ESAT Bibliography K
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
K., N. 1951a. Ons eie Nasionale toneelorganisasie. Inspan, 10(6) : 24-25.March.
K., N. 1951b. Nasionale toneel presteer. Staatsamptenaar, 31(8): 57-58.
Kabwe, Mwenya 2008.Towards performing an afropolitan subjectivity. Cape Town: University of Cape Town. (MA Thesis, Theatre and performance)
Kagan-Moore, Patrick 1990. The "Zandile" Project: A Collaboration between UT, Carpetbag Theatre, and South African Playwright Gcina Mhlophe. An Interview TDR (1988-), Vol. 34, No. 1 (Spring, 1990), pp. 115-130
Kakaza, L & Dlamini, M. 2006a. People’s theatre; Swazi Dlamini; Up close and personal with Eric Miyeni. Rootz Africa, 19(11): 32, 34, 36-40, 42-43, 45.
Kakaza, L. & Thepa, M. 2006b. South Africa's Mr Theatre; Put a sock in it; Lamontville revisisted. Rootz Africa, 20(10): 130-133.
Kakaza, L. 2006c. Suffer little children - Baby Tshepang: theatre. Rootz Africa, 22(2): 128.
Kakaza, L. 2006d. Wathint' imbokodo wathint' bafazi - You strike a woman you strike a
rock: theatre. Rootz Africa.
Kamer 99. [Literary criticism, Dolf van Niekerk]. 1974.Tydskrif vir geesteswetenskappe, 14:221-223.
KANI, JOHN AND NTSHONA, WINSTON. 1976. Art is Life and Life is Art: an Interview with John Kani and Winston Ntshona of the Serpent Players, South Africa. UFAHAMU: Journal of the African Activist Association. 6(2):5-26.
KANI, JOHN. 1996. More Market Plays. Johannesburg: Donker.
Kani, John 2002. Nothing but the truth. Johannesburg: Witwatersrand University Press
Kannemeyer, J.C. 1970. Twee debuutdramas [Nag van legio deur P.G. du Plessis en Skip is ons beloof deur George Louw]. Standpunte, 23(5): 7-13.
Kannemeyer, J.C. 1971. Du Plessis se Siener. [Literary criticism]. Standpunte, 25(2): 42-46. December.
Kannemeyer, J.C. 1972. Christine [deur] Bartho Smit. [Literary criticism]. Standpunte, 25(6): 59-62. August.
Kannemeyer, J.C. 1974. Du Plessis se Plaston. Standpunte, 27(5): 57-61. June.
KANNEMEYER, J.C. 1978. Geskiedenis van die Afrikaanse Literatuur I. Pretoria: Academica.
KANNEMEYER, J.C. 1983. Geskiedenis van die Afrikaanse Literatuur II. Pretoria: Academica.
KANNEMEYER, J.C. 1988. Die Afrikaanse Literatuur 1652-1987. Pretoria: Human en Rousseau.
KANNEMEYER, J.C. 199*. Die Goue Seun. **. Cape Town: Tafelberg.
KANNEMEYER, J.C. 199*. Leipoldt. Cape Town: Tafelberg.
KANNEMEYER, J.C. 1995. Langenhoven. 'n Lewe. Cape Town: Tafelberg.
Kaptein, Aat. 1998. Bedevaart na Oudsthoorn. Insig, 04/98: 30.
Kaschula, Russell 1993. Foundations in Southern African oral literature. Johannesburg: Witwatersrand University Press. Bladsye? Spesifieke hoofstukke?
Kaschula, Russell (ed.) 1993. Imbongi in profile. English in Africa, 20(1): 65-76.
Kasiram M. & Oliphant E. 2007. Indigenizing family therapy for South African use: challenges and changes. Journal of family psychotherapy, 18(2): 71-82.
KATZENELLENBOGEN, E.H. 1983. Sosio-etniese Danse van die Venda: Zulu en Suid-Sotho. Stellenbosch: Dept. Liggaamlike Opvoedkunde.
Kavanagh, Robert Mshengu 1972. Discussion on contemporary theatre. Artlook, 5(9): 30-31. September.
Kavanagh, Robert Mshengu 1978. Tradition and innovation in the theatre of Workshop ’71. Theatre quarterly, 7(28): 63-67.
Kavanagh, Robert Mshengu 1979. After Soweto: People's theatre and the political struggle in South Africa. Theatre quarterly, 9(33): 31-38.
Kavanagh, Robert Mshengu (ed.) 1981. South African People's Plays. London: Heinemann.
Kavanagh, Robert Mshengu 1985. Theatre and cultural struggle in South Africa. London: Zed Books.
Kavanagh, Robert Mshengu (2000?*) Making theatre ***. London: Routledge??**
Kavanagh, Robert Mshengu 1982 (Mshengu) Political Theatre in South Africa and the Work of Athol Fugard. Theatre Research International 7(3):160-179.
Kavanagh, Robert Mshengu 1983 (Mshengu) The Theatre of Gibson Kente. African Communist 95/3:91-103.
Kavanagh, W. 1948. Souvenirs and memories of famous persons [who have performed in East London]. Outspan. 42(1091): 59. January 23.
Keet, W. de V. 1978. Acoustical design of the Etienne Rousseau theatre, Sasolburg. Planning & building developments, 35: 17-19. November-December.
Keet, W. 1985. Acoustic design. Scenaria, 55-56. Ag-S
Kennedy, Christina. 2000. Funny New South Africa fluff. In: The Citizen, September 12, 2000: 28.
Kennedy, Christina. 2001. Suip! highlights plight of the bergies. In: The Citizen, November 5, 2001: 26.
Kennedy, Christina. 2002. AIDS farce. In: The Citizen, August 19, 2002: 17.
Kennedy, Christina. 2003. Peeling away the hypocrisy. In: The Citizen, August 11, 2003: 19.
Kent, et al. 1971. Cape Town’s opera house. Architect and builder, 21(6): 2-9. June.
Kent, et al. 1972a. Nico Malan theatre centre. Plan, 57(8): 13-21. August.
Kent, et al. 1972b. Space theatre. Plan, 57(8): 41. August.
KENTE, GIBSON. 1981. Too Late In: South African People’s Plays. Johannesburg: Ad Donker.
Kentridge, M. 1982. Tandem theatre of King Edward school – a polite view. Teaterforum, 3(1): 11-17.
Kentridge, Catherine 1988. Sophiatown: breaking the silence of oppression. Theatre week, 1(49): 26-32. July 18.
Kerr, David 1996a. African theories of African theatre. South African theatre journal, 10(1):3-23.
Kerr, David 1996b. Giving voice to the silentorkin,
- war: an essay review of Simuka Zimbabwe! by Zambuko/Izibuko. South African theatre journal, 10(1):107-112.
KERR, DAVID. 1997. Drama as form of action research: The experience of UBE423 at the University of Botswana. South African theatre journal, 11(1&2):133-154.
KERR, DAVID 1999. A vision in dance: Negotiating history and myth through theatre. South African theatre journal, 13(1&2):169-173.
Kerr, David 2004. ‘Put me on the stage’ Interview with Nomhle Nkonyeni. Winchester 20 July 2001. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 79-91.
Kerr, D. 1995. African popular theatre. From pre-colonial times to the present day. Portsmouth: Heinemann.
Kerr, David. 1996. African theories of African theatre. SATJ 10/1: 3-23.
Kerr, David. 1996a. Giving voice to the silent war: An essay review of Simuka Zimbabwe! by Zambuko/Izibuko. SATJ 10/1: 107-112.
Kerr, David 2007. Space and Southern African community theatre
Kerr, David 2009. Ethics of applied theatre. South African theatre journal, 23: 177-187.
Kesselberg, H.J.W. & Knight, G. 1970. Stage mechanical equipment: Nico Malan theatre centre. South African engineer, 61(623): 39-49. April.
Keuris, Marisa 1996. Drama. Journal of literary studies/ Tydskrif vir literatuurwetenskap, 12(4): 365-511.
Keuris, Marisa 2004 Found in translation: Chekhov revisited by Reza de Wet and Janet Suzman. JLS vol. 20 number (1/2) June, pp. 148 – 164.
Keuris, Marisa 2008. Athol Fugard's Exits and Entrances: The Playwright, the Actor and the Poet . Journal of Literary Studies/Tydskrif vir Literatuurwetenskap, 24(2): 71-84.
KHOAPA, B.A. 1973. Black Review 1972. Durban: Black Community Programmes.
Khumalo, Bafana. 1995. A subtle word from Zakes Mda. In: Mail & Guardian, February 23, 1995: 37.
King, Robert L 1993. The rhetoric of dramatic technique in Blood Knot. South African theatre journal, 7(1): 40-49.
Kingwell, Phillida 2009. First Fugard Festival in Nieu Bethesda. South African theatre journal, 23: 241-243.
Kinnell, Sheila B. 1949. There’s lots of fun in starting amateur theatricals in a small town. Outspan. 45(1152): 21. March 25.
Kirby, P.R. 1952. Universities and the theatre. Forum, 1(9): 50-53. December.
Kirby, P.R. 1962. Frederick Timpson I’Ons and the first sixteen years of the theatre in Grahamstown. Africana notes & news, 15:66- 83.
Kirby, P.R. 1962. Frederick Timpson I’Ons and the first sixteen years of the theatre in Grahamstown. Errata. Africana notes & news, 15:216.
Kirby, P.R. 1962. Frederick Timpson I’Ons and the first sixteen years of the theatre in Grahamstown. Addenda. Africana notes & news,15:128.
Kirby, Robert 1983. Waiting for Ken Leach. Scenaria, (39): 7.
Kitching, Gary. 1994. Wat gaan uit die bevryding groei? Insig, 08/94: 30.
Kitching, Gary. 1996. Sal Sarafina vigs oorleef? Insig, 04/96: 40.
Kitching, Gary. 1997. Verby is die vetjare. Insig, 08/97: 16.
Kitshoff, Herman. 2004. Claiming Cultural Festivals: Playing for power at the Klein Karoo Nasionale Kunstefees (KKNK), 2004. SATJ 18: 65-81.
Kitshoff, Herman. 2004a. Klein Karoo Nasionale Kunstefees (KKNK) – Oudtshoorn, 3-11 April 2004. SATJ 18: 237-241.
Kitshoff, Herman. 2004b. Grahamstown National Arts Festival – Grahamstown, 1-10 July 2004. SATJ 18: 246-249.
Kitshoff, H. vZ. 2005. Die opkoms, aard en dinamika van die Klein Karoo Nasionale Kunstefees: 1995-2005. Stellenbosch, University of Stellenbosch (DPhil Disser¬tation).
Kitshoff, H. v Z. 2006. Die opkoms, dinamika en betekenis van die Klein Karoo Nasionale Kunstefees: 1995-2005. Stellenbosch: Universiteit van Stellenbosch. (D Phil- verhandeling.)
Klein Karoo National Arts Festival. American theatre, 18(10): 90.
Klein, Marcia. 1998. Hardest role yet for SA theatres. In: The Sunday Times, March 1, 1998: 20.
Kleinschmidt, P. 1978. Visiting German director looks at Cape Town theatre. Speak, 1(2): 5-7. March-April.
Kleinschmidt, P. 1978. Visiting German director looks at Cape Town theatre. Discussion. Speak, 1(3): 18-20. May-June.
Knight, N. 1972a. Magda Hanekom, mother of Afrikaans theatre. Artlook, 5(10): 32-35. October.
Knight, N. 1972b. One year at the Arena. Artlook, 5(8): 32-33. August.
Knight, N. 1973a. Academy theatre: the theatre of laughter. Artlook, 6(5): 36-37. May.
Knight, N. 1973b. Muriel Alexander and her theatre. Artlook, 6(1): 30-31. January.
Knight, N. 1974. Theatre scene [Adam Leslie theatre]. Artlook, 7(2): 26-28. February.
Knight, N. 1975. Experimental theatre. [Arena theatre]. South African panorama, 20(4): 4-5. April.
Knight, N. 1976. 50 years of Afrikaans drama. Artlook, 9(1): 34-35. February-March. Knight, N. 1976. Market theatre complex. Lantern, 25: 64-71. June.
Knight, N. 1976. Sparkling theatre scene. South African panorama, 21(11): 30-35. November.
Knight, Natalie 1977. The future of the theatre [S.A.I.T.T. symposium]. Scenaria, June/July: 36-39.
Knight, N. 2006. Sarah Sylvia – a personal recollection. Jewish affairs, 61(4): 19-22.
Knox, C. 1982. John Slemon: the players’ king. Fair lady, 17(23): 138-143. August 11.
Knox, C. 1985. Work is a four-letter word that Fiona Ramsay uses with relish. Fair lady, 20(13) : 56-59. July 10.
Knox, Cathy 1986. Reza de Wet : dark laughter. Fair lady, 21(18) : 74-79. October 15.
Knox Cathy 1997. James Whyle's production of King Lear at the 1998 Standard Bank National Arts Festival. Shakespeare in Southern Africa, January 1997;10:70.
Knox-Shaw, Peter 1988. Under a waning moon: Twelfth night at Maynardville. Shakespeare in Southern Africa, 2: 96-99.
Koch, Blaise 2002. In, around, through and out: an actor's life. Cape Town: Spearhead/New Africa Books.
KOCH, E. 1983. Without Visible Means of Subsistence: Slumyard Culture in Johannesburg 1920-1940. In B. Bozzoli (ed) Town and Countryside in the Transvaal. Johannesburg: Ravan, 151-175.
Koekemoer, K. 2006. "... we must not hold our fears..." : a case study exploring the use of group drama therapy as a therapeutic intervention with children and adolescents living in poverty. Stellenbsoch: University of Stellenbsoch. (MA-thesis.)
Koen, R. 1971. Kruik se kragtoer. Sarie Marais, 23(4): 28-37. August 25.
KONYA, PHYLLIS. 1985. The Federation of Amateur Theatrical Societies of Southern Africa FATSSA: 1938-1960). In: Temple Hauptfleisch (ed) The Breytie Book. Johannesburg: The Limelight Press. p. 61-64.
Köppe, Walter 1994. Trits: Mis, Mirakel, Drif, deur Reza de Wet. Reviewed in: South African theatre journal, 8(1): 91-93.
KRAAI, N. 1973. Black Theatre. In: PET Newsletter. 1:11-12.
Kriek, J.J. 1987. The future of the performing arts in South Africa. Scenaria, 81: 11-12.
Krige, D. 1966. Hekse laat die ogies rek. Huisgenoot, 42(2287): 22-24.
Krige, Uys 1946. Servicemen have a broader outlook on life called the new South Africanism. Outspan. 39(998): 17-19. April 12. (Titel soos in repertorium)
KROST, PETA. 1997. Loved or loathed, he’ll always be noticed: Nataniël. Saturday Star. 6 December: 4
Krouse, Matthew. 1995. Fugard’s fountain of youth. In: Weekly Mail & Guardian, August 17, 1995: 33.
Krouse, Matthew 1996. My life in the theatre of war: the development of an alternative consciousness. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 101-114.
Krueger, Anton 2003. The drama of hunting and healing: interpreting the rituals of the San. South African theatre journal, 17: 65-78.
Krueger, Anton 2006a. Intuition/intellect: sex/sensibility. South African theatre journal, 20: 233-251.
Krueger, Anton 2006b. On the wild, essential energies of the forest: an interview with Brett Bailey. South African theatre journal, 20: 323-332.
Krueger, Anton 2007. Performing transformations of identity: ‘ethnic’ nationalisms and syncretic theatre in post-apatheid South Africa. English Academy review, 24(1): 51-60.
Krueger, Anton 2010. In freedom: explorations of identity in new South African drama. Cambridge scholars. Kry volledige uitgewersinligitng
Kruger, C. et al. 2005. Communication skills for medical/dental students at the University of Pretoria: lessons learnt from a two-year study using a forum theatre method: original research. S.A. family practice, 47(6): 60-65.
Krüger, J.A. 2009. The Cherry Orchard transposed to contemporary South Africa: space and identity in cultural contexts. Potchefstroom: PU vir CHO. (MA-thesis)
Kruger, Jaco kyk Jaco Kruger hierbo.
Kruger, J.J. 1948. Anna van die amateurs. [Anna Neethling-Pohl]. Huisgenoot, 32(1368): 29. June 11.
Kruger, Jaco 2000. Mitambo: Venda dance theatre. South African theatre journal,14:73-96.
KRUGER, LOREN. 1991. Apartheid on Display: South Africa Performes for New York. Diaspora 1/2: 191-208.
KRUGER, LOREN. 1993. Staging South Africa. Transition (N.S.) 59: 120-129.
Kruger, Loren 1994. So what’s new?: women and theater in the new South Africa. Theater magazine, 25(3): 46-54.
Kruger, Loren 1995b. National Arts Festival. Theatre journal, 47(1): 123-
Kruger, Loren 1995c. New Africans, neo-colonial theatre and “an African national dramatic movement”. South African theatre journal, 9(1): 29-51.
Kruger, Loren 1995c. ‘That fluctuating movement of national consciousness’: protest, publicity, and post-colonial theatre in South Africa. In: Gainor, J. Ellen (ed.) Imperialism and theatre. London: Routledge. p. 148-163.
Kruger, Loren 1995d. The uses of nostalgia: drama, history and liminal moments in South Africa. Modern drama 38(1): 60-70.
Kruger, Loren 1996. Acting Africa. Theatre research international, 21(2): 132-140.
Kruger, Loren 1996. New African drama and national representation in South Africa: notes from the 1930s to the present moment. In Reinelt, Janelle (ed.) Crucibles of crisis: performing social change. Ann Arbor MI: University of Michigan Press. p. 123-141.
Kruger, Loren 1997. The drama of country and city: tribalization, urbanization and theatre under apartheid. Journal of Southern African studies, 23(4): 565.
Kruger, Loren 1997. An die Nachgeborenen (to future generations). Theater der Zeit, 1997 Yearbook: 25-27.
Kruger, Loren 1999. The drama of South Africa: plays, pageants and publics since 1910. London: Routledge.
KRUGER, L. and WATSON, P. (??*) Shoo, This Book Makes Me to Think: Education, Entertainment, and Life-Skills in South Africa. In: Poetics Today ??**.
Kruger, Loren 1999b. Theater for development and TV nation: notes on an educational soap opera in South Africa. Research in African libraries, 30:106-126.
Kruger, Loren 2001. Theatre, crime and the edgy city in post apartheid Johannesburg. Theatre journal, 53(2): 223-252.
Kruger, Loren 2002. Acting Africa. In Harding, Frances (ed). The performance arts in Africa: a reader. London: Routledge. p. 29-77. Kruger, Loren. 2002 "Introduction: Scarcity, Conspicuous Consumption, and Performance in South Africa." Theatre Research International 27.3 (2002): 231.
KRUGER, LOREN. "LETTER FROM SOUTH AFRICA." Theater 36.1 (2006): 166-173.
Kruger, Loren. "Theatre, Crime, and the Edgy City in Post-apartheid Johannesburg." Theatre Journal 53.2 (2001): 223.
Kruger, Loren 2002. Theatre and performance in South Africa. Theatre research international, 27:231-242. 231-305?
Kruger. Loren 2004. Theatre for development and TV nation: notes on educational soap opera in South Africa. In Conteh-Morgan, John & Olaniyan, Tejumola (eds). African drama and performance. Bloomington: Indiana University Press. p. 155-175.
Kruger L. 2003. Making Sense of Sensation: Enlightenment, Embodiment, and the End(s) of Modern Drama. Modern Drama: Defining the Field [e-book]. Toronto, ON: U of Toronto P; 2003:80-101.
Kruger, Loren 2007. „White cities,“ „diamond Zulus,“ and the „African contribution to human advancement“: African modernities and the world’s fairs. TDR, 51(3): 19-45.
Kruger, Loren 2008. National arts festival. Theatre journal, 60(1): 117-120.
Kruger, Loren 2008. Letter from Johannesburg: performance and urban fabrics in the inner city. Theater, 38(1): 4-17.
Kruger, Loren 2009. Cascoland: interventions in public space, Drill Hall, Johannesburg, South Africa. Theatre journal, 61(1): 147-148.
KRUGER, M.S. 1987. Poppespel - 'n Ondersoek na die historiese ontwikkeling, die spelbeginsels, karakter en gebruiksmoontlikhede van die toneelpop. Unpublished M.A. thesis, Stellenbosch.
Kruger, M.S. 1997. Tradisionele elemente en kontemporêre tendense in die pantomime: 'n teater-historiese ondersoek. Stellenbosch: Universiteit van Stellenbosch. (Dphil (Drama) verhandeling.)
Kruger, Marie. 2000. English pantomime: Reflections on a dynamic tradition. SATJ 14: 146-173.
Kruger, Marie 2003. Pantomime in South Africa: the British tradition and the local flavour. South African theatre journal, 17: 129-152.
Kruger, Marie SCHOLTZ, PIETER. 1995. The “Tambootie Plays” Reviewed in: South African theatre journal, 9(1): 118-126.
KRUGER, MARIE. 2000. English pantomime: Reflections on a dynamic tradition. South African theatre journal, 14:146-173.
Kruger, Marie 2007. Puppets in education and development in Africa: the puppet’s dual nature and sign systems in action. South African theatre journal, 21: 64-74.
Kruger, Marie 2008. Puppets in educational entertainment in South Africa: comments on a number of long-term projects. South African theatre journal, 22: 25-43.
Kruger, N. 1951a. Huidige N.T.O.-toer – “Die Vrek” en “Cocktail party”. Helikon, 1(1) : 17-19. October.
Kruger, N. 1951b. Nasionale toneelorganissasie reis met “Die Vrek”. Staatsamptenaar, 31(5) : 36-39. May.
Kruger, N. 1951c. Nasionale toneelorganisasie word al meer ’n kultuurkrag. Lantern, 1:150-151. June.
Kruger, N. 1952a. Jongste aktiwiteite van die N.T.O. Lantern, 2: 294-298.
Kruger, N. 1952b N.T.O. en die Van Riebeeck-fees. Inspan, 11(5): 22. February.
Kruger, N. 1952c. Ons toneel en die stigting van die Nasionale toneelorganisasie. Helikon, 1(3): 29-34. February.
Kruger, N. 1952d. Toneelfees soos nog nooit tevore nie: N.T.O. voed die vertroue. [Opvoerings van “The dam”, “The ball at the castle”, Die jaar van die vuuros” en “As ons twee eers getroud is”]. Helikon, 1(5): 92-100. June.
Kruger, N. 1952e. Vier prysdramas vir die Van Riebeeck-fees aangebied: die Nasionale toneelorganisasie bereik ’n hoogtepunt. Lantern, 1: 520-523. May.
Kruger, N. 1952f. “Vrek” het die meeste geld ingebring: na vyd jaar kan N.T.O. roem op prestasies. Huisgenoot, 37(1588): 22-24. August 29.
Kruger, N. 1952g. “Vrek”, “The Cockatail party” en die Nasionale toneelorganisasie se planne vir 1952. Lantern, 1 : 520-523. May.
Kruger, N. 1953. N.T.O. bied Molière en Shakespeare aan. Staatsamptenaar, 33(6): 44-45.
Kruger, N. 1954. Nasionale toneelorganisasie. Staatsamptenaar, 34(12): 63.
Kruger, N. 1955. Vanjaar se verskeidenheid deur die N.T.O. aangebied. Taal, 24(4): 16-17.
Kruger, N. 1956. N.T.O. bied aan nege stukke in een jaar. Lantern, 5: 282-286. February.
Kruger, N. 1957a. Eerste stadskouburg in Suid-Afrika deur N.T.O. geopen. Taal, 26(11): 16-18.
Kruger, N. 1957b. N.T.O. het op sy beste stukke die meeste verloor. Huisgenoot 4(1852): 6-7. September 16.
Kruger, N. 1957c Tiende verjaardag van N.T.O. Lantern, 7:72-76. October.
Kruger, N. 1958a. N.T.O. Lantern, 8: 182-188. December.
Kruger, N. 1958b. Pioneers of the Afrikaans theatre: the Hanekoms. South African panorama, 3(3): 34-36.
Kruger, N. 1959a. Nasionale toneelorganisasie. Staatsamptenaar, 34(12): 63.
Kruger, N. 1959b. Nasionale toneelorganisasie. Lantern, 9: 192-197.
Kruger, N. 1961. 1960 was ‘n groot jaar vir die N.T.O. Lantern, 10: 280-287.
Kumbaca, Ncedo. 2003. EC historical play irks traditional leaders. In: Daily Dispatch, June 4, 2003: 2.
Kunst in Südafrika: Schauspiel, Oper, Ballett, Musik. 1967. Afrika-Post, 14(1): 56-61.
Kunst in Zuid-Afrika. 1969. Pretoria: Departement van Inligting.
Kuschlik, Taubie 1946. South African audiences have become more alive to the living theatre. Outspan. 391(1013): 47-49. July 26.
Kwetana , W.M. 1984. Unyawo alunampumlo [by Z.R. Gqomo. Literary criticism]. South African journal of African languages supplement 2 : 87-97.
Click on the appropriate letter of the alphabet below to find the relevant list.
