ESAT Bibliography I
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Igweonu, Kene (ed.) 2011. Trends in Twenty-First Century African Theatre and Performance. Amsterdam, Rodopi. With a Foreword and an article by Temple Hauptfleisch, articles by Alude Mahali, Patrick Ebewo, Petrus du Preez and Johann van Heerden.)
Importance of being Earnest. [dramatic criticism]. 1983. Scenaria, 35:29-30.
In gesprek met Reza de Wet. 1987. Suid-Afrikaan, 14(10):44-48.
Inglis, Margaret 1946. Future of professional theatre in South Africa. Outspan, 38(988):23-25. February 1.
Inglis, Margaret 1955. South African theatre: past, present and future. Forum, 3(10):27-30.
Inskip, Donald P. 1947. Amateur-toneelspelers vier fees: ‘n beskouing oor die betekenis van die Federasie van Amateur-Toneelverenigings van Suid-Afrika. Huisgenoot. 32 (1336):20-22. Oktober 31.
Inskip, Donald P. 1958. Drama in the university. English Studies in Africa, 1:55-58.
Inskip, Donald P. 1972. Forty Little Years: The Story of a Theatre. Cape Town: Howard Timmins.
Inskip, Donald P. 1976. The Maynardville Chronicle, 1956-1976. Eppng: Printpak.
Inskip, Donald P. 1977. Stage by Stage: The Leonard Schach Story. Cape Town: Howard Timmins.
International Defence and Aid Fund 1977. A new wave of cultural energy: Black Theatre in South Africa. Theatre Quarterly, 7(28):57-62.
International Labour Organisation: Tripartite meeting on conditions of employment and the work of performers. 1993. South African Theatre Journal, 7(2): 77-84.
Interview with Athol Fugard, Port Elizabeth, 30 November 1977. 1980. Theoria, 55: 37-48.
Irvine-Smith, C.C. architects. Witwatersrand university theatre. Architect and Builder, 34(11): 14-19.
Israel, Connie 2007. Performance as an alternate literacy in South Africa. South African Theatre Journal, 21: 275-291.
Itzhaki, Yedidya 1993. Athol Fugard on the Israeli stage. South African Theatre Journal, 7(1): 62-78.
Iyer, P. 1986. Cries of the silenced (Woza Afrika!). Time, 128:89. Sept 22.
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