ESAT Bibliography Maa-Mal

Maclennan, Don 1974. Author’s notes for The voyage of the Santiago. Contrast, 9(2): 26-29. August.

MacLennan, D. 1981. Palimpsest: some observations on the plays of Athol Fugard. Bloody Horse, 3: 59-70.

Mclennan, D. 1982. Athol Fugard and Don Mclennan: a conversation. English in Africa, 9(2): 1-11.

Madadzhe, Richard Nndwayamato 1985. N.A. Milubi's drama : a critical appraisal of dramatic criteria Pietersburg: University of the North. (M.A. thesis).

Madelaine, R. 2007. ‘Sharper than a serpent’s tooth’: audiences’ ingratitude and Oscar Ashe’s tour of Australia, New Zealand and South Africa, 1912-1913. Shakespeare in Southern Africa, 19(7): 1-8.

Madondo, Bongani. 1996. On a road to somewhere. Mayibuye, January, 31, 1996: 20.

Magalasi, Mufunanji Willard Moffati 1999. Politics, performance and narrative in the plays of Dukuza ka Macu. Johannesburg: University of the Witwatersrand. (MA (School of Dramatic Art) thesis).

Magubane Z. 2002. Mines, minstrels, and masculinity: race, class, gender, and the formation of the South African working class, 1870-1900. Journal of Men's Studies: A Scholarly Journal about Men and Masculinities, 10(3):271-289.

Magubane, Zine. 2004. The revolution betrayed? The South Atlantic Quarterly, 103.4: 669.

Maine, Abbey 1970. An African theater in South Africa. African Arts, 3(4): 42-44.

Maingard, Jacqueline 1997. Imag(in)ing the South African nation: representations of identity in the Rugby World Cup 1995. Theatre Journal, 49(1): 15-28.

Makgamatha, M.P. 1989. System of binary oppositions in the North Sotho nonwane of masilo le masilwane. South African Journal of African Languages, 9(3): 105-111.

Makhene, Motsumi M. 1996. The morning after Uhuru: music, rhythm and the performing arts. In Steyn, Melissa E. & Motshabi, Khanya B. Cultural synergy in South Africa :weaving strands of Africa and Europe. Randburg: Knowledge Resources. p. 147-160.

Makutoane, Tshokolo Johannes 2003. A functionalist translation of the morality play Everyman into Southern Sotho. Bloemfontein: University of the Free State. (M.A. (Near Eastern Studies) thesis)

Malan, A. 1967. Helen Braithwaite: grand old lady of the South African stage. Personality, 40-42. May 25.

Malan, Beverley 1988. Drama as education: using modern stage directions as a teaching module. Crux, 22(4): 24-30. October.

Malan, C. 1985. Tydskrif vir geesteswetenskappe en die drama. Tydskrif vir Geesteswetenskappe, 25: 14-18.

Malan, Charles 1984a. Bartho Smit se dramatiese kosmologie, veral in Christine en Putsonderwater. In: Malan, Charles (ed.) Spel en spieël: besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 64-82.

Malan, Charles (ed.). 1984b. Spel en spieël: besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor

Malan, Charles & Smit Bartho 1985. Skrywer en gemeenskap: tien jaar Afrikaanse Skrywersgilde. Pretoria: HAUM-Literêr.

Malan, Eunice & Pretorius, Herman 1990a. Amateurtoneel in Suid-Afrika, deur P. J. du Toit. Reviewed in: South African Theatre Journal, 4(1): 172-177.

Malan, Eunice 1990b. Theatre and the environment. South African Theatre Journal, 4(2): 80-86.

Malan, R. 1969. Ernest Oppenheimer-teater. Teater SA, 1(4): 22-24. December.

Malan, R. 1974. Tie in the pact, or theatre-in-education in the Performing arts council of the Transvaal. Crux, 8(2): 28-31. May.

Malan, R. 1979. Germanicus (N.P. van Wyk Louw). Tydskrif vir Letterkunde, 17(3):169-181. August

Malange, Nise 1989. Women workers and the struggle for cultural transformations. Staffrider, 8(3/4): 76-80.

Malins, S. 1973. Best known South African in Britain. [Stratford Johns]. Personality, 134-137. May 18.