ESAT Bibliography J
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Jack, Mawande. 2003a. Xhosa monarchy up in arms over play: Drama of forbidden love by white producers is ‘disrespectful’. In: City Press, June 8, 2003: 8.
Jack, Mawande. 2003b. Play that ‘shamed’ Xhosas to be staged. In: City Press, June 22, 2003: 3.
Jackman, Tony. 1997. Theatre community must use its wit and wile to avoid an unhappy end. In: The Sunday Independent, May 18, 1997: 14.
Jackson, Caroline 1985. South African Zakes Mokae: an actor against all odds. Black masks, 2(2): 2-3. October.
Jackson, George 1984a. Children’s theatre has come home to Johannesburg again. Scenaria. Johannesburg: 8(46): 17-20.
Jackson, George 1984b. I overstayed my welcome. Scenaria interviews Maureen MacAllister. Scenaria, (43): 13-15.
Jackson, G. 1984. Actors must be exciting. Scenaria, (46) : 29-32.
Jackson, G. 1984. Children’s theatre has come home to Johannesburg again. Scenaria, (4) : 17-20.
Jackson, G. 1985. Bill Flynn. Scenaria, (50) : 17-20.
Jackson, G. 1985. Dorothy-Ann Gould. Scenaria, (53) : 17-21
Jackson, G. 1985. Ian von Memerty. Scenaria, (49): 44-45.
Jackson, G. 1985. Port Elizabeth Shakespearean festival : 25th anniversary. Scenaria, (50): 28-33.
Jackson, George 1985. Franz Dobrowsky. Scenaria, (56):19-23.
Jackson, George 1985a. The Port Elizabeth Shakespeare festival – 25th anniversary. Scenaria, (50):28-33.
Jackson, George 1985b. Scenaria interviews Bill Flynn. Scenaria, (50):17-20.
Jackson, George 1985c. Scenaria interviews Terence Shank. Scenaria, (57):40-44.
Jackson, George 1987. Angus Neill. Scenaria, (81):33-36.
Jacobs, A. 1977. Theatre technicial. My career, 28:65-66. May.
Jacobs, Martha Christina 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa.
Jaffer, Kay 1998. Notions of coloured identities in Cape Flats theatre: a look at Taliep Petersen’s District Six – the musical. South African theatre journal,12: 91-107.
Jafta, Dorcas Nompumelelo 1978. A survey of Xhosa drama. Empangeni: University of Zululand. (M.A. thesis).
Jamal, Ashraf. 2003. Faith in a practical epistemology: on collective creativity in theatre. South African theatre journal, 17: 37-64.
James, Deborah 1994.. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal. In: Gunner, Liz (ed.) Politics and performance: theatre, poetry and song in Southern Africa. Johannesburg: Witwatersrand University Press. p. 81-109.
James, G. 1987. Othello revisited. Scenaria, (82): 9-10.
James, Monwabisi Enock 2005. The elements of drama in the traditional practices of ama-Xhosa culture Stellenbosch: University of Stellenbosch. (Long essay for M (Dram))
Janse van Vuuren, Petro 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. South African theatre journal, 21: 221-240.
Janse van Vuuren, Petro 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Durban: University of KwaZulu-Natal. (PhD (Dram) dissertation.)
Janse van Vuuren, Petro 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. South African theatre journal, 23: 222-234.
January, C. 1976. Recent courses in drama. [Make-up]. Alpha, 14(7): 8-9.
January, Cornelius 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. Unpublished master’s thesis. Bellville: University of the Western Cape.
Jamieson, W. 1951. No we do not need national theatre. Outspan, 49(1262): 41. May 4.
Jardine, Neil 1979. Drama in education. Scenaria, (11) : 37-38.
Jason, F. 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. Rootz Africa, 20(10): 92-95.
Jeffery, Robert 2008. New music for Twelfth Night: reconstructing musical associations for the 50th anniversary performance of Shakespeare at Maynardville, Jan 2006. Shakespeare in Southern Africa, 20: 13-23.
Jeffrey, Chris 2001. The merchant of Venice at the Tivoli Amphiheatre. Shakespeare in Southern Africa, 13: 104-106.
Jeffrey, Robert 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to Geoffrey Hyland's production of Twelfth Night, or What You Will, staged at Maynardville Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.
Jenkins, M. 1970. What’s all the drama about? [University of the Witwatersrand, University players]. Personality supplement, 16-17. October 16.
Jenkins, Marilyn 1979. Dr. P.G. du Plessis. Scenaria, (11): 40-41.
Jenkins, Marilyn 1981. Robinson Crusoe ‘pantomime pleasures’. Scenaria, (28): 26-27.
Jenkins, Ron 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. Teatro e storia, 11(18): 335-358.
Jenkins, Ron 1997. Stand back, Johannesburg (fictional character Evita Bezuidenhout). American theatre, 14(9): 18-20.
Jeyifo, Biodun. 2004. History & theatre in Africa edited by Eckhard Breitinger & Yvette Hutchison. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.). African theatre: Southern Africa. Oxford :James Currey. p. 145-148.
Jithoo, Roychand 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Durban: University of Natal. (M.A., thesis).
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