A Royal Divorce

A play by W.G. Wills and G.G. Collingham, depicting the romantic relationship and political divorce between Napoleon and his wife Josephine.

The authorship of this play is a complex matter.

It is often attributed to one, or both, of two people, namely W.G. Wills (1828–1891) and/or C.C. Collingham [sic], depending on the sources consulted.

Wills, a recognized Irish dramatist, novelist and painter, was undoubtedly one of the authros of the play, which he apparently completed shortly before his death in 1891, the year in which it was performed at the Olympic Theatre in London.

The play is often referred to in Joyce's Finnigan's Wake and is ascribed there to Wills, as it is in newspapers reports on performances in Australia at the start of the 20th century. One source however, Alan Goble's The Complete Index of Literary Sources in Film , suggests (correctly, it turns out) that the text, published in 1891, is actually by BOTH authors. Why is Collingham often ignored?

A key problem seems to be a mistake with the intitals. "C.C. Collingham" is only noted film websites, where the name is listed as the author (or co-author) of a play that was the source of the 1926 British historical drama film directed by Alexander Butler, a film later remade as a sound film (1938). On the IMDb site[1], the name is in fact quoted as one of three authors: C.C. Collingham, Walter Summers, W.G. Wills.

However, it appears that the intials of the second author are not "C.C." , but "G.G." and that the real author is G.G. Collingham, a woman. This is evident when one consults the poster of the first performance in 1891, which says clearly: "A Royal Divorce. Playwright: W.G. Wills. Playwright: G.G. Collingham. Olympic Theatre, London. 10.9.189."[2] .

The third author (Summer) in the IMDb website is undoubtedly the scriptwriter for the film.

Performance history in South Africa

A play by this name was first performed in South Africa by Leonard Rayne in 1899; it was to become one of his greatest successes, Napoleon being his most memorable role, repeated countless times. It was also his final role before his death in 1925. The text used is uncertain, but is most probably the one by W.G. Wills.