ESAT Bibliography Wop-Wz
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Words and acts. (Letter to the editor). 2003 American theatre, 20(8): 7.
Worthen, W.B. 1996. Convicted reading. In Reinelt, Janelle (ed.) Crucibles of crisis: performing social change. Ann Arbor MI: University of Michigan Press. p. 165-184.
Wren, Celia 1990. Wrestling with apartheid. American theatre, 7(1): 52.
Wright, Laurence 1987. Shakespeare against apartheid, by Martin Orkin. Reviewed in Shakespeare in Southern Africa, 1: 72-74.
Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2: 83-89.
Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3: 1-8.
Wright Laurence 1997. Editorial. Shakespeare in Southern Africa [serial online]. January 1997:IV.
Wright Laurence 1998. Editorial. Shakespeare in Southern Africa [serial online]. January 1998:IV.
Wright Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in Southern Africa, 13:102.
Wright, Laurence 2002a. A checklist of South African theses and dissertations on Shakespeare. Shakespeare in Southern Africa, 14: 43-48.
Wright, Laurence 2002b. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002. Shakespeare in Southern Africa, 14: 43-47.
Wright, Laurence 2002c. The taming of the shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-Air Theatre, February 2002. Shakespeare in Southern Africa, 14: 49-50.
Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in Southern Africa, 15: 83-102.
Wright, Laurence 2004a. Hill of fools: a South African Romeo and Juliet? English in Africa, 31(2): 73-88.
Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial studies, 7(1): 63-81.
Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in Southern Africa, 16: 73-74.
Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in Southern Africa, 17: 53- .
Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in Southern Africa, 17: 19-25.
Wright, Laurence 2007a. Theatre reviews. Shakespeare in Southern Africa, 19(7): 81-83.
Wright, L.aurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in Southern Africa, 19(7): 71-75.
Wright, Laurence 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in Southern Africa, 20: 25-27.
Wright, Laurence 2008. “Something rotten in this age of hope”, the Hamletmachine. Shakespeare in Southern Africa, 20: 66-68.
WYNCHANK, ANNY. 1998. Touki-Bouki: The new wave on the cinematic shores of Africa. South African theatre journal, 12(1&2):53-72.
Wyngaard, Heinrich. 1999. Feesvoos? Never! Insig, 05/99: 37.
Wyngaard, Heinrich. 2000. Want die fees kom nader. Insig, 04/00: 35.
Click on the appropriate letters of the alphabet in the sub-list below.
Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz
To return to any other letter, click on the list below
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
