ESAT Bibliography B
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H-Hay He-Hu I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Baanbrekers. 1963. Vita musica, 1(2): 18-19.
Bacqua, S. 1997. Investigation of the play Sarafina II: Public Protector’s report. Pretoria: Office of the Public Protector.
Badenhorst, Frik 1978. Die mense van Soetwater. Scenaria, December/January: 39-40.
Bagasie sonder bestemming. [Literary criticism, Jac J. Brits]. 1974. Tydskrif vir geesteswetenskappe, 14: 218-221. September.
Bailes, A. 1984. Puppetry : an art form. Scenaria, (42) : 8-9.
Bailey, Brett 1998. Performing so the spirit may speak. South African theatre journal, 12(1&2): 191-202.
Bain, Keith 1996. The 1996 Standard Bank National Arts Festival, Grahamstown South African theatre journal, 10(2): 135-147.
Bain, Keith 1997. Berkoff, boerewors and box-office betrayal: Standard Bank National Arts Festival 1997. South African theatre journal, 11(1&2): 239-257.
Bain, Keith & Hauptfleisch, Gaerin 1998. Brecht 2001: a photo essay. South African theatre journal, 12(1&2): 212-227.
Bain, Keith 1998. Make believe: Standard Bank National Arts Festival 1998. South African theatre journal, 12(1&2): 139-164.
Bain, Keith 1999. Magical millennium dress rehearsal: 25th anniversary of the Standard Bank National Arts Festival, Grahamstown, 1999. South African theatre journal, 13(1&2): 179-195.
Bain, Keith & Hauptfleisch, Temple 2001. Playing the changes: thoughts on the restructuring of the theatrical system and the arts industry in South Africa after apartheid. South African theatre journal, 15: 8-24.
Bain, Keith 2003. Hypertheatrical performance on the post-apartheid stage. In Wasserman, Herman & Jacobs Sean (eds) Shifting selves: post-apartheid essays on mass media, culture and identity. Cape Town: Kwela Books. p. 145-165.
Baker, G. R. 2001. Negotiated dramaturgy – industrial theatre as communication in the organization. Empangeni: University of Zululand. (D Phil-thesis.) (D Phil dissertation)
Baker, S. 1969. O come all ye faithful [passion plays]. Fair lady, 5(5): 80-92. April 30.
Baleka, Justus 2009. The tempest, Janice Honeyman: theatre review. Shakespeare in Southern Africa, 21(1): 88-89.
Ball, John Agee 2003. The dramatic art of Athol Fugard: from South Africa to the world by Albert Wertheim. Reviewed in Theatre journal, 55(1): 188-190.
Ballantine, C. 1993. Marabi nights: early South African jazz and vaudeville. Johannesburg: Ravan Press.
Balme, Christopher 1996. The performance aesthetics of township theatre: frames and codes. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 65-84.
Balseiro, Isabel 2003. Between Alexandra and Jurassic Park: interview with Professor Es’kia Mphahlele. South African theatre journal, 17: 212-232.
Baneshik, Percy 2006. Taubie Kuschlik – woman of the theatre. Jewish affairs, 61(4): 62-66.
Banham, Martin 1976. African theatre today. London: Pitman.
Banning, Yvonne 1989a. English language usage in South African theatre since 1976. Johannesburg: Witwatersrand University. (MA-thesis.).
Banning, Yvonne 1989b. Ghosts with ears: the WESSA in contemporary drama. English Academy review, 6: 19-27.
Banning, Yvonne 1989c. Sophiatown, by The Junction Avenue Theatre Company. Reviewed in: South African theatre journal, 3(1): 95-102.
Banning, Yvonne 1990 Language in the theatre: mediating realities in an audience. South African theatre journal, 4(1): 12-37.
Banning, Yvonne 1997. (Re)viewing Medea: cultural perceptions and gendered consciousness in reviewers’ responses to the New South African theatre. South African theatre journal, 11(1&2): 55-87.
Banning Yvonne 1998. Oral English in South African Theater of the 1980s. Oral tradition [serial online]. October 1998;13(2):398-421.
Banning, Yvonne 1999. Speaking silences: images of cultural difference and gender in Fleishman and Reznek’s Medea. In Blumberg, M. and Walder, D. (eds.) South African theatre as/and intervention. Cross/Cultures 38. Amsterdam: Rodopi BV. Bladsye (missing in JSG! Jan 2010)
Banning, Yvonne 2002. Footprints on the shore: documenting site-specific community performance. The Freedom Project, Robben Island, April 27th, 2001. South African theatre journal, 16: 137 – 156.
Banning, Yvonne 2003. Learning to act in L 2 English: an ethnographic comparison of two students in a South African university drama department. Research in drama education. 8(2): 183-201.
Banning, Yvonne 2006. Directors Forum: Baxter Theatre, Cape Town, Saturday 19 August 2006. South African theatre journal, 20: 252-254.
Banning, Yvonne 2007. Creating vocal style in a scripted theatre production: issues of visibility, autonomy and integration in vocal practice as research. South African theatre journal, 21: 180-202.
Barber, Karin 1987. Theatre and cultural struggle in South Africa. by Robert Mshengu Kavanagh. Reviewed in: The journal of modern African studies, 25(3): 561-564.
Barker, Julie. 1998. After Nines: An innovative and uplifting jazzy musical, that opens the closet doors on gay and lesbian history in South Africa. In: Vuka SA, July 31, 1998: 6.
Barnard, C. 1968a. Sandra Prinsloo: boerenooi vol prikkel. Huisgenoot, 42(2405): 10-13.
Barnard, C. 1968b. Siegie byna 40 jaar al verkleurmannetjie. Huisgenoot, 42(2397): 24-26. March 8.
Barnard, C. 1968c. Twee vroue speel pop. Huisgenoot, 42(2423): 85. September 6.
Barnard, C.J. 1977. Geselsportret van Sandra Prinsloo. Huisgenoot, 16-19. September 30.
Barnard, G.R. 1984. Jaar van die vuur-os: W.A. de Klerk. Klasgids, 19(2): 14-25. Bespreking en antwoord Teaterforum, 4(1): 124-127. Bespreking. Standpunte, 37(6) : 58-64. Bespreking. Standpunte, 37(6) : 58-64.
Barnard, Rita 2007. Apartheid and beyond: South African writers and the politics of place. Oxford: Oxford University Press.
Barnard, T. 1997. Spel as ekspressie van die rituele in Reza de Wet se Trits. Stellenbosch : Universiteit van Stellenbosch. (M Dram-tesis.)
Barnes, Hazel 1997. Theatre for reconciliation: Desire and South African students. Theatre journal, 49(1): 41-52.
Barnes Hazel 1999. Theatre for reconciliation: David Lan's Desire as an interventionary vehicle. South African Theatre as/and Intervention [e-book]. Amsterdam, Netherlands: Rodopi; 1999:169-180.
Barnes, Hazel 2000. Finding appropriate expression for multiculturalism in a student production. South African theatre journal, 14:28-45.
Barnes, Hazel & Peters, D. 2002. Translating trauma: using arts therapies with survivors of violence. South African theatre journal, 16: 157 – 183.
Barnett, J. & Broer, L.D. 1977. Baxter theatre complex. Planning and building developments, 28: 19-25. September-October.
Barnett, J. & Broer, L.D. 1977. Baxter theatre, University of Cape Town. Architect and builder, 27(11): 2-9.
Barnett, Ursula A. 1983. A vision of order. A study of Black Sout May 3.h African literature (1914-1980). London: Sinclair Browne.
Barney Simon talks about stagecraft. 1985. Theatre crafts, 19(8): 40, 61-62.
Barron, Chris 2007. “Patience Africa: Veteran voice of urban SA”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)
Barron, Chris 2007. “William Pretorius: Critic and lover of the arts”. In: Sunday Times 1 July 2007 (News and Opinion, p 18)
Barrow, Brian & Williams-Short, Yvonne (eds) 1988. Theatre alive! The Baxter story 1977-1987. Cape Town: The Baxter Theatre.
Basson, J 1981. Showroom of the arts [State Theatre, Pretoria]. South African panorama, 26(8): 1-5.
Basson, Marthinus 1998. Boklied programnotas by die opvoering by die KKNK, Oudtshoorn.
Basson, Marthinus 2001. Tydbom verbloem as ’n boek. In: Insig, July 31, 2001.
Bastani, Nava Corinne 2007. A project proposal for the formation of People's Theatre :a community drama project for the moral development and empowerment of the youth in Hout Bay. Stellenbosch: University of Stellenbosch. (M.Phil thesis.)
Bateman, P. 1951. Do we need national theatre? Outspan, 49(1258): 37. April 6.
Bateman, P. 1952a. “Mixed” Cape Town audience – a compromise solution [admitting Coloulereds to the theatres]. Outspan, 51(1332): 53. September 5.
Bateman, P. 1952b. Will National theatre silence the critics? Outspan, 50(1297): 25. January 4.
Bauer, Charlotte. 1994. Into the shadow of the valley of doubt with Lena’s inventor. In: The Sunday Times, November 27, 1994: 17.
Baxter, Veronica 2000 Unizima Lomthawala: Satisfying everyone all of the time in drama and theatre as education. South African theatre journal, 14: 55-72.
Baxter, Veronica and Aitchison, James 2006. The playful theatre of Nicholas Ellenbogen. 1985-1990. South African theatre journal, 20: 48-64.
The Baxter theatre. 1977. Scenaria, August/ September: 12-13.
Baxter theatre. [Air conditioning, heating and ventilation]. 1978. Construction in Southern Africa, 23(6): 54-63. September.
Baxter’s first five years. 1982. Scenaria, 32: 17-19.
Beard, Margot 2002. King Lear: a production of the North West Arts Drama Youth group, directed by Mpulelo Grootboom at the Grahamstown Festival, June/July 2002. Shalespeare in Southern Africa, 14: 59-60.
Bedford, Jacoba W. 1988. The presence of the past in selected works by Pieter-Dirk Uys. MA thesis. Potchefstroom University for C.H.E.
Bekker, S. and Leilde, A. (2003) ‘Is Multiculturalism a Workable Policy in South Africa?’ International Journal on Multicultural Societies (IJMS) Vol. 5, No. 2. bladsye??
Belasting op die toneel. 1945. Huisgenoot, 30(1225): 5. September 14.
Bell, Lynette 1978. An approach to theatre make-up. Scenaria, December/January: 41.
Bell, Suzy. 1997. A loutish, curmudgeonly trio of plays to set tongues wagging. In: Sunday pendent, October 19, 1997: 13.
Belling, Veronica Penkin 2008. Yiddish theatre in South Africa: :a history from the late nineteenth century to 1960. Cape Town : Isaac and Jessie Kaplan Centre for Jewish Studies and Research.
Belling, V. 2006. Yiddish theatre in South Africa. Jewish affairs, 61(4): 5-16.
Bellingan, M.1982. Anneline se maltrapvennoot. Rooi rose, 38(29): 22-5. September 8. Oor Marianne Fassler as kostuumontwerper.
Bellingan M. 2009. Boerseun met flair – kunstenaar. Taalgenoot, 67(10): 42-43.
Belowende begin. [Nasionale toneel se eerste opvoerings]. 1948. Huisgenoot, 32(1353): 15. February 27.
Beneke, J.J.P. 1984. Christine: model van die flitsvertelling. . In: Malan, Charles (ed.) Spel en spieël. besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 51-63.
Bennett, Vane 1885. Biographical and memorial Sketch of F.A. Disney Roebuck. Cape Town: Saul Solomon and Co.
Benson, Mary 1973 Athol Fugard and “one little corner of the world”. Yale / Theatre, IV, no.1 (Winter 1973): 55-62
Benson, Mary.1977. Keeping an appointment with the future: the theatre of Athol Fugard. Theatre quarterly 7(28): 77-83. Benson, Mary 1997. Athol Fugard and Barney Simon: bare stage, a few props, great theatre. Johannesburg: Ravan Press.
Bensusan, A.D. 1968. Case for the banning of smoking in theatres. Municipal affairs, 33(389): 31-37. January.
Benz, M. 1964. Nuwe vermaaklikheid in Suid-Afrika: bioskoop, teater saam op een verhoog. Brandwag, 28(5): 29. April 3.
Bernstein, Daphne 1972. The History of the Standard Theatre, Johannesburg, with Special Reference to the Contribution of Leonard Rayne. Unpublished B.Dram. Hons Essay, Johannesburg: University of the Witwatersrand.
Berold, Ralph et al. 2000. Interactive drama for environmental educators. Howick: Share-net.
Bertelsen, Eve 1991 Radical Cheek: Film theory and the common viewer. South African theatre journal, 5(1):5-23.
Beukelaar, J. 1952. Ons toneel is nog baie amateuragtig. Helikon, 1(5): 101-106.
Beukes, Gerhard J. 1944. Gee ons jeugteaters. Huisgenoot, 29(1169): 15. August 18.
Beukes, Gerhard J. 1954. Probleme i.v.m. die Afrikaanse toneelkuns. Tydskrif vir wetenskap en kuns, 14(2): 77-85.
Beukes, Gerhard J. 1975. Vader van Suid-Afrikaanse toneel. [P.P. Breytenbach]. Taalgenoot, 44(2): 5 January.
Beukes, Gerhard J. 1977. Hanekom, Hendrik Andries. Dictionary of South African biography. 3: 372-373. Cape Town: Nasionale Boekhandel.
Beukes, Gerhard J. and Lategan, Felix V. 1961. Skrywers en rigtings. Pretoria: J.L. Van Schaik.
Beyers, Yvonne 2003. Kuns is goud werd: sakeman Deon Opperman verkoop ‘eyeballs’. In: Beeld, September 27, 2003: 7.
Binge, L.W.B. 1960. Ontwikkeling van die Afrikaanse toneelkuns (1832 – 1950).
Binge, L.W.B. 1963. Drama en toneel. Vita musica, 1(4): 8-11.Pretoria: Universiteit van Pretoria. (D Litt-verhandeling.)
Binge, L.W.B. 1961. Pretoria se volksteater – ‚n bittersoet geskiedenis. Huisgenoot, 42(2026): 30-33. January 13.
Binge, L.W.B. 1969. Ontwikkelling van die Afrikaanse toneel (1832-1950). Pretoria: J.L. van Schaik.
Black theatre in South Africa. 1976. International Defence and Aid Fact paper, no.2.
Black, Stephen 1984. Three Plays. Edited by Stephen Gray. Johannesburg: Ad Donker.
Black, Stephen 1985. (1985??) Three plays, edited by Stephen Gray. Johannesburg, Donker.
Blank, Martin 1988. Eugene O’Neill in South Africa: Margaret Webster’s production of A touch of the poet. Theatre survey, 29(1): 113-116.
Blecher, Hilary 1980. Goal oriented theatre in the Winterveld. Critical arts 1(3): 23-39.
Blignaut, Charl. 1998. Walking into a bullet. In: Mail & Guardian, August 27, 1998: 15.
Blignaut, L. 1985. Jana : my stryd om ma en ster te wees [Jana Cilliers]. Huisgenoot, 14-16. Mei 16.
Blignaut, L. 1985. Jana : my stryd om ma en ster te wees [Jana Cilliers]. Huisgenoot, 14-16. Mei 16.
Blignaut, L. 1985. Nuwe Nicola [Roelien Spruyt]. Huisgenoot, 12-13. Augustus 22.
Blight Cecilia 1994. A Shakespeare bibliography of periodical publications in South Africa in 1993. Shakespeare in Southern Africa, 7: 97.
Blight Cecilia 1997. A Shakespeare Bibliography of Periodical Publications in South Africa in 1995. Shakespeare in Southern Africa, 10:91.
Blight Cecilia 1998. A Shakespeare Bibliography of Periodical Publications in South Africa in 1997. Shakespeare in Southern Africa, 11:72.
Blight Cecilia 1999. Shakespeare's Bibliography of Periodical Publication in South Africa in 1998. Shakespeare in Southern Africa [serial online]. January 1999;12:98-99.
Blight Cecilia 2001. A Shakespeare Bibliography of Periodical Publications in South Africa in 1999 and 2000. Shakespeare in Southern Africa, 13:115.
Blight Cecilia 2002. A Shakespeare Bibliography of Periodical Publications in South Africa in 2001. Shakespeare in Southern Africa, 14:77.
Blight Cecilia 2003 A Shakespeare Bibliography of Periodical Publications in South Africa in 2002. Shakespeare in Southern Africa [serial online]. January 2003;15:127-128.
Blight Cecilia 2004. A Shakespeare Bibliography of Periodical Publications in South Africa in 2002. Shakespeare in Southern Africa [serial online]. January 2004;16:101-102.
Bloemfontein opera : structural aspects. 1986. The civil engineer in South Africa, 28(3) : 102-108.
Blood knot. [Dramatic criticism]. 1979. Speak, 1(6): 44.
Bloom, H. 1961. King Kong: An African Jazz Opera, London, Collins.
Blues, T.S. 1995. Drama as a means of facilitating adult learning in rural areas:South African case studies at Akanani. Johannesburg: University of the Witwatersrand. (M.Ed. thesis).
- Blumberg – moet nog kontroleer en korrigeer (Aug 2010)
Blumberg, Marcia 1991. Languages of violence: Fugard's Boesman and Lena. In Violence in drama. Cambridge: Cambridge University Press. p. 239-249.
Blumberg, Marcia 1992. Athol Fugard: texts and contexts: Athol Fugard : a bibliography, compiled by John Read. Reviewed in: World literature written in English, 32(2): 165-168.
Blumberg, Marcia 1993. Fragmentation and psychosis: Fugard's My children! My Africa! In Madness in drama. Cambridge: Cambridge University Press. p. 241-253.
Blumberg, Marcia 1994. Women journeying at the South African margins: Athol Fugard's The road to Mecca. In Davis, Geoffrey V. (ed.), Southern African writing: voyages and explorations. Amsterdam: Rodopi. p. 39-50.
- Blumberg, Marcia 1994 Performing Marginalities in the South African Interregnum: Fatima Dike's So What's New and Susan Pam-Grant's Curl Up and Dye.” AUETSA 1993 CONFERENCE PAPERS. Port Elizabeth/ Potchefstroom 1994. 61-71.
Blumberg, Marcia 1995. Re-evaluating otherness, building for difference: South African theatre after the interregnum. South African theatre journal, 9(2): 27-37.
Blumberg, Marcia 1996. Negotiating the in-between: Fugard's Valley song. Journal of literary studies, 12(4): 456-469.
- Blumberg, Marcia 1997 "Contemporary 'Kitchen' Theatre in Transition: Cooking up Transgression." AUETSA ‘96 (Association of University English Teachers of Southern Africa) Conference Proceedings. Vol 1. Eds. Hermann Wittenberg and Loes Nas.. 122-130.
Blumberg, Marcia 1997. More Market plays, ed. by John Kani; Mooi Street and other moves, by Paul Slabolepsky. Reviewed in: Theatre journal, 49(1): 85-87.
Blumberg, Marcia 1997. Staging AIDS: activating theatres." South African theatre journal, 11(1&2): 155-181.
Blumberg, Marcia 1997. Two continents, no refuge: engendering the problematics of home. Performance research, 2(3): 30-44.
Blumberg, Marcia 1998. Domestic place as contestatory space: the kitchen as catalyst and crucible. New theatre quarterly, 14(3): 195-201.
Blumberg, Marcia 1998. Performing bulimia, engendering dis-ease in the South African body politic: Janine Denison's All the rage. Contemporary theatre review, 9(3): 19-35. Special Issue: Women, Politics and Performance in South African Theatre Today. 9:3 Ed. Lizbeth Goodman. 19-35. Nie in JSG
Blumberg, Marcia 1998. Re-staging resistance, re-viewing women: 1990s productions of Fugard's Hello and goodbye and Boesman and Lena. In: Colleran, Jeanne & Spencer, Jenny (eds.) Staging resistance: essays on political theatre. Ann Arbor, MI: University of Michigan Press. p. 123-145.
Blumberg, Marcia 1999. The AIDS memorial quilt as performance: creating healing narratives. In: Haldan, Duncan & Loppert, Susan (eds.) The arts in health care: learning from experience. London: King’s Fund. p. 58-68.
Blumberg, Marcia & Walder, Dennis. (eds) 1999. South African theatre as/and intervention. Amsterdam: Rodopi.
Blumberg, Marcia 2000. Re-membering history, staging hybridity: Ubu and the Truth Commission. In Wylie, Hal & Lindfors, Bernth (eds.), Multiculturalism and hybridity in African literatures. Trenton, N.J.: Africa World Press. p. 309-318.
Blumberg, Marcia 2001. Puppets doing time in the age of AIDS. In Haedicke, Susan & Nellhaus, Tobin (eds.), Performing democracy: international perspectives on urban community-based performance. Ann Arbor: University of Michigan Press. p. 254-268.
Blumberg, Marcia 2002 Introduction to Fatima Dike’s Glass House. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 132-133.
Blumberg, Marcia 2002. Mapping counter truths and reconciliations: staging testimony in contemporary South Africa. In Maufort, Marc & Bellarsi, Franca (eds.), Crucible of cultures: Anglophone drama at the dawn of a new Millennium. Brussels. P.I.E. Peter Lang. p. 271-284.
- Blumberg, Marcia 2006. “Simon Nkoli (1957-1998) Anti-apartheid, Gay Rights and HIV/AIDS activist extra-ordinaire” for programme of Orange Clouds, a video cantata by Bongani Ndodana-Breen, John Greyson and Geoffrey Pugen (2006) (Invited).
Blumberg, Marcia 2009. South African theatre beyond 2000: theatricalising the unspeakable. Current writing: text and reception in Southern Africa. 21(1&2): 238-260.
Blumenthal, Sally 1978. Double Fun at The Space. The Cape Times: October 6.
Blumer, Arnold 1977. Betrokke literatuur: die dokumentêre drama. Standpunte, 30(4)-(5): August-October.
Blumer Arnold 1983. Brecht in South Africa. Communications from the International Brecht Society [serial online]. November 1983;13(1):30-38.
Blumer, Arnold 1989a. Oog en spel – opstelle oor die drama by Rina Pretorius. Reviewed in: South African theatre journal, 3(1):105-107.
Blumer, Arnold 1989b States of emergency: Some thoughts on Brecht’s Fear and Misery in the Third Reich. South African theatre journal, 3(1):39-54.
Blumer, Arnold 1990. Organise and act by Astrid von Kotze. Reviewed in: South African theatre journal, 4(2):112-113.
Blumer, Arnold. 1991. Hoe om lewe te blaas in ’n lyk. Vrye Weekblad. 4 Oktober 1991.
Blumer, Arnold 1995 Die Duitse kabaret: ‘n Beknopte oorsig. South African theatre journal, 9(1): 53-68.
Blumer, Arnold 1996. The future of the performing arts councils in a new South Africa. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 260-271.
Blumer, Arnold 1998 Bertolt Brecht’s 100th Anniversary. South African theatre journal, 12(1&2):208-211.
Bobaas van die Boendoe. [Literary criticism, André P. Brink]. 1974. Tydskrif vir gesesteswetenskappe, 14: 215-217. September.
Bode, Peter W. 1981. A history of Souith African theatre, part VIII. Scenaria, (28): 47-48.
Bodie, P.W. 1980. History of South African theatre. Scenaria, (21): 33-34.
Bodie, P.W. 1981. History of South African theatre. Scenaria, (22): 27.
Bodie (?), P.W. 1980. A History of South African Theatre. Unisa Library.
Bodie, P.W. 1982. History of South African theatre. Scenaria, 29-32. Ja-Jul
Bodie, P.W. 1981. History of South African theatre. Scenaria, (28): 33.
Boekkooi, Paul 1989. Nuwe bloed bring woelinge by Naruk (ondersoek na die Uitvoerende Kunsterade). Insig, Februarie 36-39.
Boekkooi, Paul 1997a. Reza de Wet maak geskiedenis. Beeld. 24 Junie: Kalender
Boekkooi, Paul 1997b. Net maar ‘n afskynsel van Fourie se talent: “Crime Babies”. Beeld. 5 Augustus: Plus.
Boekkooi, Paul 1997c. “Tiger” bevestig Fugard se status: “The Captain’s Tiger”. Beeld. 7 Augustus: Plus.
Boekkooi, Paul 1998. Het die vlooie minstens maar gebyt…”Nog ‘n kooi…nog ‘n vlooi”. Beeld. 12 Februarie: Plus.
Boekkooi, Paul. 1994. Wanneer die stormramme aantree. Insig, 02/94: 30.
Boekkooi, Paul. 1994. Twee stukke wat jou sal laat meeleef. Insig, 04/94: 36.
Boekkooi, Paul. 1994. Bevryding die hoofteme in Trits. Insig, 05/94: Bylaag B10.
Boekkooi, Paul. 1994. ATKV: baie nabetragting nodig. Insig, 05/94: 29.
Boekkooi, Paul. 1994. Fees skud alle onderdanigheid af. Insig, 08/94: 29.
Boekkooi, Paul. 1994. Die platteland kry weer toneel. Insig, 09/94: 28.
Boekkooi, Paul 1998. Hoekpilaar van die SA verhoog. Die taalgenoot, 67(7): 4-5.
Boekkooi, Paul. 1999. Sê dit maar! Insig, 12/99: 31.
Boekkooi, Paul. 2001. Kits KKNK. Insig, 04/01: 46.
Bolsman, Eric 1994. “Early Hotels in Pretoria” In: Be My Guest, March. ???
Book review Kavanagh Theatre and cultural struggle... Critical arts, 4(1) : 80-84.
Boom in theatre. 1944. Forum. 7(20): 17-19. August 12.
Boonzaier, D.C. 1980. My Playgoing Days – 30 Years in the History of the Cape Town Stage. In: F.C.L. Bosman, Drama en Toneel in Suid-Afrika, Deel 2: 1856 – 1912. (pp.374-439). Pretoria: J.L. van Schaik.
Bosch, Barbara 1995 Powerspeak in Reza de Wet’s Diepe grond. South African theatre journal, 9(1): 79-88.
Bosman, Anston 2005. Shakespeare under the skin. Performance research, 10(3): 85-89.
Bosman, F.C.L. 1928. Drama en Toneel in Suid-Afrika, Deel I ["Drama and Theatre in South Africa. Part I"]: 1652-1855. Amsterdam/Pretoria: J.H. de Bussy.
Bosman, F.C.L. 1951a. The Dutch and English Theatre in South Africa 1800 till today, and the Afrikaans Drama. Pretoria: J.H. de Bussy.
Bosman, F. C. L. 1951b. Hollandse en Engelse toneel in Suid-Afrika, 1800 tot vandag, en, Die Afrikaanse drama : kort oorsigte. Pretoria : De Bussy.
Bosman, F.C.L. 1955a. Die toneel in Suid-Afrika: Hollands, Engels, Afrikaans (1800-1954) (Lesing soos gegee in Nederland, November 1954.) Deel I Helikon, 4(19): 10-17.
Bosman, F.C.L. 1955b. Die toneel in Suid-Afrika: Helikon, 4(20): 54-60.
Bosman, F.C.L. 1969. Drama en Toneel in Suid-Afrika Deel 2 ["Drama and Theatre in South Africa "]1800-1962. Pretoria: J.L. van Schaik.
Bosman, F.C.L. 1970. Sewe beslissende jaartalle in die geskiedenis van die toneel in Suid-Afrika. Tydskrif vir geesteswetenskappe, 10(1): 16-26 (42?).
Bosman, F.C.L. 1980. Drama en Toneel in Suid-Afrika , Deel II ["Drama and Theatre in South Africa. Part II"]: 1856-1916. Pretoria: J.L van Schaik.
Bosman, M. J. van R. 1937. Die voorlopers en die ontstaan van die Afrikaanse toneel in Transvaal. Pretoria: Universiteit van Pretoria. (MA Thesis).
Botha, Bet 1985. Die Christen se verantwoordelikheid by die vertolking van ‘n woordkunswerk. Teaterforum, 6(1): 28-45.
Botha, Danie (Ed). 2006. Voetligte & Applous! Die beginjare van die Afrikaanse beroepstoneel [“Footlights & Applause: The first years of Afrikaans professional theatre”]. Pretoria: Protea BoekeHuisgenoot.
Botha, E. 1961, Twee opvoerings van N.T.O. Standpunte. 17: 66-67.
Botha E. 1989. Anton Chekhov: Reception of a Russian Dramatist in South Africa. The Waking Sphinx: South African Essays on Russian Culture [e-book]. Johannesburg: Lib. Univ. of the Witwatersrand; 1989:168-178.
Botha, E.M. 1980. Plea for poverty. Scenaria, (18): 3. …Discussion and reply. (20): 2 …Discussion (21): 29.
Botha, E.M. 1982. Enkele gedagtes oor ‘n “blitskursus” in toneelskryf. Teaterforum, 3(1): 1-10.
Botha, H. & Smit, W. 1981. State Theatre Pretoria. Architect and builder, 31(12): 2-9.
Botha, Johann. 1998. Vasbyt, daar’s geen beloftes! Insig, 04/98: 28.
Botha Theunis. 1985. Opvoekundige teater : ‘n herwaardering. Teaterforum, 6(1) : 1-19. Teunis ??
Botha, Theunis 1986. Die dramadepartement. Opvoeding en kultuur, 9(3) : 32-33.
Bothma, S.J. 1989. Dramateks teenoor verhoogteks met besondere verwysing na bekroning van Afrikaanse dramas. Pretoria: Universiteit van Pretoria. (D Phil-verhandeling.).
Bourgault, Louise M. 2003. Playing for life: performance in Africa in the age of AIDS Durham, NC: Carolina Academic.
Bouwer, S. 1989. Dramateorie vandag - die bydrae van die drama- en teatersemiotiek, M. Mouton : boekresensie. Communicare, 8(2): 60-61.
Bouws, J. 1977. Bedrywige Kaapse burger in die 19de eeu: J.J. de Kock. Kwartaalblad van die Suid-Afrikaanse biblioteek, 32: 34-35.
Bowen, B.1993. Writing Caliban: anitcolonial appropriations of The Tempest. Current writing, 5(2): 80-99.
Bowker, Veronica 1985. Fugard: deconstructing the text. Journal of literary studies, 1(3): 78-89.
Bowker, Veronica 1990. The evolution of critical responses to Fugard’s work, culminating in a feminist reading of The road to Mecca. Literator, 11(2): 1-16.
Boxall, Dorothy 1945. Children’s theatre: the children’s overture by Roger Quilter. Transvaal educational news. 41(10): 11.
Bozzoli, Belinda 2004. Theatres of struggle and the end of apartheid. Edinburgh: Edinburgh University Press for the International African Institute, London.
Brand, Amelda 2002. Gemeenskapsgebaseerde teater: 'n Suid-Afrikaans georienteerde ondersoek . Thesis (MDram)--University of Stellenbosch.
Brantley, Ben. 2003. Apartheid’s ashes do not fit in a tiny box. In: The New York Times, reprinted in This Day, December 9, 2003: 13.
Breitinger, Eckhard (ED). 1994. Theatre and Performance in Africa: Intercultural Perspectives. Beyruth: African Studies Series.
Breitinger, Eckhard. 1999a Heroes of South African history as operatic heroes: Akin Eub’s Chaka and Nbongemi Ngema’s The Zulu. South African theatre journal, 13(1&2):104-108.
Breitinger, Eckhard. 1999b. Nigerian theatre in English: a critical bibliography, by Chris Dunton. Reviewed in: South African theatre journal, 13(1&2):209-213.
Breitinger, Eckhard. 2001 Standard Bank National Arts Festival, 2001. South African theatre journal, 15:178-191.
Breitinger 1999 DUNTON, CHRIS. Nigerian Theatre in English: A Critical Bibliography (Eckard) Bass 50 SATJ South African Theatre Journal, Vol. 13(1&2):209-213 Breitinger 1999 KING, BRUCE. Derek Walcott and West Indian Drama – Not only a Playwright but a Company (Eckard) Bass 50 SATJ South African Theatre Journal, Vol. 13(1&2):209-213
Breitinger 1999 PLASTOW, JANE. African Theatre and Politics. The Evolution of Theatre in Ethiopia, Tanzania and Zimbabwe. A Comparative Study (Eckard) Bass 50 SATJ South African Theatre Journal, Vol. 13(1&2):209-213
Breitinger 1999 RICHARDS, SANDRA L. Ancient Songs Set Ablaze. The Theatre of Femi Osofisan (Eckard r) Bass 50 SATJ South African Theatre Journal, Vol. 13(1&2):209-213
Breitinger, Eckhard 2003..Satirizing those aspects of our life we don't approve of'-A view of the 'Dark Comedies' from the townships. In Breitinger, Eckhard (ed.) Theatre and performance in Africa. Bayreuth, Germany; Breitinger. p. 135-158.
Breytenbach, Doris and Hauptfleisch, Temple 1985. P.P.B. Breytenbach - a chronology. In Temple Hauptfleisch (ed) The Breytie Book. Johannesburg: The Limelight Press. p. 49-51.
Breytenbach, P.P.B. 1949a. Nasionale toneelorganisasie (N.T.O.). Tydskrif vir wetenskap en kuns, 9(2): 120-128.
Breytenbach, P.P.B. 1949b. Two languages to interpret one common South African culture. Outspan. 45(1164): 26-27. June 17.
Breytenbach, P.P.B. 1950. Ons toneel – ’n oorsig. Afrikaanse skrywer, 15 49-52.
Breytenbach, P.P.B. 1951. Referaat voor die S.A. Akademie: die Nasionale toneelorganisasie (N.T.O.). Helikon, 1(2): 18-28. December.
Breytenbach, P.P.B. 1952. Gedagtes oor die moontlike ontwikkelingsrigting van Nasionale Toneelorganisasie (N.T.O). Tydskrif vir wetenskap en kuns, 12: 108-114.
Breytenbach, P.P.B. 1971. Opening. Lantern, 21(1): 64-69. September.
Breytenbach, P.P.B. 1985. The Theatre Benevolent Fund and the Theatre Residential Clubs. In Temple Hauptfleisch (ed) The Breytie Book. Johannesburg: The Limelight Press. p. 117-118.
Breytenbach, T.M. 1986. Actor. My career, 37(3) : 313-316.
Breytenbach Theatre, Pretoria. 1978. Scenaria, February/March: 18-19.
Brian Rawlinson: twentieth century buccaneer. 1979. Scenaria, (15): 21-22.
Bridges, T. 2004. The role of the performing arts in the reconstruction of cultural identity in South Africa. London: University of London. (MA-thesis.)
Brimer, A. 1993. Shakespeare and South African politics. Shakespeare in Southern Africa, 6: 29-44.
Brink, André P. 1970. Gordyn: oop; gedagtes oor die Afrikaanse toneel. Buurman, 1(2): 38-41.
Brink, André P. 1971. Censorship – Climate of Fear. Contrast. VII, No.2, (June 1971)
Brink, André P. et al. 1985. Krisis in die uitvoerende kunste. Die Suid-Afrikaan, 1(5): ???
Brink, André P. 1978. Afrikaans theatre: the contemporary scene. Theatre quarterly, 7(28): 71-76.
Brink, André P. 1985. Literatuur in die Strydperk. Kaapstad: Human & Rousseau.
Brink, André P. 1986. Aspekte van die nuwe Drama. Pretoria: Academica.
Brink, André P. 1989. Hink die kruppel toneel nog? De Kat, 5(4): 104-105.
Brink, André P. 1993. ‘No way out’ : Sizwe Banzi is dead and the dilemma of political drama in South Africa. Twentieth century literature, 39(4) : 438-454.
Brink, André P. 1996. Ou wynsakke of nuwe leeftog? In: Insig, 11/96: 45.
Bristow-Bovey, Darrel. 1997a. I couldn’t decide if Brink’s play reminded me of theatre in the eighties or last night’s eight o’clock news. In: The Sunday Independent, March 16, 1997: 21.
Bristow-Bovey, Darrel. 1997b. A quest for theatre amid millinery nightmares and kudu steak rolls. In: The Sunday Independent, July 13, 1997: 12.
Brits, J.J. 1976. Die Skrywer en die Gemeenskap In: Die Skrywer en die Gemeenskap. Pretoria: Die Afrikaanse Skrywerskring. Volgens SA Cat:
'Referate gelewer tydens die sesde vyfjaarlikse landswye Skrywerskongres gehou te Pretoria op 25 en 26 Maart 1976'. Berta Smit, Die drie wêrelde van die letterkunde--J. Heyns, Die begrip sensuur, teologies gesien--H. Rossouw, Die begrip sensuur, folosofies gesien--Elize Botha, Etienne Leroux as sosiale kommentator.
In JSG slegs: Skrywer en gemeenskap :tien jaar Afrikaanse Skrywersgilde /redakteurs, Charles Malan, Bartho Smit, 1985?
In geeneen van die twee ‚n bydrae deur Brits.
Brockbank P. 1987. Shakespeare's Stratford and South Africa. Shakespeare Quarterly [serial online]. Winter 1987;38(4):479-481.
Brook, Peter. 1978. The Empty Space. Harmondsworth,Penguin.
Brooke, Brian 1948. South Africa’s first professional repertory company. Outspan. 42(1090): 26-27. January 16.
Brooke, Brian 1958. The South African theatre industry. International theatre annual, 3: 121-127.
Brooke, Brian 1978. My own personal star: an autobiography. Johannesburg: The Limelight Press.
Brooke, Michael 1985. The Limelight and Contacts. In Temple Hauptfleisch (ed) The Breytie Book. Johannesburg: The Limelight Press. p. 129-130.
The Brooke Theatre. 1978. Scenaria, June/July: 6-7.
Brooks R. NOT REDUNDANT AFTER ALL. New Statesman [serial online]. March 20, 2006;135(4784):28-29.
Brophy, D. 1980. Industrial revolution. Teaterforum, 1(1): 7-10.
Brophy, Diane 1983. A playwright emerges. Teaterforum, 4(1): 12-18.
Brown, Duncan & Van Dyk, Bruno. 1991. Exchanges :South African writing in transition. Pietrmaritzburg, University of Natal.
Brown, Duncan 1994. Oral poetry and literary history in South Africa. Current writing, 6(2): 165-180.
Brown, Duncan 1999. Oral Literature & Performance in Southern Africa. Cape Town: David Philip.
Brown, Lenora Inez 2000. The dramatic art of Athol Fugard: from South Africa to the world. American theatre, 17(10): 79.
Bruchac, Joseph 1993. Lewis Nkosi: overview. In: Berney, K.A. Contemporary dramatists. London: St James Press. ????
Brummer, W. 2007. Agter die fluweelgordyn: voorblad. Insig, 6(224): 49-53.
Brustein, Robert. "On the Cape Town." New Republic 224.7 (2001): 31-32.
Brustein R. On the Cape Town. New Republic [serial online]. February 12, 2001;224(7):31-32
Brustein Robert 2005. RobertnBrustein on theatre: the saved and the drowned. New Republic, 232(7): 25-26.
Bruton, Sheila 1976. Indaba: let’s talk: short dramas to stimulate discussion on Southern Africa: Fugard, Bassingthwaighte, Hooper and La Bash. New York: Friendship.
Bryant, M. 1978. South Africa’s greatest theatrical partnership. [Leonard Rayne & Freda Godfrey]. Mafeking Mail, 1(5): 6-8. May.
Bryant, Margot 1979. Born to act: the story of Freda Godfrey. Johannesburg: Donker.
Bryceland, Yvonne 1977. [Acting]. Speak, 1(1): 26-27. December.
Bughwan, Devi 1984. The designing of undergraduate courses in drama. Teaterforum, 5(1): 37-55. May.
Buitendag, A. 1992. Educational direction: pedagogic considerations in youth theatre. Pretoria: University of Pretoria. (MA thesis).
Burger, Kobus 1999a. Feestyd! Insig, 10/99: 58.
Burgers, R. 1975. En toe wen Trix [Pienaar] die Oscar. Sarie Marais, 27(10): 24-27. November 5.
Burke, Michael 1987a. PACOF’s Hello Dolly. Scenaria, (75): 39-41.
Burke, Michael 1987b. Pact’s Pirates and Student prince. Scenaria, (72): 27-31.
Burke, Michael 1988. Pointers for pantomime. Scenaria, (95): 33-35.
Burke, M. 1984. Baxter’s first pantomine Alladin. Scenaria, (41) : 7.
Burnett, Mary 1984. Ten years of cultural growth; the 1820 Foundation. Lantern, 33(2): 68—77.
Burnett, S. 2007. Betting on bums on seats – the business of theatres. Financial mail, 190(11): 72-73. Mar 23.
Burns, Hilary 2002a. The long road home: Athol Fugard and his collaborators. New theatre quarterly, 18(3): 234.
Burns, Hilary 2002b. The Market Theatre of Johannesburg in the New South Africa. New theatre quarterly, 18(4): 359.
Burton, Nefertiti 2001. Coastal reflections (social commentary in South African theater). American theatre, 18(6) : 78.
Butcher, Neil 1992. Herbert Dhlomo in perspective. South African theatre journal, 6(2): 49-63.
Buthelezi, Mbongiseni & Hurst, Christopher 2003. A Brazilian theatre model meets Zulu performance conventions: Westville prison – the case in point. Current writing,15(1): 123-134.
Butler, Brendan 1984. Drama in education vs the theatricality of schooling. SAADYT journal, 5(2): 4-15.
Butler, Guy 1984. A Search for Synthesis. In: M.J. Daymond, J.U. Jacobs, M Lente (eds) Momentum: On Recent South African Writing. Durban: University of Natal Press.
Bywoners [theatrical company]: another milestone in Afrikaans theatre. 1981. Scenaria, (24): 9-10.
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H-Hay He-Hu I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
