ESAT Bibliography D
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Dahms, E.K.. 1983. Décor designer. My career, 34 : 17-18.
Dalamba, Yolisa. 2000. Towards and African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts 14/1: 44.
DALRO. Wat kan ons opvoer? Deel 1 (Eenbedrywe). Johannesburg: Dramatiese, Artistieke en Letterkundige Regte Organisasie.
Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Durban: University of Natal. (MA thesis).
Dalrymple, Lynn 1987 Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African theatre journal, 1(2): 20-51.
Dalrymple, Lynn 1988. Explorations in drama, theatre and education: a critique of theatre studies in South Africa.
Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an
inaugural address delivered on 14 April 1992 at the
University of Zululand. South Africa :
University of Zululand.
Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. theatre studies in South Africa. Durban: University of Natal. (Ph.D. thesis).South African theatre journal, 4(1): 119-147.
Dalrymple, Lynn I. 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.
Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2): 36-39.
Dalrymple, Lynn 1995. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African theatre journal, 9(2):137-146.
Dalrymple, Lynn 1995. Researching drama and theatre in education in South Africa. South African theatre journal, 9(2): 61-82.
Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. Research in drama education, 11(2): 201-218.
Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African theatre journal, 22: 193-197.
Daniel, Raeford. 1994. Epic and operatic. In: The Citizen, April 21, 1994: 25.
Daniel, Raeford. 1996. Kind of ‘hit’ play. In: The Citizen, August 1, 1996: 23.
Daniel, Raeford. 1997. New Black play a milestone. In: The Citizen, January 7, 1997: 20.
Daniel, Raeford. 1998. Triumph of humanity. In: The Citizen, February 13, 1998: 23.
Dannhauser, D. 1985. Two decades of ‘magic’. South African panorama, 30(5) : 32-35.
Daugherty J. 2001. A Comparison of the Use of Space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu & the Truth Commission. Spaces and Crossings: Essays on Literature and Culture in Africa and Beyond [e-book]. New York, NY: Peter Lang; 2001:349-360.
Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African theatre journal, 20: 128-149.
Davids, Nadia. 2004. Davids’ letter of protest to the NAC. In: The Sunday Independent, February 8, 2004: 11.
Davids, Nadia 2007. Inherited memories: performing the archive. Cape town: University of Cape Town. (Ph. D. Thesis, Drama).
Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.
Davis, G. 1991. Acting the drama of education. Educamus 37(5): 45-46.
Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of Commonwealth Literature, 30(1): 5.
Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Barney Simon. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 183-192.
Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 140-154.
Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 272-297.
Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and change in South Africa. Amsterdam: Overseas Publishers Association.
Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Australia:: Harwood Academic Publishing. p. 225-241.
DAVIS, Geoffrey V. 1997. Beyond the Echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.
Davis, Geoffrey V. 1999 Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. In Hutchinson [i.e. Hutchison] Yvette & Breitinger Eckhard (eds.) History and theatre in Africa. Bayreuth, Germany : E. Breitinger ; [Stellenbosch? South Africa] : Centre for Theatre and Performance Studies, University of Stellenbosch, c2000. p. 59-72. Bibliografiese inligting soos in SACat Of net : South African theatre journal, 13(1&2):59-72.
Davis, Geoffrey V. 1999. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.
Davis, Geoffrey V. 1999. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.
Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African theatre journal, 13(1-2): 59-72.
Davis, Geoffrey V. 2005. Role-play in South African theatre, by H. Frank. Reviewed in: English in Africa, 32(2): 253-258.
Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6): 8-9.
Davis, L.E. 1979. That controversial opera house: [Pretoria opera house]. Construction in Southern Africa, 23(10): 24-37. January.
Davis, L.E. 1980. Pretoria opera house. Professional builder, 4(1): 13-15.
Davis, Myra 1987. Vuka: sharing the image. Critical arts, 4(3): 29-38.
Dawn of a New Millennium. Brussels, Belgium: Peter Lang; 2002. 343 pp. (book
DAYMOND, M.J., JACOBS, J.U. and LENTA, M. (Eds). 1984. Momentum. On Recent South African Writing. Pietermaritzburg: University of Natal Press.
De Beer, W. 1998. A proposed model for theatre-for-development in South Africa; a critical study. Bloemfontein: University of the Orange Free State. (MA-thesis.)
De Beer, Diane. 1997. Play from the rhythms of Sello’s soul. In: Pretoria News, November 25, 1997: 3.
De Beer, Diane. 2002. Glorious night of theatre. In: The Star, August 20, 2002: 2.
De Beer, M. 1995. Who Did What in South Africa. Johannesburg: Ad Donker.
De Bruin, W. 1985. 1985 : die jaar van Dunster en Cawood. Sarie, 143. May 22.
De Bruin, Wilma. 1997. ATKV. Insig, 11/97: Bylae: 13. Décor na elkeen se smaak. 1948. Ruiter, 1(43): 44. February 27 (Rept onderwerp Regie en...)
De Jager, Nelleke. 1994. Dansteater: Om aarbeie en sjokolade gelyktydig te eet. Insig, 01/94: 30.
De Jong, C. 1983. Gregorio Maranón oor Tiberius – ‘n verheldering van N.P. van Wyk Louw se Germanicus. Klasgids, 18(3) : 22-26.
De Jongh S.2009. New Cultural Institute for University of Cape Town. Fontes Artis Musicae [serial online]. April 2009;56(2):215-216.
De Klerk, V. 1977. Stop die musiek! [Truk]. Huisgenoot, 10-11. May 27.
De Klerk, W.A. 1949. Los skroef in die Afrikaanse toneel. Huisgenoot, 34(1425): 13. July 22.
De Klerk, W.A. 1952. Probleme van die dramaturg. Standpunte, 6(3): 51-56.
De Klerk, W.A. 1967. Censorship hits Afrikaans writing. Contrast, 5(1): 37-46.
De Klerk, W.A. 1967. Waarom die Afrikaanse drama op sterwe na dood is. Tydskrif vir letterkunde, 5(4): 23-25.
De Klerk, W.A. 1968. Toe Eghardt kom kuier het. Tydskrif vir letterkunde, 6(3): 63- 67.
De Kock, B. 1965. Sal die film die teater verdring? Brandwag, 29(4): 8-11. April 9.
De Kock, T. 1987. Rolspel [role-taking] in die praktyk Journal for Language Teaching 21(3): 62-68.
De Kok, I. 1998. Cracked heirlooms: memory on exhibition. In Nutall, Sarah and Coetzee, Carli (Eds.) Negotiating the past: the making of memory in South Africa. Cape Town: Oxford University Press.
DE KOK. I and PRESS, K. (eds). 1990. Spring is Rebellious: Arguments about Cultural Freedom by Albie Sachs and Respondents. Cape Town: Buchu Books.
DE KOKER, B. 1969. South African Playwriting in English 1900 – 1950. A Survey. Unpublished D.Phil. University of Pretoria.
DE KOKER, B. 1969. South African Playwriting in English 1900 – 1950. A Survey. Unpublished D.Phil. University of Pretoria.
DE KOKER, B. 1969. English Playwriting in South Africa (1900-1950). University of Pretoria: Unpublished D.Phil Thesis.
DE LANGE, JOHANN. 1990. Lesbiese liefde en gay teater. Beeld. 26 Maart: Kalender.
Dellatola, L. 1974. Taubie Kushlik. South African panorama, 19(3): 32-35. March.
Dellatola, L. 1977. Wine marries art. [Oude Libertas centre]. South African panorama, 22(10): 48-49. October.
Dellatola, L. 1982. 300 years of drama and ballet. South African panorama, 27(5) : 42-49.
Dellatola, L. 1983. Little gem [Little theatre]. South African panorama, 28(1): 40-41.
DeRose, David 1993. Zakes Mda : redressing the past. American theatre, 10(11) : 53-54.
De Villiers, Aart 1984. Die dialoog van die versdrama. In: Malan, Charles (ed.) Spel en spieël : besprekings van die moderne Afrikaanse drama en teater. Johannesburg: Perskor. p. 115-124.
De Villiers, Aart 1986. Die kritikus in die toneelwereld. Opvoeding en kultuur, 9(2) : 32.
De Villiers, Aart 1987. Bartho Smit-vertalings. Reviewed in: South African theatre journal, 1(2):90-93.
De Villiers, Coenie 1994. Cabaret as new journalism: a proposed model for intertextual analysis. South African theatre journal, 8(2): 127-149.
De Villiers, D. 1967. Janet Suzman: our girl in Stratford. Personality, 121-127. December 7.
De Villiers, D. 1968. Vroue Landbou-unie sit handjie by. Naweekpos, 15(169): 22-24. May.
De Villiers, Dirk 1986. Dit was die jaar van Sher [Antony Sher]. De kat, 1(7) : 16-18.
De Villiers, I. 1968. Artistry in make-up. South African panorama, 13(8): 22-25.
De Villiers, Steve 1948. Eerste toneel kragte van die staat. Brandwag. 11(538):12-13. Januarie 23.
De Vos, L. 1982. Backstage: Een europese lektuur van Afrikaans teater. AVRUGB, 9 (2-3): 3-7.
De Vos, W. 2007. Die lewe loop sy eie draaie: profiel [Trix Pienaar]. Lig, 72(3): 26-28.
DE WAAL, J.H.H. 1932. My herhinnerings van ons taalstryd. Kaapstad: Nasionale Pers.
DEGAN, JOHN A. 1987 Cultural identity and cross-cultural assimilation: The case of Nigerian drama in English. South African theatre journal, 1(2):52-62.
DEKKER, G. 1937. Afrikaanse Literatuurgeskiedenis. Kaapstad: **
DELL, E. 1993. Museums and the Re-presentation of “Savage South Africa” to 1910. Unpublished PhD. Thesis, Schools of Oriental and African Studies, University of London, UK.
Demand for theatres. 1941. Forum. 4(6): 31-32. May 10.
DEPARTMENT OF ARTS, CULTURE AND HERITAGE. 1996. White Paper on Art, Culture and Heritage. Pretoria: Department of Arts, Culture and Heritage.
Department of Arts, Culture, Science and Technology. 1996. White Paper on Arts, Culture and Heritage: All our legacies, our common future. Pretoria. June 4, 1996.
DEPARTMENT OF INFORMATION. 1969. Performing Arts in South Africa: Cultural Aspirations of a Young Nation. Pretoria: Government Publications.
De Villiers, A. 1976. Toneeljaar 1975 in Transvaal. Standpunte, 29(1): 55-62. February.
De Villiers, A. 1980. Amateurtoneel in ere herstel. Taalgenoot, 49(9): 20-21. De Villiers, Coenie. 1994. Cabaret as new journalism: A proposed model for inter¬textual analysis. SATJ 8/2: 127-149.
De Villiers, D.P. 1952. Hendrik Hanekom as mens. Huisgenoot, 36(1560): 11. February 15.
De Villiers, Jill. 1998. Honest & powerful. In: The Citizen, August 14, 1998: 23.
De Villiers, Jill. 1999a. Storyteller supreme. In: The Citizen, May 1, 1999: 18.
De Villiers, Jill. 1999b. Peter’s [sic] passionate affair with the theatre. In: The Citizen, August 30, 1999: 26.
De Villiers, Jill. 1999c. Crisis in the theatre. In: The Citizen, December 15, 1999: 23.
De Villiers, Steve 1948a. Energieke toewyding. [André Huguenet en die toneel]. Brandwag, 11(541): 7. February 13.
De Villiers, Steve 1948b. Nuwe hoofstuk [in Suid-Afrikaanse toneel]. Brandwag, 11(566): 17-19. August 6.
Dhlomo, H.I.E. 1936. The Girl Who Killed To Save: Nongqause the Liberator. South Africa: Lovedale Press.
DHLOMO, H.I.E. 1939. Nature and variety of tribal drama. In: Bantu Studies 13. Dhlomo, H.L.E. 1977. Literary theory and criticism of H L E Dhlomo; [collected essays] ed by N W Visser. English in Africa,4(2: 1-76. September.
DHLOMO, H.I.E. 1985. Collected Works Edited by Nick Visser and Tim Couzens. Johannesburg: Ravan.
DHLOMO, H.I.E. (nd) The Evolution of Bantu Entertainments. Unpublished manuscript in Killie Campbell Museum, University of Natal (KCM 8290/2)
DHLOMO, H.I.E. 1977. Literary Theory and Criticism. Ed by Nick. Visser. In Special Issue: English in Africa 4, 2: 1-76.
Dickerson, Mary Elizabeth Henderson 1980. Some aspects of play production in the English and parallel medium secondary schools of the Eastern Cape 1822-1977. Grahamstown: Rhodes University. (MA thesis).
Dickey, Jerry Richard 1987. The artist as rebel: the development of Athol Fugard’s dramaturgy and the influence of Albert Camus. Bloomington, IN: Indiana University. (Ph.D. thesis).
Dike, Fatima 1996. So what’s new? The story behind the play. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 242-245.
Dike, Fatima 2006. Beyond the U.S.A., Beyond the U.K.
Author(s):Dike, Fatima ; Tait, Peta ; Betts, Jean ; Thompson, Judith Source:pp. 199-218 IN: Greene, Alexis (ed.); Kilgore, Emilie S. (foreword); Norman, Marsha (introd.); Women Writing Plays: Three Decades of the Susan Smith Blackburn Prize. Austin, TX; U of Texas P; 2006. (xv, 302 pp.) ISBN:9780292713291; (pbk.); 9780292713253; (hbk.)
Dikeni, Sandile. 2000. The Albino terrorist inside Johnny Cockroach. In: The Cape Times, January 24, 2000: 8.
Directors at work, no.1: John Hussey. 1979. Scenaria, (15): 5-7.
Dis koud hier [literary criticism, Braam van Wyk]. 1972. Staatsamptenaar, 52(3): 29-30. March.
Dissel, Jan 1945. Toneel. Trek passim
Distiller Natasha 2005. A Sign That History Is Happening: Shakespeare in 20th-Century South African Literature. Literature Compass [serial online]. January 2005;2(1)
Distiller N. 1983.'Through Shakespeare's Africa': 'Terror and Murder'?. Shakespeare's World/World Shakespeares [e-book]. Newark, DE: U of Delaware P; 2008:382-3
Distiller, Natasha 2003. “Colonial Shakespeare”: report on the Shakespeare Society of Southern Africa’s tri-annual Shakespeare Congress. South African theatre journal, 17: 253-257.
Distiller, Natasha 2003. South African Shakespeare: a model for understanding cultural transformation? (1). Shakespeare in Southern Africa, 15: 21-27.
Distiller, Natasha 2003. Catherine M.S. Alexander and Stanley Wells Eds. Shakespeare and Race. Shakespeare in Southern Africa. (Vol. 15).: p105
Distiller, Natasha 2004. The ‘Zulu Macbeth’: the value of an ‘African Shakespeare’. Shakespeare survey, 57: 159-168.
Distiller, Natasha 2005. South Africa, Shakespeare, and post-colonial culture. Lewiston, N.Y.: Edwin Mellen Press.
Dixon, Luke 2002. Foul papers in the township. Shakespeare in Southern Africa, 14:25-26.
Dobie, B. 1977. Towards education for ‘acceptable speech’. Journal of education, 9(1): 23-32.
Dobie, B.A. Theory and practice in theatre craft. Teaterforum, 5(2) : 43-48.
Dodd, Alex. 1998. Overwhelmed by riches. In: Mail & Guardian, July 16, 1998: 2.
Doke, C. M. 1936. Games, plays and dances of the Khomani Bushmen. Bantu studies 10.
Dommisse, Hermien, 1946. Conquest : the story of the Afrikaans professional theatre. In : South African panorama : introducing South Africa, her art, culture, and peoples. Johannesburg : Literary Guild.
Dommisse, Hermien 1951. Henrdik Hanekom: as ek terugdink. Helikon, 1(2): 10-13. December.
Dommisse, Hermien 1952. Afrikaanse toneelterminologie. Helikon, 1(3) – 1(4). February – April.
Dommisse, Hermien 1954. Empirisme en ons beroepstoneel. Ons eie boek, 20(4): 122-124.
Dommisse, Hermien 1955. Ons toneel: ‚n braakland. Standpunte. 9(3): 21-30.
Dommisse, Hermien 1957. Bedenkings en bespieëlings oor ons toneel. Standpunte, 9(5-6): 16-26.
Dommisse, Hermien 1978. Oop teaters – waarheen? Buurman, 9(1): 33-35. September.
Dommisse, Hermien 1989. Die Afrikaanse toneel: moet mens lag of huil? De Kat, 5(5): 108-109.
Dommisse, Hermien 1998. Boklied kan die dood van die Afrikaanse toneel inlui. Die Burger. 1998.04.23:13
Dommisse, Hermien 1998. Voetspore [“Footprints”]. Cape Town: Human en Rousseau.
Dommisse, Jaqueline 1985. A women's theatre festival in South Africa: a documentation and analysis of the indigenous plays premièred at the Women’s Festival of Arts, Johannesburg, 1 April-11 May 1985. Johannesburg : University of the Witwatersrand.
Don, C.D. 1951. Footlights of long ago. Outspan, 50(1283): 41. September 29.
Donahue D. 2008. Blood kin. Publishers weekly, 255(3): 36.
Donaldson, Andrew. 2001a. London calling? Hang Up! In: Sunday Times, April 15, 2001: 17.
Donaldson, Andrew. 2001b. The emperor’s new (second-hand) theatre. In: Sunday Times, April 15, 2001: 17.
Dontsa, L. 1990. Contemporary political performing arts in South Africa. London: School of Oriental and African Studies. (Ph.D. thesis).
Doodsberig [Hendrik Hanekom].1952. Huisgenoot, 36(1559): 3. February 8.
Doodsberig. [Wena Naudé]. Unie, 75: 176. November.
Douglas, K. 1980. Drama in community education. South African outlook, 110: 111-112.
Doyle, J. 1984. Builders on schedule with presrige R56-m opera house. South African construction world, 3(9) : 58-68.
Drama. 1966. Stellenbosse student, 23-24.
Dramatic academy. 1941. Forum. 4(12): 19. June 21.
Dramatically speaking, apartheid was better. 1995. Economist financial report, 336(7924): 79-80. July 22-28.
Dramaturg en dialek: enkele gedagtes oor dramatiese dialoog. 1985. Teaterforum, 6(1): 46-72.
Dramawedstryd van die A.T.K.V. 1944. Huisgenoot, 29(1185): 3. December 8.
Drew, H.E. 1975. History and debelopment of stage lighting. Vector, 24-25. August.
Drewal, Margaret Thompson 1988. Ritual Performance in Africa Today TDR (1988-), Vol. 32, No. 2 (Summer, 1988), pp. 25-30
Drewal, M. T. (1991) ‘The state of research on performance in Africa’. African studies review vol. 34, No 3, pp. 1-64.
Drukman, Steven 2001. 99 percent perspiration. (Walter Kefuoe Chakela’s play Sweat). American theatre, 18(2): 80.
Dry, M. 1982. Stage projection – the science of tomorrow. Scenaria, (34): 43-45.
Dufett, P.S. 1939. Herdenking van die aankoms van die Hugenote. Unie, 34(11): 350-351.
DUGGER C.2010. His Next Act: Driving Out Apartheid's Ghost. New York Times [serial online]. March 13, 2010;:1.
Dunstan, J. 1979. South African dramatist’s critical look at Calvinism: Adam Small’s The orange earth. Journal of theology for Southern Africa, 27: 20-25. June.
Dunton, Chris 1999. South African theatre/theatre studies. English in Africa, 26(1): 119.
Du Plessis, C. 1978. Marié du Toit hou van uitdagings. Rooi rose, 35(9): 40-43. November 22.
Du Plessis, J.N.S. 1975. Elementêre literatuurkundige bespreking van die drama. [Literary criticism, Dirk Richard]. Unie, 71: 373-377. March.
Du Plessis, J.N.S. 1985. D.J. Opperman – ‘n huldeblyk. Unie, 82: 162-163.
Du Plessis, J.N.S. 1987. ‘n Aanloop tot Die keiser van Bartho Smit. Unie, 83(11): 303-308.
Du Plessis, P.G. 1984. Oor messe en gode. Tydskrif vir letterkunde, 22(4) : 22-29.
Du Plessis, P.G. 1984. Oor messe en gode [TV en teater in SA]. Tydskrif vir letterkunde, 22(4) : 22-29.
Du Plessis, P.L. Skoolopvoering. Unie, 76: 196-200.
Du Plessis, P.L. 1979. ‘n Ondersoek na die vorm wat ‘n opvoering in die primere skool kan aanneem, met spesiale verwysing na geselekteerde primere skole in die Westelike Provinsie. Grahamstown: Rhodes University. (MA thesis).
Du Plessis, R. 1980. ERUK gaan van krag tot krag. Alpha, 18(3): 13.
Du Plooy, A.D. 1959. Wonder van Afrikaans: ‘n geleentheidstuk vir die taalfees van 1959. Brandwag 23(13): 25. March 8.
Du Preez, A. 1977. Baxter theatre: the dream becomes a reality. Lantern, 26(4): 18-27. August.
Du Preez, Esmé. 1985. Varieties of dramatic dialogue in selected plays by Athol Fugard and Fatima Dike. Potchefstroom: PU vir CHO. ( MA-thesis.)
Du Preez, P. 2003. Die slagveld van teks en betekenis: enkele aspekte in die dramatiek van Breyten Breytenbach. Stellenbsoch, Universiteit van Stellenbosch. (M Dram-tesis.)
DU PREEZ, Petrus 2002. Moving centers and margins in culture and development. South African theatre journal, 16: 223 – 226.
Du Preez, Petrus. 2004. Babel en Breytenbach: Kwessies rondom die ‘verstaanbare’ in die Afrikaanse dramas van Breyten Breytenbach. SATJ 18: 184-220.
Du Preez, Petrus 2006b. The ABSA-Klein Karoo Nasionale Kunstefees : theatrical journalism and journalism on theatre. South African theatre journal, 20: 255-262.
Du Preez, Petrus 2006. Shaping the metaphor : Marthinus Basson as artist/director. South African theatre journal, 20: 79-101.
Du Randt, A. 1960. Creative drama – a tool of learning. Transvaal educational news, 56(6): 16-18.
Du Randt, A. 1960. An introduction to creative drama. Transvaal educational news, 56(4): 7-8.
Du Randt, W.S.H. 1985. Twee karakters op soek na ‘n tema : ‘n kort bespreking van die tema van Henriette Grové se dramatiese werk : Ontmoeting by Dwaaldrif. Klasgids, 20(1) : 18-20.
Du Randt, W.S.H. 1989. Die daad in Dias as kern van die handeling. Tydskrif vir geesteswetenskappe, 29(3) : 193-203.
Durban Playhouse : back on the green. 1986. Financial mail, 100(3) : 77. April 18.
Durbanse passiespel. 1984. Taalgenoot, 53(5): 6.
DU TOIT, JAN H. V.. 1985. Die SA Instituut vir Teatertegnologie (SAITT) ["SA Institute for Theatre Technology").In Temple Hauptfleisch (ed), The Breytie Book. Randburg: The Limelight Press. p. 122.
DU TOIT, P.J. 1985. Die Krugersdorpse Munisipale Vereniging vir Drama en Opera (1928-1949). In: Temple Hauptfleisch (ed) The Breytie Book. Johannesburg: The Limelight Press. P, 55-60.
Du Toit, Petrus Jacobus 1987. Amateur theatre in South Africa. 1987. Pretoria: University of Pretoria. (Ph.D. thesis).
Du Toit, Petrus Jacobus 1988. Amateurtoneel in Suid-Afrika. Pretoria: Academica
DU VAL, CHARLES. 1882. With a Show through Southern Africa Vol. 1. London: Tinsley Bros.
DUGGAN, C.: 2000. Strategies in Staging: Theatre technique in the plays of Zakes Mda, in African Theatre in Development, ed. Banham. M, Gibbs. J, and Osofisan, F.
Duggan, Carolyn 1997. Gabbling like a thing most brutish: the post-colonial writer and language, with reference to the earlier plays of Zakes Mda. South African theatre journal, 11(1&2): 109-132.
Durbach, Errol 1984. Sophocles in South Africa: Athol Fugard’s The Island. Comparative drama, 18(3): 252-264.
Durbach, Errol 1993. Sophocles in South Africa: Athol Fugard’s The island. In: Davidson, Clifford & Johnson, Rand (eds.) Drama and the classical heritage. New York: AMS. p. 241-253.
Durbach, Errol 1987. Master Harold… and the boys: Athol Fugard and the psychopathology of apartheid. Modern drama, 30(4): 505-513.
Durden, E. & Nduhura, D. 2007. Use of participatory forum theatre to explore HIV/AIDS issues in the workplace. Communicare, 26(2): 56-70.
Duvenage, P. 1998. Boklied en die denke van ons tyd. Fragmente Nr 2:144-147.
Dyers, C.W. 1995. Drama training for language teachers: a necessity, not an option. Journal for language teaching, 29(2): 149-154.
Click on the appropriate letter of the alphabet below to find the relevant list.
