ESAT Bibliography He-Hu

Heaney, Bobby 2006. Cross-pollinating skills: directing for theatre, television and film. South African theatre journal, 20: 221-232. Heathcote, Dorothy 1988. Role protection and controls in drama teaching. Education bulletin, 3: 49-51.

Hees, Edwin 1990. The best of company – the story of Johannesburg’s Market Theatre, by Pat Schwartz. Reviewed in: South African theatre journal, 4(1): 167-171.

Hees, Edwin 1995a. Mooi street and other moves by Paul Slabolepszy. Reviewed in: South African theatre journal, 9(1): 113-118.

Hees, Edwin 1995b. The story of South African theatre 1780 – 1930, by Jill Fletcher. Reviewed in: South African theatre journal, 9(1): 113-118.

Hees, Edwin. 1997a. The play: a manual, by Marisa Keuris. Reviewed in: South African theatre journal, 11(1&2): 305-308.

Hees, Edwin 1997b. Woza Shakespeare! Titus Andronicus in South Africa, by Antony Sher & Gregory Doran. Reviewed in: South African theatre journal, 11(1&2): 298-304.

Hees, Edwin 1998. Church and stage in Victorian England, by Richard Foulkes. Reviewed in: South African theatre journal, 12(1&2): 230-236.

Hees, Edwin 1999. Post-colonial Shakespeare, edited by Ania Loomba & Martin Orkin. Reviewed in: South African theatre journal, 13(1&2): 202-205.

Hees, Edwin 2001. The drama of South Africa. Plays, pageants and publics since 1910, by Loren Kruger. Reviewed in: South African theatre journal, 15: 192-194.

Hees, Edwin 2002a. The Oxford companion to Shakespeare, by M. Dobson & S. Wells. Reviewed in: South African theatre journal, 16: 248 – 250.

Hees, Edwin. 2002b. Who Wrote That? A Dictionary of writers and their works, by M. Cox. Reviewed in: South African theatre journal, 16: 248 – 250.

Helen Bourne – a profile. 1978. Scenaria, February/March: 39-40. HENDRIKS, FRANK S. 1978. ‘n Sinchronies-diachroniese studie van taalgebruik in “Kanna hy kô hystoe” van Adam Small. Unpublished M.a. dissertation. Bellville: University of the Western Cape. Henning, Elizabeth 1980. Dramatiese spel in senior primêre onderrig. Pretoria: Universiteit van Pretoria. (MA Thesis). Henning, E. 1991. Drama-making in E.S.L. teaching: the need for classroom-based research. Henning, Elbie 1988. Teater vir die voorskoolse kind. Kleuterklanke, 13(1): 25-26. June. Henning, Willemien & Henning, c. 1968. Twee doodgewone sestigers. [Cobus en Sandra Rossouw]. Sarie Marais, 20(6): 146-148. September 25. Henman, R.H. & Van Niekerk, G.T. 1967. Ecce homo! [passion play]. South African panorama, 12(4): 8-9. April. Henry, William A III. 1994. Home is where the Art is: South African dissident Athol Fugard happily loses his great theme and sets his sights on a post-apartheid world. In: TIME Magazine, March 21, 1994: 20. Herbst, Terry. 1998. Lengthy mirror of social ills in new SA hard to follow. In: EP Herald, July 4, 1998: 6. Journal for language teaching, 25(1): 28-35.

Herbst, Terry. 2003. Black satire on SA is realistic. In: EP Herald, July 10, 2003: 9.

Herbstein, Denis. 1978. White man, we want to talk to you. Harmondsworth, Penguin. Hermer, M. 1952a. Bou van toneelsale in Suid-Afrika. Helikon, 1(4): 24-30. April. Hermer, M. 1952b. Teater vir Aartjiesdaal. Helikon, 2(7):71-76. October. Hermer, M. 1953a. Johannesburg repertory theatre. South African architectural record, 38(1): 20-27. Hermer, M. 1953b. Teaterbou. Helikon, 2(12): 103-112. August. Hermer, M. 1958. Bloemfontein’s civic theatre. Public works of South Africa, 18(171): 20-23. February. Hermer, M. 1961. Johannesburg’s new theatre has been tailored–to-fit. Construction in Southen Africa, 6(4): 25-27. Hermer, M. 1962. Civic Theatre, Johannesburg. South African architectural record, 47(11): 18-21. Hermer, M. 1963. Civic Theatre, Johannesburg. Architect and builder, 13(1): 2-9. Herrick, Dean 1942. Develop South Africa’s gold-mines of talent. Outspan. 32(808):35. August 21. HERRINGTON, SANDRA. 1988. Performance Polemics in a Plural Society : South African Theatre in Transition. Unpublished Thesis M.A. University of Natal. Herzberg, L. 1966. Mothercare: puppets for poppets. Fair lady, 2(8): 115. June 15. Herzberg, L. 1976. Puppet as therapist, psychologist, and doctor. Artlook, 9(4): 19. August-September. Herzberg, Lily 1991. The moving dolls. Animations, 14(5): 87-88. Herzberg, Lily 1992. A Bushman legend in shadows. Animations, 15(2): 39-40. Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en en Friedrich Dürrenmatt se Der besuch der alten Dame. Tydskrif vir letterkunde, 24 : 56-62. Hesse, G.H. 1986. Die individu en die gemeenskap in P.G. du Plessis se Die nag van Legio en Durrenmatt se Der Besuch der alten Damen. Tydskrif vir letterkunde, 24(3) : 56-62.

Hesse, G.H. 1987. Die toeval: P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir letterkunde, 25: 38-42. Hesse, G.H. 1989. Die groteske in die dramas van P.G. du Plessis en Friedrich Dürrenmatt. Tydskrif vir letterkunde, 27(3): 90-97. The Hexagon experimental theatre, University of Natal, Pietermaritzburg. 1978. Scenaria, (10) : 29-31. Hey, Joy 1966. One kind of phoenix : the story of Peter Hey. Pietermaritzburg : Shuter and Shooter Heyns, M.S. 1967. H.B. Thom-teater op Stellenbosch. Lantern, 17(2): 36-41. HEYWOOD, C. (ed). 1974. Aspects of South African Literature. London: Heinemann Higginson, Craig, Foanna Laurens, and Caridad Svich. "A Triangle of Thought." Performance Research 9.1 (2004): 76-80.

Hill, Ronald 1965. Shame Theatre world, 61: 13-15. Hirschson, P. 1994. The 25th Raps Schools Play Festival. Transvaal educational news, 92(3): 12-13. History (The) of the State Theatre Pretoria. 1981. Scenaria, Special issue: 3-5. Hlahla, Patrick. 2000. Exit, stage left ... sadly: No curtain call in sight as cabinet mothballs State Theatre. In: The Citizen, June 16, 2000: 1. Hoegberg, David E. 1995-6. ‘Master Harold’ and the Bard: education and succession in Fugard and Shakespeare. Comparative drama, 29(3): 415-435. HOERNLÉ, A. 1934. The Bantu Dramatic Society of Johannesburg. Africa 7: 223-227. HOFFMAN, ARTHUR and ANNA ROMAIN. 1980. They Built a Theatre: The Story of the Johannesburg Repertory Society. Johannesbrug: Ad Donker.

Hoffman, Rosemary Ursula 1964. A list of theatre performances in Johannesburg, 1887-1897, based on the programme collection in the Strange Library of Africana, Johannesburg. Johannesburg: Johannesburg Public Library. Holiday, A. (1998) ‘Forgiving and forgetting: the Truth and Reconciliation Commission’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa.Cape Town: Oxford University Press Hollands, Glenn. 2002. Exploring xenophobia. In: The Daily Dispatch, July 4, 2002: 8. Holloway, David 1979. Playing the Empire: the acts of the Holloway Touring Theatre Company. London: Harrap. pp. 64-93; 156-177 Holloway, Myles 1988. An interview with Zakes Mda, South African theatre journal, 2(2):81-8 Holloway, Myles 1989a. Discordant voices of a lived reality: Zakes Mda’s The Hill. South African theatre journal, 3(2):33-50. Holloway, Myles 1989b. Social commentary and artistic mediation in Zakes Mda’s early plays. English Academy review, 6: 28-41. Holloway, Myles 1992. The Crisis of Liberalism in South African Theatre. In: Westerley 3:41-47. Holloway, Myles 1993. Creative co-operation: a critical survey of workshop theatre in South Africa, South African theatre journal, 7(1): 17-31. Holloway, Myles 1997. Music Hall in Johannesburg: 1886 – 1896. South African theatre journal, 11(1&2): 15-53.

Holmes, J. 2002. ‘A world elsewhere’: Shakespeare in South Africa. Shakespeare survey, 55:271-284. Homann, Greg 2009. Landscape and body. South African theatre journal, 23: 149-176. Honegger, Gitta; Patipatpaopong, Rassami; Schechter, Joel 1984. An interview with Athol Fugard. Theater magazine, 16(11): 32-39. HOOKHAM, JOHN. 1991. We the rhino: Ethnographic aggies and the representation of the Bushmen. South African theatre journal, 5(1):24-34. HOOKHAM, JOHN. 1993. The aesthetic sheen: Reflections on banality and grace in the films of Paul Schrader. South African theatre journal, 7(2):105-116. Hope, Kim 2005. ‘I love you—you're my woman!’. Research in drama education, 10(2): 241-245. Horn, Andrew 1985. Ideology and Melodramatic Vision in Black South Africa and Nineteenth Century America. English in Africa 12/1:1-10.

Horn, A. 1985. Ideology and the melodramatic vision : popular theatre in Black South Africa and nineteenth-century America. English in Africa, 12(1) : 1-9.

Horn, Andrew 1986a. South African theatre; ideology and rebellion. Research in African literatures, 17 (2): 211-233. Horn, Andrew 1986b. South African theatre; ideology and rebellion. In Barber, K. (ed.) Readings in African popular culture. Bloomington, Ind: Indiana University Press. P.73-80.

Horn, Andrew 1990. Introduction to Z.Mda The Plays of Zakes Mda. Johannesburg: Ravan Press. Horn, Andreij. 1998. Breyten skok met seks op verhoog by fees. In: Die Burger, April 3, 1998: 1. Horn, M. 1988. Theater as a weapon. U.S. news & world report, 105(1): 50. Horn, Peter 1996. What is a tribal dress? The ‘imbongi’ (praise-singer) and the ‘people’s poet’. Reactivation of a tradition in the liberation struggle. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 115-131. Horne, H. 2008. Kaburu: ‘n drama vir die verhoog, D. Opperman. Reviewed in: South African journal of cultural history, 22(2): 155-156. Horne, Hannes 1978. Van dramateks tot toneelopvoering. Scenaria, June/July: 63-64.

Horne, Hannes 1985. Die Suidwes-Afrikaanse Raad vir die Uitvoerende Kunste (SWARUK: 1966-1983). [The Performing Arts Council of South West Africa]. In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 101-105.

HORNE, J [HANNES]. 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse Verhoogkuns. ("Anna Neethling-Pohl's contribution to the Afrikaans theatre") Unpublished M.A. Thesis, University of Pretoria. Horne, Jacobus Johannes 1970. Anna Neethling-Pohl se bydrae tot die Afrikaanse verhoogkuns. Pretoria: Universiteit van Pretoria. (M A Thesis). Horne, J.J. 1987. Anna Neethling-Pohl. Lantern, 36(1): 3-13. Horner, David 1967. Speech and drama. Fiat lux, 2: 297-300. Horner, D. 1972. Theatre in the hills. Fiat lux, 7(1): 27. February. Horner, D. 1976. All the world’s a stage – so pity the poor player. Journal of the University of Durban-Westville, 2(4): 33-42. HOUGH, B. 1981. Interview with Athol Fugard – Port Elizabeth, 30 November 1977. Theoria 55: 37-48. Hough, B. 1979. Fugard’s Boesman and Lena in perspective. Crux, 13(1): 29-36. Hough, B. 1985. Exit the king [Dawie Malan] De Kat, 1(2) : 95-98. August.

Hough, Barry. 1995. Fugard staan poedelnakend. Insig, 09/95: 43. Hough, Barry. 1998. Soeke na ‘roots’ bring versoenende konfrontasie tussen swart en wit. In: Rapport, February 15, 1998: 28.

Hough, Barry. 1999. Waarheid wat spook in dié oorlogsdrama: Filmiese aanslag in Boere se ‘Gone With the Wind’. In: Rapport, October 3, 1999: 2.

Hough, Barry. 2000a. ‘n Renaissance in ons swart teater: Komeng oor manlike identiteit in stad. In: Rapport, July 16, 2000: 2.

Hough, Barry. 2000b. Van feeste alleen leef die kunste nie. In: Rapport, October 15, 2000: 1. Houliston, Victor 1989. Shakespeare not our contemporary: classical rhetoric and the teaching of Shakespeare. Shakespeare in South Africa, 3: 67-77. Howlett, Leslie 2002. A Midsummer Night's Dream. Shakespeare in Southern Africa, 14: 50 Huber, Werner 1989. Transformations of Beckett: the case of Athol Fugard. Huggett, Richard, 1965. Touring the township. Plays and players, 12: 18-20. Hugo, D.J. 1979. Warm patat [vwyk louw, oor drama?] Tydskrif vir letterkunde, 17(3): 61-67. ASugust.

Hugo, Daniel 1997. Die man wat vlug vir die Nobelprys: Gedagtes rondom Hugo Claus en sy besoek aan Suid-Afrika. South African theatre journal,11(1&2):286-288 Hugo Naudé-kleinteater. 1951. Brandwag, 15(32): 7. September 7. Huguenet, André 1941. Vyftien jaar op die Afrikaanse toneel. Huisgenoot, 26(1023): 17. October 31. Huguenet, André 1942a. Kry ons ‘n staatsteater? Huisgenoot, 26(1047): 21. April 17. Huguenet, André 1942b. My 16 years of theatrical pioneering in South Africa. Outspan. 31(797):23-25. June 5. Huguenet, André 1945a. Afrikaans theatre has come to stay: our efforts are now beginning to bear fruit. Outspan. 37(937): 20-21. February 9. Huguenet, André 1945b.Afrikaanse beroepstoneel twintig jaar oud. Huisgenoot, 29(1192): 6. January 26. Huguenet, André 1947a. Hamlet-triomf. Ruiter, 1(12): 24. July 25. Huguenet, André 1947b. Ons maak ‘n begin : wat kan van die staatsteaterorganisasie verwag word? Huisgenoot, 32(1327): 20-21. August 29. Huguenet, André 1948. Gee hulle die kans. [Nasionale teater]. Brandwag, 11(569): 7 August 27. Huguenet, André 1950a. Applous! Die Kronieke van 'n Toneelspeler ("Applause! The Chronicles of an Actor"). Cape Town: HAUM. Huguenet, André 1950b. In my time. Outspan, 47(1224): 39-43. August 11. Huguenet, André 1953a. Ons toneel in perspektief. Helikon, 2(12): 93-97. Huguenet, André 1953b. Rol wat ek die graagste gespeel het. Huisgenoot 38(1653): 18-21. November 27. Huguenet, André 1954. Ons toneel in perspektief. Lantern, 4: 72-77. Huguenet, André 1956a. Krisis in die Afrikaanse toneel. Huisgenoot, 40(1800). September 17. Huguenet, André 1956b. Krisis in die Afrikaanse toneel. Huisgenoot, 40(1801). September 24. Huguenet, André 1956c. Ons toneel in die smeltkroes. Helikon, 6(26): 47-57. Huismans, E. 1974. Op ‘n hoop geknoop. Rooi rose, 30(24): 38-43. June 26. children’s plays.

Huismans, Anja & Finestone, Juanita 1995. Interview with Reza de Wet. South African theatre journal, 9(1):89-95.

Huismans, Anja & Finestone, Juanita 1999. Interview: exploring the masculine within. Contemporary theatre review, 9(1): 57.

Hulbert, Dan 1993. The artist and the city (South African playwright Athol Fugard). American theatre, 9(9): 18-23.

Human, J. 1950. Einde van die oujonkmansklub. [Hendrik en Mathilde Hanekom]. Huisgenoot 34(1471): 24-27. June 2. Human, Thys & Strydom, Matty 2006. "En wie is 'ons' dan?": 'n bespreking van die stem wat aan die gehoor gegee word in 'Ek, Anna van Wyk' deur Pieter Fourie. Stilet, bladsye?? Hunt, Nigel 1989. South Africa for Canada. Theatrum, 15 : 13-17.

Hutchison, Yvette. 1995. Plays for young Africa, Volumes 1 and 2 (by Pieter Scholtz) (book review). SATJ 9/1: 126-128.

Hutchison, Yvette. 1996. Editorial – Theories of Drama, Theatre and Performance in Africa. SATJ 10/1: 1-2.

Hutchison, Yvette. 1996. Politics and Performance: Theatre, Poetry and Song in Southern Africa (by Liz Gunner) (book review). SATJ 10/1: 125-126.

Hutchison, Yvette. 1999. Black South African Women: an anthology of plays. (by Kathy A. Perkins) (book review). SATJ 13: 206-208.

Hutchison, Yvette. 2000. Athol Fugard: Township Plays, Port Elizabeth Plays and Interior Plays. (3 volumes re-published in 2000) (book review). SATJ 14: 225-229.

Hutchison, Yvette 1991. Playabout – ten one-act plays by Sue Scott and Patrick Delahunty. Reviewed in: South African theatre journal, 5(2): 113-115. Hutchison, Yvette 1994a. Learning by performing arts: from indigenous to endogenous cultural development, by Kees Epskamp. Reviewed in: South African theatre journal, 8(1): 84-87. Hutchison, Yvette 1994b. Masks today: mediators of a complex reality. South African theatre journal, 8(1): 45-62. Hutchison, Yvette 1995a. African literature in South Africa: towards a renaissance conference by A. Huismans and R. Marais. Reviewed in: South African theatre journal, 9(1): 96-99. Hutchison, Yvette 1995b. SCHOLTZ, PIETER. Plays for young Africa, Volumes 1 and 2 by Pieter Scholtz. Reviewed in: South African theatre journal, 9(1): 126-128. Hutchison, Yvette 1996a. “Access to rather than ownership of”: South African theatre history and theory at a crossroads. South African theatre journal, 10(1): 35-47.

Hutchison, Yvette 1996b. Politics and performance: theatre, poetry and song in Southern Africa, by Liz Gunner. Reviewed in: South African theatre journal, 10(1): 125-126. Hutchison, Yvette 1996c. Scars of conquest/masks of resistance : the invention of cultural identities in African, African-American and Caribbean drama by Tejumola O. Reviewed in: South African theatre journal, 10(1): 126-129. Hutchison, Yvette 1996d. Theories of drama, theatre and performance in Africa (editorial). South African theatre journal, 10(1): 1-2. Hutchison, Yvette 1997. Theatre and drama in francophone Africa, by John Conteh-Morgan. Reviewed in: South African theatre journal, 11(1&2): 290-292. Hutchison, Yvette 1999a. Black South African women: an anthology of plays edited by Kathy A Perkins. Reviewed in: South African theatre journal, 13(1&2): 206-209. Hutchison, Yvette 1999b. Memory is a weapon: the uses of history and myth in selected post-1960 Kenyan, Nigerian and South African plays. Stellenbsosch: University of Stellenbosch. (D Phil (Dram) dissertation.) D Phil (Dram), US Hutchison, Yvette 1999c. Present trends in South African theatre. In Smit, J.A. (ed.), The dancing dwarf from the land of spirits. Durban: CSSALL. p. 119-130. Hutchison, Yvette 1999d. The seductive dance between history and literature: The Moremi legend by historian Samuel Johnson and playwrights Duro Ladipo and Femi Osofisan. South African theatre journal, 13(1&2): 32-47. Hutchison, Yvette 2000. Township plays; Port Elizabeth plays; Interior plays, by Athol Fugard. Reviewed in: South African theatre journal, 14: 225-229. Hutchison, Yvette 2002a. African theatre and the unmaking of colonial marginality by Bhekizizwe Peterson. Reviewed in South African theatre journal, 16: 244-247. Hutchison, Yvette 2002b. Beyond the echoes of Soweto: five plays, by Matsemela Manaka; Born in the RSA: four workshopped plays by Barney Simon; Ubu and the Truth Commission by Jane Taylor. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 158-161.

Hutchison, Yvette 2003 "Barney Simon: Brokering Cultural Interventions." Contemporary Theatre Review 13.3 (2003): 4-15.

Hutchison, Yvette 2004a. Memory and desire in South Africa: the museum as space for performing cultural identity? In Banham, Martin, Gibbs, James & Osofisan, Ferni (eds). African theatre: Southern Africa. Oxford: James Currey. p. 51-67. Hutchison, Yvette 2004b. South African theatre. In: Banham, Martin (ed). A history of theatre in Africa. Cambridge: Cambridge University Press. p. 312-379. Hutchison, Yvette 2005. Truth or bust: consensualising a historic narrative or provoking through theatre. The place of the personal narrative in the Truth and Reconciliation Commission. Contemporary theatre review, 15:3. p. 354-362. Hutchison, Yvette 2008. Theatre, performance and new media in Africa edited by Susan Arndt, Eckhard Breitinger & Marek Spitczok von Brisinski. Reviewed in: South African theatre journal, 22: 210-211.