ESAT Bibliography Fla-Fly
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Fleishman, Mark. 1990. Workshop theatre as oppositional form. South African theatre journal, 4(1): 88-118.
Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Cape Town: University of Cape Town, (MA thesis).
Fleishman, Mark 1996. Physical images in the South African theatre. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 173-182.
Fleishman, Mark 1997 Physical images in the South African theatre. South African theatre journal, 11(1&2): 199-214.
Fleishman, Mark. 1998. Making people’s theatre, by Robert Mshengu Kavanagh. Reviewed in: South African theatre journal, 12(1&2):253-256.
Fleishman, Mark 2001. Unspeaking the centre. In Kriger, Robert & Zegeye, Abebe (eds) Culture in the new South Africa: after apartheid. Vol.2. Cape Town: Kwela Books. p. 91-115.
Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African theatre journal, 21: 149-165.
Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African theatre journal, 23: 116-136.
Fletcher, D. 1976. Etienne Rousseau theatre. South African builder. 55(1): 14-15. January.
Fletcher, Jill 1990. Puppetry, a guide for beginners, by Marie Kruger. Reviewed in: South African theatre journal, 4(2):114.
Fletcher, Jill 1994. The story of theatre in South Africa: a guide to its history from 1780-1930. Cape Town: Vlaeberg.
Flockemann, Miki 1991 Gcina Mhlope’s Have you seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African theatre journal, 5(2): 40-54.
Flockemann, Miki 1994a. Imagining women: cultural representation and gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African theatre journal, 8(1): 81-83.
Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in theatre production, 10: 31-38.
Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition. In Wittenberg, Hermann & Nas, Loes (eds.) AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, p. 131-142.
Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1): 82-93.
Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for language teaching, 31(3): 276-283.
Flockemann, M. 1998a. Categories and cultural continuums: a response to ‘Theatre and society in South Africa’, by Temple Hauptfleisch. Reviewed in: South African theatre journal, 12(1&2): 244-252
Flockemann M. 1998b. White Men With Weapons, Black Women With Dresses: The TRC and Refashioning Myths of Identity. JTD: Journal of Theatre and Drama [serial online]. 1998;4:7-22.
Flockemann Miki & Mazibuko T. 1999a. Between women -- an interview with Gcina Mhlophe. Contemporary theatre review, 9(1): 41.
Flockemann Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary theatre review, 9(3): 37.
Flockemann Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary theatre review, 9(1): 17.
Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African theatre journal, 15:25-39
Flockemann, Miki 2002. Translations, affirmations, inventions and subversions: Grahamstown 2002. South African theatre journal, 16: 198 – 207.
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