ESAT Bibliography Ja-Ji
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Return to A Bibliography of South African South African Theatre and Performance
JAATS het tien suksesvolle jare agter die rug; 1942-1952. Helikon, 1(6):30-34.
Jackson, Caroline 1985. South African Zakes Mokae: an actor against all odds. Black Masks, 2(2):2-3. October.
Jackson, George 1984a. Children’s theatre has come home to Johannesburg again. Scenaria, 8(46):17-20.
Jackson, George 1984b. I overstayed my welcome. Scenaria interviews Maureen McAllister. Scenaria, (43):13-15.
Jackson, George 1984. Actors must be exciting. Scenaria, (46):29-32.
Jackson, George 1984. Children’s theatre has come home to Johannesburg again. Scenaria, (4):17-20.
Jackson, George 1985. Dorothy-Ann Gould. Scenaria, (53):17-21
Jackson, George 1985. Ian von Memerty. Scenaria, (49):44-45.
Jackson, George 1985. Port Elizabeth Shakespearean Festival : 25th anniversary. Scenaria, (50):28-33.
Jackson, George 1985. Frantz Dobrowsky. Scenaria, (56):19-23.
Jackson, George 1985b. Scenaria interviews Bill Flynn. Scenaria, (50):17-20.
Jackson, George 1985c. Scenaria interviews Terence Shank. Scenaria, (57):40-44.
Jackson, George 1986. Ronald Wallace. Scenaria, (69):21-25.
Jackson, George 1987. Angus Neill. Scenaria, (81):33-36.
Jaco Bouwer: drama 2008. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 192-193.
Jacobs, A. 1977. Theatre technicial. My Career, 28:65-66. May.
Jacobs, Martha Christina 2008. Die konsep volksmoeder soos dit in die Afrikaanse drama neerslag vind. Unpublished master’s thesis. Pretoria: University of South Africa.
Jaffer, Kay 1998. Notions of coloured identities in Cape Flats theatre: a look at Taliep Petersen’s District Six – The Musical. South African Theatre Journal, 12:91-107.
Jafta, Dorcas Nompumelelo 1978. A survey of Xhosa drama. Unpublished master’s thesis. Empangeni: University of Zululand.
Jamal, Ashraf 2003. Faith in a practical epistemology: on collective creativity in theatre. South African Theatre Journal, 17: 37-64.
Jamal, Ashraf 2004. ...nothing is / But what it is not: Macbeth in Africa. South African Theatre Journal, 18:31-38.
James, Deborah 1994. Basadi ba baeng / visiting women: female migrant performance from the Northern Transvaal, in Gunner, Liz (ed.). Politics and Performance: Theatre, Poetry and Song in Southern Africa. Johannesburg: Witwatersrand University Press. 81-109.
James, G. 1987. Othello revisited. Scenaria, (82):9-10.
James, Monwabisi Enock 2005. The elements of drama in the traditional practices of ama-Xhosa culture. Unpublished master’s essay. Stellenbosch: University of Stellenbosch.
Jamieson, W. 1951. No we do not need national theatre. Outspan, 49(1262):41. May 4.
Janse van Vuuren, Petro 2007a. The hero’s thesis, the researcher’s quest – exploring the kinds of knowledge gained from process drama workshops. South African Theatre Journal, 21:221-240.
Janse van Vuuren, Petro 2007b. Mirror Mirror on the wall; dramatic charactersation as a means for reflecting on personal values. Unpublished doctoral dissertation. Durban: University of KwaZulu-Natal.
Janse van Vuuren, Petro 2009. Between Bluebeard and my brothers – report on the African Research Conference in Applied Drama and Theatre, 2008. South African Theatre Journal, 23:222-234.
Jansen, E. 1996. Open space : six contemporary plays from Africa, Reza de Wet, Zakes Mda, K. Saro-Wiwa, Rugyendo, Oyono, Al-Hakim. Reviewed in: De Kat, 12(5):93.
January, C. 1976. Recent courses in drama. [Make-up]. Alpha, 14(7):8-9.
January, Cornelius 1997. 'n Vergelykende studie ten opsigte van die aktiwiteite van stedelike swart amateur gemeenskapsgroepe en plattelandse Swart amateur gemeenskapsgroepe in die apartheidsjare. ("A comparative study regarding the activities of urban black amateur community groups and rural black amateur community groups in the Apartheid years") Unpublished master’s thesis. Bellville: University of the Western Cape.
Jardine, Neil 1979. Drama in education. Scenaria, (11):37-38.
Jason, F. 2006. Heritage sites, libraries get biggest piece of Pallo’s pipe – embrace your heritage – budget vote speech: arts & culture. Rootz Africa, 20(10):92-95.
Jeffrey, Chris 2001. The Merchant of Venice at the Tivoli Amphiheatre. Shakespeare in Southern Africa, 13:104-106.
Jeffery, Robert 2008. New music for Twelfth Night: reconstructing musical associations for the 50th anniversary performance of Shakespeare at Maynardville, January 2006. Shakespeare in Southern Africa, 20:13-23.
Jeffery, Robert 2009. 'Re-writing' Shakespeare in Africa : creating musical relevance for a contemporary South African audience; with special reference to Geoffrey Hyland's production of Twelfth Night, or What You Will, staged at Maynardville Open-Air Theatre in 2006. Unpublished master’s thesis. Cape Town: University of Cape Town.
Jenkins, M. 1970. What’s all the drama about? [University of the Witwatersrand, University players]. Personality supplement, 16-17. October 16.
Jenkins, Marilyn 1979. Dr. P.G. du Plessis. Scenaria, (11):40-41.
Jenkins, Marilyn 1981. Robinson Crusoe ‘pantomime pleasures’. Scenaria, (28):26-27.
Jenkins, Ron 1996. Ridere del razzismo in Sud Africa. [Laughing at racism in South Africa]. Teatro e storia, 11(18):335-358.
Jenkins, Ron 1997. Stand back, Johannesburg (fictional character Evita Bezuidenhout). American Theatre, 14(9):18-20.
Jerry Mofokeng: drama 1994. 2009. In Watterson, Lore (ed.). Standard Bank Young Artist Awards, 25 years. Randburg [South Africa] : DeskLink Media. 84-85.
Jeyifo, Biodun 2004. History & Theatre in Africa, edited by Eckhard Breitinger & Yvette Hutchison. Reviewed in: Banham Martin, Gibbs, James, & Osofisan, Femi (eds.). African Theatre: Southern Africa. Oxford :James Currey. 145-148.
Jithoo, Roychand 1973. Some aspects of the nature and incidence of stuttering among Indian primary school children in Durban. Unpublished master’s thesis. Durban: University of Natal.
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