ESAT Bibliography Am-Ap
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Amato, Rob 1977. A Xhosa woman’s serious optimism. Speak 1(1): 14-17.
Amato, Rob 1984. Fugard’s confessional analysis: Master Harold… and the boys. In Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret 1984. Momentum: on recent South African writing. Pietermaritzburg: University of Natal Press. p. 198-214.
Amato, Rob 1988. The Baxter Theatre and Handspring Puppet Company’s production of A midsummer night’s dream at the Monument Theatre Grahamstown, July 1988. Shakespeare in Southern Africa, 2: 102-105.
Ambe, Hilarious 2000. Cultural production and strategies for conflict mediation: report on a Spring seminar on Robben Island. South African theatre journal, 14: 218-223.
Amkpa A. 1999. Drama in South Africa and tropes of postcoloniality. Contemporary theatre review, 9(3): 1.
Amstel Festival wrap-up. 1988. Scenaria, (88): 7-9.
The Amstel playwright of the year award 1978. 1978. Scenaria, (8) : 29.
Amstel playwright of the year award : 1986. 1986. Scenaria, (71) : 18.
Anastasia – last of the Romanovs? 1977. Scenaria, June/July: 33.
André Huguenot – the man. 1978. Scenaria, February/March: 21-22.
André Huguenet: thirty years of theatre. 1957. South African panorama, 1(8). March 28. Bladsye nie in Repertorium-inskr. Tydskrif nie in JSG
André P. Brink in gesprek met Abraham de Vries. 1972. In Gesprekke met skrywers, deel 2. Kaapstad, Tafelberg. p. 1-26.
Andrew, A. 1951. Defects of the South African theatre. Trek, 15(2): 22-25.
Andrew, R.V. 1956. The achievement of the one-act play. Potchefstroom: PU vir CHO. (MA-thesis.)
Angove, Colleen 1986. Athol Fugard's portrayal of the Afrikaner. Potchefstroom: Potchefstroom University for Christian Higher Education. (M.A. thesis.)
Angove, Coleen 1987. The inescapable bond with a predetermined heritage: a phenomenon illustrated by representative characters from three Athol Fugard plays. Literator, 8(3): 1-11.
Angove, Coleen 1989. Afrikaner stereotypes and mavericks in selected Fugard plays. South African theatre journal, 3(1): 55-68.
Angove, Colleen 1992. Alternative theatre: reflecting a multi-racial South African society? Theatre research international 17(1): 39-45.
Anna Cloete – 50 jaar aktrise. 1985. Lantern, 34(4): 33-43.
Anna Neethling-Pohl. 1981. Scenaria, Special issue: 31.
Annamalai, Sathasivan 1992. Therukoothu – a traditional dance drama form as manifest in Natal since 1860. Durban: University Durban-Westville. (MA-thesis.)
Annamalai, Sathasivan 1999. The history of South African Indian theatre in Natal from the mid-1900s to the present day, with special reference to its transformation within the changing socio-political climate. Durban: University of Durban-Westville. (PhD. (Drama) thesis).
Antonissen, Rob 1958. Kronieke: drie dramas – drie wêrelde [Eitmal: Maria Magdalene, N.P. van Wyk Louw: Germanicus, Uys Krige: Die goue kring]. Standpunte, 12(1): 55-66.
Apronti, E.O. 1976. The tyranny of time: The theme of time in the artistic consciousness of South African writers, in Jones, Eldred Durosimi (ed.). African literature today: A review. London: Heinemann. 106-114.
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