ESAT Bibliography E

Click on the appropriate letter of the alphabet below to find the relevant list.

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Return to A Bibliography of South African South African Theatre and Performance

Eaton, N. 1963. Ontstaan van die kleinteater. Pretoriana, 41:15-16.

ECKARDT. MICHAEL. South African film historiography revisited. A plea for the use of domestic sources. 2006, Vol. 20: 177 – 191.

ECKARDT, M. A privileged access to the history of popular culture in South Africa – The Thelma Gutsche papers. 2004, Vol. 18:248-252

ECKARDT. M. The Leontine Sagan Papers as source of South African theatrical history. 2006, Vol. 20: 296 – 299.

Eckhardt, Michael 2006.The Leontine Sagan papers as source of South African theatrical history. South African theatre journal, 20: 296-299.

Eckhardt, Michael 2007. Keyan G. Tomselli (2006): Encountering Modernity: Twentieth Century South African Cinemas; in: South African Theatre Journal 21(2007)1, 380-381.

Eckhardt, Michael 2010. Leontine Sagan: Licht und Schatten: Schauspielerin und Regisseurin auf vier Kontinenten Berlin: Hentrich & Hentrich Verlag.

Edebiri, Unionmwan 1983. Drama as popular culture in Africa. Ufahamu, 12(2): 139-149.

Ediger, M. 1985. Speaking activities and the pupil: live education. Transvaal education news, 84(4): 17-20. [83(4): 17-20]

Editorial. 1999. KKNK – 100 redes vir ‘n fees. Insig , 04/99: 25.

Editorial. 2000. Hoogtepunte van die Aardklopfees 2000. Insig, 09/00: 12.

Edwards, Barry 1998 Presence and tele-presence: One map of non-linear performance process. South African theatre journal, 12(1&2):165-171.

Eerste plattelandse kleinteater in ons land. 1951. Inspan, 10(6): 19-24. March

Ehrlich, Rose 1947. Country without a theatre is a country without a soul. Outspan. 41(1046): 25. March 14.

Eichbaum, Julius F. 1979. Civic pride – or artistic suicide? Scenaria, (14): 3.

Eichbaum, Julius F. 1981. Who censors the censors? Scenaria, (23): 3.

Eichbaum, Julius F. 1981. Some thoughts on printed programs. Scenaria, (28): 3

Eichbaum, Julius F. 1982. Pact, Pretoria and the compounding of a felony. {Scenaria Jul 82]. Discussion. Scenaria, (33): 41.

Eichbaum, Julius F. 1982. Pact, Pretoria and the compounding of a felony. Scenaria, 32: 3. July.

Eichbaum, Julius F.1983a. The arts cartel exposed. Scenaria, (37): 3.

Eichbaum, Julius F.1983b. The Bloemfontein ‘monument’ part 2. Scenaria, (39): 3-4.

Eichbaum, Julius F. 1983c. Johannesburg: all that is gold does not glitter. Scenaria, (36): 3, 44.

Eichbaum, Julius F.1983d. A monument to…what? Scenaria, (37): 11.

Eichbaum, Julius F. 1984. Capab : the battle for support. Scenaria, (41) :3.

Eichbaum, Julius F. 1984. 100 awards in search of a character. Scenaria, (45): 3-4.

Eichbaum, Julius & Viljoen, Henning 1986. The new Secunda Theatre. Scenaria, (68): 9-14.

Eichbaum, Julius F. 1987a. Scenaria – the first decade. Scenaria, (76): 3-5.

Eichbaum, Julius F. 1987b. The U.N. blacklist – a counter productive farce and the thin edge of the wedge. Scenaria, (79): 3-4.

Eichbaum, Julius F. 1988a. CAPAB: backwards into the future… if there is one. Scenaria, (92): 3.

Eichbaum, Julius F. 1988b. CAPAB: the first 25 years. Scenaria, (91): 33-38.

Eichbaum, Julius F. 1988c. A critical look at the new funding formula for the Performing Arts Councils. Scenaria, (86): 3-5.

Eichbaum, Julius F. 1988d. For the want of a nail… Scenaria, (87): 3-4.

Eichbaum, Julius F. 1988e. The future of the arts in South Africa. Scenaria, (84): 3-5.

Eichbaum, Julius F. 1988f. The national Arts Conference – hope for the future, rather than supping with the devil. Scenaria, (89): 3.

Eichbaum, Julius F. 1988g. PACOFS: ready for the next 25 years. Scenaria, (91): 25-31.

Eichbaum, Julius F. 1988h. PACT: the first year and thereafter. Scenaria, (91): 3-12.

Eichbaum, Julius F. 1988i. A shriek or a whimper? Cry freedom: why all the fuss? Scenaria, (92): 11-13.

Eichbaum, Julius F. 1988j. The state of the art – or the art of the State? Scenaria, (90): 3.

Eichbaum, Julius F. 1988k. 25 years of the Natal Performing Arts Council. Scenaria, (91): 13-24.

Eichbaum, Julius F. 1988l. Why the State should fund the Arts. Scenaria, (85): 3-5.

Eichbaum, Julius F. 1989a. Afrikaans drama – cornerstone or tombstone? Part II: the indaba. Scenaria, (102): 6-8.

Eichbaum, Julius F. 1989b. Funding the arts. Part I: the role of the state. Scenaria, (101): 3-5.

Eichbaum, Julius F. 1989c. Funding the arts. Part III: A fair solution? Scenaria, (103): 33-34.

Eichbaum, Julius F. 1989d. The Grahamstown Festival: much ado about nothing? Scenaria, (104): 3-5.

Eichstadt Gottfried 1949. Suid-Afrikaners op die verhoog. Huisgenoot, 34(1426): 9-11. July 29.

Ekberg, Emil 1998. Grahamstown – Sydafrikas största kulturfestival [Grahamstown – the biggest cultural festival of South Africa]. Teatertidnigen, 21(5): 46-47.

Eke, Maureen & Tomaselli, Keyan 1992. Afravision, London (producers). The People’s Poet, Mzwakhe Mbuli. (video, 32 minutes). Reviewed in: South African theatre journal, 6(2):95-96.

Eke 1992 Songololo: Voices of Change (video) (Maureen & Keyan Tomaselli) South African Theatre Journal, Vol. 6(2):96-98

Elizabeth Meyer. 1964. Femina, 65, October 8.

Emandulo: Process and Performance in Changing South Africa By: Riccio, Thomas; ???

E.M.B. 1968 “Kleinbegin” heet my naam. [spraak- en drama-opleiding, PUK]. 1968. Lantern, 28(2): 32-35.

Emmerson, Glenn 1964. Theatre in South Africa, 1956-1963: a bibliography. . Cape Town: University of Cape Town, School for Librarianship.

Emslie, A.D. 1983. Chitty-chitty-bang-bang: a new approach to classroom teaching. Education journal, 93(1): 8-11.

Emslie, Clarence Field 1982. The structure of the drama Mocomo wa Badimo by J J Moiloa Chapter of D thesis, UOVS, 1982.

Emslie, C.F. 1984. Structure of the drama Mocomo [sic Molomo.] badimo by J.J. Moiloa. South African journal of African languages supplement 2 : 13-60.

Engelbrecht, H. 1974. Babs Laker lééf toneel. Huisgenoot, 38-41. August 23.

Engelbrscht, H. 1975. Wilna Snyman: aktrise by uitnemendheid. Huisgenoot, 26-31. January 31.

Engelbrecht, H.J. 1971. Almal is dol oor Meraai! Huisgenoot, 42(2578): 38-41. September 3.

Engelen, F. 1956. Hoe kan Suid-Afrika ‘n toneeltradisie bou? Huisgenoot, 40(1787): 10-13. June 18.

Engelen, F. 1959. Mogelijkheden voor een Afrikaanse toneelopleiding. Standpunte, 13(1): 1-6.

Englander, B. 2006. A Yiddish actress remembers. Jewish affairs, 61(4): 17-18.

EPSKAMP, KEES. 1993 Playing in a sandpit: International Popular Theatre Meeting in Namibia. South African theatre journal, 7(1) :7-15.

Epstein, David H. 1946. Municipal theatre for Johannesburg is long overdue. Outspan. 39(996): 33. March 29.

Epstein, David H. 1941. Plea for a municipal theatre. Municipal affairs. 7(75): 17. November.

Erasmus, D. 2006. Funksies van taalvariasie in die Afrikaanse toneelkuns . Stellenbosch: Universiteit van Stellenbosch. (M Litt-tesis.)

Erasmus, Denene 2003. Performing a nation: the 5th Summer Graduate School Seminar and Workshop on African Theatre. South African theatre journal, 17: 276-280.

ERLMANN, V. 1991. African Stars: Studies in Black South African Performance. Chicago: University of Chicago Press.

Esterhuizen, D. 1980a. Joan Brickhill: follies to filosofie. Rooi rose, 36(13): 16-19. January 30.

Esterhuizen, D. 1980b. Skaam, nuwe aktrise: [Ida Wessels]. Rooi rose, 37(4): 82-83. September 24.

Esterhuizen, D. 1980c. Trix is soos ‘n kurkprop. Rooi rose, 36(17): 16-18. March 26.

Esterhuizen, Johan 1993a. Dancing with John by Nataniël. Reviewed in: South African theatre journal, 7(2):134-135.

Esterhuizen, Johan 1993b. Theatre management and production in America by Stephen Langley. Reviewed in: South African theatre journal, 7(2):135-136.

Esterhuizen, Johan 1994 Bringing Cinderella to the Ball: National Arts Coalition Conference on Arts and Culture in the new South Africa. South African theatre journal, 8(2):155-160.

Esterhuizen, Johan 1997 Cinderella goes shopping: A response to the Standard Bank International Conference on the economic benefits of Arts and Culture. South African theatre journal, 11(1&2): 232-237.

Esterhuizen, Johan 2005. The H B Thom Theatre: an evaluation of its potential as a regional arts and cultural centre. Stellenbosch: Universiteit van Stellenbosch. (M Dram-tesis.)

Estvanik, Nicole 2005. Grootvlei, South Africa (a sampler from the world stage). American theatre, 22(2): 99.

Estvanik, Nicole 2006. Cape Town, South Africa. (Cape Town International Performing Arts Festival). American theatre, 23(3): 79.

Estvanik, Nicole 2007. Global spotlight. American theatre, 24(4): 74-75.

Estvanik Taylor, Nicole 2009. National arts festival (Grahamstown, South Africa). American theatre, 26(6): 56.

Euba, Femi 2002. Drama for a New South Africa: seven plays by David Graver; African theatre: playwrights and politics by Martin Banham, James Gibbs, Femi Osofosan. Reviewed in Theatre journal, 54(4): 671-672.

Evans, Celia 1946. Children’s theatre in Johannesburg: an educaional and social experiment. Transvaal educational news. 42(4): 19-20.

Evian, Claude. 1992. Community Theatre and AIDS Education. In: Progress (Summer): 34-37.

Experience of the theatre: its physiology: an interpretation of Richard Neutra’s idea of what man experiences when exposed to drama. 1960. Architect and builder, 10(11): 14-19.

Eyck, Hans 1944. Toneel. Trek passim.

Eyck, Hans 1944. Toneel: Pinkie (Pierre de Wet). Trek, 8(10): 15. November 5.

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance