Ambrose Gwinett, or A Sea Side Story

Ambrose Gwinett, or A Sea Side Story is a melodrama in three acts by Douglas Jerrold (1803 – 1857)[1].

The name of the lead character is most often rendered as above, but sometimes sources do have it as Ambrose Gwinnett, and in South Africa the name of the character is wrongly given as Ambrose Guinett and the play sometimes simply referred to as Ambrose Gwinett or Ambrose Guinett.

The original text

Based on The Life of Ambrose Guinet (1770), a tale by Isaac Bickerstaffe (1733 – 1812?)[2], it tells the story of a man wrongfully accused of murder. Jerrold's stage adaptation opened at the Coburg Theatre on 6 October, in 1828. It became widely popular in Great Britain and the United States, and was first published in London in 1828 and later in Boston in 1833.

An interesting aside:

According to a "Researcher's Note" in the online Encyclopædia Britannica[3], the American author Ambrose Bierce[4]’s full given names are Ambrose Gwinett (or Gwinnett) Bierce and derived from the title of Jerrold's popular play.

In addition, Bierce's one biographer, Roy Morris, scathingly refers to Jerrold, one of the leading melodramatists of his day, as the "little known English dramatist", and the play as a "penny-dreadful play", points out that Bierce's most famous work, An Occurrence at Owl Creek Bridge (), "shares the play's basic plot contrivance of a young man surviving - or apparently surviving - a hanging", and suggesting Bierce may have read (or perhaps seen?) the play. Morris

Translations and adaptations

Performance history in South Africa

1831: Played for the first time on 8 October by the All the World's a Stage in the African Theatre as Ambrose Guinett, or a Sea-Side Story, with as afterpiece Amateurs and Actors, or A Peep Behind the Curtain (Peake).

1832: Played as Ambrose Gwinett on 1 September by the All the World's a Stage in the African Theatre, as afterpiece to The Mountaineers (Colman).

1838: Performed by the English Amateur Company in the Cape Town Theatre on 13 October, 1838, with as afterpiece The Spectre Bridegroom, or A Ghost in spite of Himself (Moncrieff). The title again wrongly given as Ambrose Guinett, or a Sea-Side Story. According to Bosman (1928), this was to be the last production mounted in the African Theatre before it was sold and turned into a church, and it was also the last production by English amateurs in Cape Town till 1843, for the Methodist anti-theatre movement had temporarily won the battle.