 1964 Strausbaugh, John 1989. Mhlope stages Zandile, assumes Market post. American theatre, 6(1): 34-35. Streicher, E. 1979. From market to theatre. South African panorama, 24(4): 36-39. April.

Strydom, E. 1997. Towards a theatre of reconciliation: Athol Fugard's Playland. Bloemfontein: University of the Orange Free State. (MA (Dram)-thesis.) Stuart, Constance 1946. “Tempest” by William Shakespeare [produced with a non-European cast in Cape Town]. Libertas. 6(6): 47. Stuart, E. 1967. Magnificent commemoration. Fair lady, 3(2): 10-14. March 22. Stuart, E. 1996. Bearer of the torch: biography. Vuka, 1(5): 11-12. [E. Sneddon]. Südafrikanischer Nationaltheater. 1958. Afrika-Post, 5(1): 67. SUKOVS – die eerste 10 jaar, 1963-1973. 1973. Lantern, 22(3): 2-9. March. Sutherland, Alexandra 2007. Writing and performing change: the use of writing journals to promote reflexivity in a Drama Studies curriculum. South African theatre journal, 21: 109-122. Suzman, Janet 1978. [Acting and criticism]. Speak, 1(3): 29-31. May-June.


Suzman, Janet 1998. South Africa in Othello. In: Bate, Jonathan, Levenson, Jill L. & Mehl, Dieter (eds.) Shakespeare and the twentieth century : the selected proceedings of the International Shakespeare Association World Congress, Los Angeles, 1996. Newark : University of Delaware Press. p. 23-40.

Swanepoel, C.F. 1987. Perspectives on African drama. South African journal of African languages, 7(2): 64-69. Swanepoel, J.J. 1978. Decade of [Radio Bantu] prizewinners; [plays in the vernacular]. Educamus, 24(7): 5-7. September. Swanepoel, J.J. 1979. Pryswenners van ’n decade: Radio Bantu-pryse. Informa, 26(11): 12-15. November. Swart, Amanda 1994. Die soldaat as metafoor in twee van Hennie Aucamp se kabarettekste. South African theatre journal, 8(2): 39-57. Swart, Griet 1986. Nerina Ferreira : ‘n glansryke instelling. De kat, 1(10) : 59-61.

Swart, L. 1984. Bartho Smit se ‘Dom Jan’ : ‘n Don Juan onder die boere. Klasgids, 19(4) : 42-50. Swart, L. 1985. Germanicus as versdrama. Klasgids, 20(3) : 19-27.

Swart, Marieken. 1983. Isolation and the search for identity in selected plays by Athol Fugard. Stellenbosch: University of Stellenbosch. (MA-Thesis). Swart, Simona. 1997. Uitstekende werk pateties bygewoon. In: Volksblad, September, 22, 1997: 8. Swart, Simona. 1998. Vrystaatse Ensemble woeker in Bfn se Sterrewag-teater. In: Volksblad, August, 21, 1998: 2. Swaruk beur deur slaggate na sukses. 1976. Huisgenoot, 54-56. July 16. Swerdlow, Alan 2006. Barney Simon – his enduring legacy. Jewish affairs, 61(4): 67-68.

Swerdlow, Alan & Tucker, Percy 2006. :South African Jews in theatre - past and present. Jewish Affairs 61(4): 81-92, 94-96.


Symonds, F.A. 1953. Where are they now? [South African actors – 40 years ago]. Outspan, 53(1386): 34-35. September 18.

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