Difference between revisions of "The Romp"
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| − | Originally written as a comic opera called Love in the City (première: Covent Garden, 21 February, 1767) by Isaac Bickerstaff(e) (1733-?1812), with music from Charles Dibdin and variuous continental composers. While this was his only unsuccessful play, later adaptations as The Romp (and credited to Bickerstaffe) , became resounding successes internationally. One such was a three act abridgement called The Romp, or A Cure for the Spleen (attributed to Bickerstaffe and Didbin), which was performed in Ireland between 1767 -78, then in London and America. The most prominent and successful version however was the two act version, simply entitled The Romp (and credited to Bickerstaffe), done as a vehicle for the actress Dorothy Jordan in the role of | + | Originally written as a comic opera called Love in the City (première: Covent Garden, 21 February, 1767) by Isaac Bickerstaff(e) (1733-?1812), with music from Charles Dibdin and variuous continental composers. |
| − | The Romp continued going through many other adaptations afterwards, sometimes called a comic opera, at others “a musical entertainment” and apparently even billed as “an interlude” at times. | + | |
| + | While this was his only unsuccessful play, later adaptations as ''[[The Romp]]'' (and credited to Bickerstaffe) , became resounding successes internationally. One such was a three act abridgement called ''[[The Romp, or A Cure for the Spleen]]'' (attributed to Bickerstaffe and Didbin), which was performed in Ireland between 1767 -78, then in London and America. The most prominent and successful version however was the two act version, simply entitled ''[[The Romp]]'' (and credited to Bickerstaffe), done as a vehicle for the actress Dorothy Jordan in the role of "Priscilla Tomboy". The Jordan version was apparently first performed in Ireland and on tour round about 1780, then opened to acclaim at the Theatre Royal Covent Garden March 28 1778. This text was prepared for publication by an unknown editor (sometimes referred to as “– Lloyd”) , and first published in 1786, probably by by W. Lowdnes, who published a new edition in 1789. This is most probably the version used in South Africa. | ||
| + | The Romp continued going through many other adaptations afterwards, sometimes called a comic opera, at others “a musical entertainment” and apparently even billed as “an interlude” at times. | ||
| + | |||
== Performance history in South Africa == | == Performance history in South Africa == | ||
Revision as of 06:22, 11 May 2015
A musical entertainment in two acts by Isaac Bickerstaff(e) (1733-?1812),
Contents
The original text
Originally written as a comic opera called Love in the City (première: Covent Garden, 21 February, 1767) by Isaac Bickerstaff(e) (1733-?1812), with music from Charles Dibdin and variuous continental composers.
While this was his only unsuccessful play, later adaptations as The Romp (and credited to Bickerstaffe) , became resounding successes internationally. One such was a three act abridgement called The Romp, or A Cure for the Spleen (attributed to Bickerstaffe and Didbin), which was performed in Ireland between 1767 -78, then in London and America. The most prominent and successful version however was the two act version, simply entitled The Romp (and credited to Bickerstaffe), done as a vehicle for the actress Dorothy Jordan in the role of "Priscilla Tomboy". The Jordan version was apparently first performed in Ireland and on tour round about 1780, then opened to acclaim at the Theatre Royal Covent Garden March 28 1778. This text was prepared for publication by an unknown editor (sometimes referred to as “– Lloyd”) , and first published in 1786, probably by by W. Lowdnes, who published a new edition in 1789. This is most probably the version used in South Africa. The Romp continued going through many other adaptations afterwards, sometimes called a comic opera, at others “a musical entertainment” and apparently even billed as “an interlude” at times.
Performance history in South Africa
1818: Performed on 22 August by Mr Cooke and company, assisted by local Amateurs, in the African Theatre with Douglas (Home).
Translations and adaptations
Sources
Facsimile version of the Lowdnes edition 1789 (Google eBook)[1]
http://www.ricorso.net/rx/az-data/authors/b/Bickerstaffe_I/life.htm
Ronald L. Byrnside 1997. Music in Eighteenth-century Georgia (Google eBook)[2]
Peter A. Tasch 1871. The Dramatic Cobbler: The Life and Works of Isaac Bickerstaff[3]
Bosman, 1928: pp. 73, 109, 154-55, 199
Go to ESAT Bibliography
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