Mario Schiess
Mario Schiess (1933-1998) was quantity surveyor, playwright, translator, theatre and film director and producer.
Contents
Biography
Born and raised in Switzerland, he emigrated to South Africa to practice as a quantity surveyor in Pretoria.
Training
Career
Contribution to SA theatre, film, media and/or performance
He worked in South African theatre and film from the early 1970's, becoming a member of Volksteater in Pretoria for example. He had a strong interest in Jung, and used the psychologist's theories as the basis of his work with actors.
As director
His most memorable achievement as translator and director was perhaps Kafka's Report to an Academy, which he had translated from the German, adapted for the stage and directed with Marius Weyers. It opened at The Laager in 1979, and would go on to play across the country and internationally.
He also directed The Glass Menagerie (1971), Pous Johanna II (Vilar), Woman Alone, The Colossus of Brooklyn (Schiess/Miller), Appassionata (Uys), My Son, My Son and an Afrikaans translation of Equus Upstairs at the Market (1978). The Chosen, The Last Tango in Heaven,
https://www.durbanet.co.za/darts/1998/07/news.htm
As translator
Among his translations were Kafka's Report to an Academy, an Afrikaans translation of Equus,
As playwright
Schiess wrote at least ten original plays, among others Nemesis, Iscariot, Charade, The Colossus of Brooklyn, Easter Bells, a play for two, The Revenge, Encounters at Midnight, The Chosen, Last Tango in Heaven,
Work in Film
He also directed some South African feature films, including: Die Vervlakste Tweeling (1969), with Marius Weyers, Jana Cilliers, Bill Brewer and others; Onwettige Huwelik (1970), with Marius Weyers, Pieter Geldenhuys, Enone van den Bergh and others; Bait (1974), with Marius Weyers, Richard Loring, Diane Ridler and others;
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Sources
See Gosher, 1988
National Arts Festival programme, 1990.
Correspondence with Michèle Schiess, his daughter. (2 June, 2018)
Commentary by Paul Boekkooi, cited in a draft article on Reza de Wet (2018), based on an unpublished interview with Schiess, which he had done in 1989.
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