Yael Farber

(19*-) Actress, playwright , director and producer.

Born in Johannesburg, but she studied at University of Witwatersrand, obtaining a Bachelor of Arts in Dramatic Art (Honours).

Career

She started work at the Market Theatre in Johannesburg, then left the country when she was 30, to work and study abroad. Over the years she has thus attended several international workshops over the years and worked as resident artist in numerous places. Among them have been The Lincoln Theatre Directors' Workshop (New York, 1999); The Joseph Papp Public Theatre (New York, 2000); Mabou Mines Theatre Company (New York, 2001); In Transit Laboratory at Haus de Kulturen der Welt (Berlin 2001); Sundance Theatre Laboratory (Utah 2001); Anna Deavere Smith's 'Bodies on the Line' Artist Residency (New York, 2010); Maryland University (Washington) (2010).

In 2004 she founded The Farber Foundry, her own production company. In 2011 she became Head of the Directing Program at the National Theatre School of Canada (Montreal), as well as Playwright-in-Residence for Nightwood Theatre (Toronto).

Farber has retained strong emotional and professional links with the country of her birth, and much of her work is rooted in her South African experiences.

As actress

Among her roles as actress have been Beau Jest (1993) and Kafka Dances (1996) (Fleur du Cap Award).

As director

She credits Lara Foot with having led her into directing, a move which has seen her develop into a multiple award-winning director and playwright of international acclaim, with productions that have toured the world extensively (including in USA, UK, Canada, Australia, Japan, across Europe and Africa) since 2000.

Her directing credits include Shopping and Fucking (1999), A Woman in Waiting (in collaboration with Thembi Mtshali-Jones), Woman in Waiting (2000), Sezar (2001), Amajuba (2003), Molora (2008), Ram: The Abduction of Sita into Darkness (2011), Mies Julie (2012), The Crucible (filmed version of the Old Vic production, 2014).

Since 2004 the majority of her stage productions are created and toured under the name of The Farber Foundry.

As playwright

Her plays and radical adaptations seen in South Africa include (1998), Woman in Waiting (2000), Sezar (2001), Amajuba (2003), Molora (2008), RAM: The Abduction of Sita into Darkness (2011), Mies Julie (2012), Nirbhaya.

Three volumes of her plays and adaptations have been published : Theatre as Witness: Three Testimonial Plays from South Africa. (Oberon Books, 2008), Molora: An Adaptation of the Oresteia Trilogy (Oberon Books, 2008) and Ram: The Abduction of Sita into Darkness (Oberon Books, 2011).

Awards

She and her work have garnered a large number of national and international awards since 1999, among them FNB Vita Best Actress Award (1996), nine National FNB Vita Awards (for Shopping and Fucking, 1999), BBC Gold Sony Award and Scotsman Fringe First Award (for Woman in Waiting, 2000), 4 FNB National Vita Awards (for Sezar, 2001), Standard Bank Artist of the Year Award (2003); Angel Herald Award, Edinburgh(for Amajuba, 2003); Naledi Best Director Award and Naledi Best Cutting Edge Production Award (for Molora, 2008).

Naledi Best Director Award 2008 National Award, South Africa for "MOLORA" Naledi Best Cutting Edge Production 2008 National Award, South Africa for "MOLORA" TMA Best Director Nomination 2008 National award, United Kingdom for "MOLORA" Drama Desk Award Nomination 2007 New York, USA for "AMAJUBA" Angel Herald Award 2003 Edinburgh, Scotland for "AMAJUBA" Standard Bank Artist of the Year Award 2003 National Award, South Africa FNB Vita Best Director 2001 National Award, South Africa for "SEZAR" FNB Vita Best Production 2001 National Award, South Africa for "SEZAR"

("SEZAR" received a total of 4 FNB National Vita Awards)

BBC Gold Sony Award 2001 London, UK for "WOMAN IN WAITING" Scotsman Fringe First Award 2000 Edinburgh, Scotland for "WOMAN IN WAITING" FNB Vita Best Director Award 1999 National award, South Africa for "SHOPPING & FUCKING" FNB Vita Best Production Award 1999 National award, South Africa for "SHOPPING & FUCKING" (* "SHOPPING & FUCKING" received a total of nine National Vita awards) FNB Vita Best Actress in a supporting role Award 1996 Regional Award, South Africa for Performance in "Kafka Dances"

http://www.farberfoundry.com/farber.html

- earning her a reputation for hard-hitting, controversial works of the highest artistic standard. Ms. Farber was named Her productions have toured across the major cities of the USA, the UK (including in London's West End and at The Barbican Centre), Canada, Australia, Japan, across Europe and Africa. Farber is a past invitee of: The Lincoln Theatre Directors' Workshop (NYC1999); Mabou Mines Theatre Company (NYC 2001); and In Transit Laboratory at Haus de Kulturen der Welt (Berlin 2001). She developed a work in residence at The Joseph Papp Public Theatre (NYC 2000); was invited to develop a new text at Sundance Theatre Laboratory (Utah 2001); and is a recent invitee to Anna Deavere Smith's 'Bodies on the Line' Artist Residency (NYC 2010). Farber was recently in residence at Maryland University (Washington) developing her adaptation of KIING LEAR King Lear with Bruce Myers (from The Peter Brook Company, Paris) in the title role. Farber is currently Head of the Directing Program at the National Theatre School of Canada (Montreal), as well as Playwright-in-Residence for Nightwood Theatre (Toronto). MOLORA - her radical and multiple award-winning adaptation of the Oresteia Trilogy - will run off-Broadway this year in NYC. Commissioned to adapt the ancient Sanskrit THE RAMAYANA, Farber's RAM: THE ABDUCTION OF SITA INTO DARKNESS will be presented by The Culture Project in Manhattan (2012). Yael Farber's plays are published by OBERON BOOKS (London, UK). Her stage productions are created and toured under her company THE FARBER FOUNDRY, which she founded in 2004.