Rolf Lefebvre
Rolf Lefebvre (1916-1974) Actor.
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Biography
Born in Johannesburg om 1916, he moved to England, where he studied acting, graduating from RADA in 1936.
His theatre activities in England included working with a weekly rep company that he had founded with Mary Morris in Surrey, for nine months, inter alia performing in Love from a Stranger by Agatha Christie at the Barn Theatre, Oxted, with the company called The Strange Players (possibly the company in question) in 1937. Then came “several appearances” in the West End and a tour with Frank Forbes-Robertson in The Passing of the Third Floor Back.
In 1940 he was back in South Africa working as an announcer and producer at the Johannesburg Station of the South African Broadcasting Corporation. He also worked in theatre at this time, notably so at the Standard Theatre for companies such as the Munro / Inglis Company and the Gwen ffrangçon-Davies/Marda Vanne Company (between 1941 and 1946), resigning from the SABC in 1943 to concentrate on theatre.
It seems he then returned to the UK, joining the newly formed Bristol Old Vic Theatre Company for the 1948/9 season, but then came back to South Africa to do some work with the newly founded National Theatre Organisation (NTO). One play we do know he was in was Guy Butler's The Dam. (In his autobiography, Guy was very complimentary about his performance – thought he was the best thing in it.)
After that he went back to the UK to work in television to some extent, but eventually only in radio. One of his reasons for avoiding the stage was that he felt he could not trust himself to remember lines.
He passed away in 1974.
Contribution to SA theatre, film, media and/or performance
Among his many stage appearances in South Africa have been:
Blithe Spirit (1944), And So to Bed (1944-5), The Merry Wives of Windsor (playing "Frank Ford", 1945) , Full House (1945), A Month in the Country (playing "Rakitin", 1946), The Wind of Heaven (playing "Evan Howell", 1946), The Dam (1952).
Sources
Tucker, 1997. p. 13.
IMDb [1].
Notes from Anthony Akerman. E-mail correspondence 28 February, 2022.
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