Difference between revisions of "ESAT Bibliography R"
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Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige kultuur, 6(3): 26-27. | Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige kultuur, 6(3): 26-27. | ||
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Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30. | Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30. | ||
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RACSTER, Olga 19**. “Performing Arts in South Africa” . In Department of Information, South African Yearbook??**. Pretoria:, Swan Press. | RACSTER, Olga 19**. “Performing Arts in South Africa” . In Department of Information, South African Yearbook??**. Pretoria:, Swan Press. | ||
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Racster, Olga 1951. Curtain up! The story of Cape theatre. Cape Town: Juta and Company. | Racster, Olga 1951. Curtain up! The story of Cape theatre. Cape Town: Juta and Company. | ||
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Raditlhalo, S.I. 2002. South African theater as/and intervention, edited by Marcia Blumberg and Dennis Walder; The drama of South Africa: plays, pageants and publics since 1910, by Loren Kruger. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 171-175. | Raditlhalo, S.I. 2002. South African theater as/and intervention, edited by Marcia Blumberg and Dennis Walder; The drama of South Africa: plays, pageants and publics since 1910, by Loren Kruger. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 171-175. | ||
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RAE, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished M.A. Dissertation, University of Pretoria. | RAE, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished M.A. Dissertation, University of Pretoria. | ||
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Raghavan, Sudarsan. 1995. ‘You’re Free to Escape the Past’. In: Newsweek, August 21, 1995: 56. | Raghavan, Sudarsan. 1995. ‘You’re Free to Escape the Past’. In: Newsweek, August 21, 1995: 56. | ||
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Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas. In: Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart. Berlin, Germany: Lit; p. 267-274. | Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas. In: Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart. Berlin, Germany: Lit; p. 267-274. | ||
Raikes, R. Stage is set. 1971. Personality, 68-75. February 5. | Raikes, R. Stage is set. 1971. Personality, 68-75. February 5. | ||
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Raine, Craig. 1980. An interview with Athol Fugard. Quarto. (9):9-14. | Raine, Craig. 1980. An interview with Athol Fugard. Quarto. (9):9-14. | ||
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RASSOOL, C. and WITZ, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa. Journal of African History 34: 447-468. | RASSOOL, C. and WITZ, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa. Journal of African History 34: 447-468. | ||
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Rautenbach, Elmarie. 1999. Pieter-Dirk verklap Evita se geheim. Insig, 12/99: 24. | Rautenbach, Elmarie. 1999. Pieter-Dirk verklap Evita se geheim. Insig, 12/99: 24. | ||
Ravenscroft, A. 1955. Teaching of set books: a play. Ons eie boek, 21(1): 31-33. | Ravenscroft, A. 1955. Teaching of set books: a play. Ons eie boek, 21(1): 31-33. | ||
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RAYMER, JOHN DAVID. 1975. Eight Recent Plays by South African Dramatist Athol Fugard: his Method, his Development as a Playwright, his South African Context, and the Major | RAYMER, JOHN DAVID. 1975. Eight Recent Plays by South African Dramatist Athol Fugard: his Method, his Development as a Playwright, his South African Context, and the Major | ||
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Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306): 24-30. June 21. | Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306): 24-30. June 21. | ||
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Rebirth of Port Elizabeth’s opera house. 1968. Architect and builder, 18(2): 16-19. | Rebirth of Port Elizabeth’s opera house. 1968. Architect and builder, 18(2): 16-19. | ||
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Reconsidering Theatre-Making in South Africa: A Study of Theatre in Education | Reconsidering Theatre-Making in South Africa: A Study of Theatre in Education | ||
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Reddinsdaadbond propaganda and the stage. 1941. Forum. 4(9): 28-29. | Reddinsdaadbond propaganda and the stage. 1941. Forum. 4(9): 28-29. | ||
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Reinecke, Dennis 1985. Die Staatsteater Pretoria ["The State Theatre Pretoria"] In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 87-90. | Reinecke, Dennis 1985. Die Staatsteater Pretoria ["The State Theatre Pretoria"] In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 87-90. | ||
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Retief, Hanlie. 2000. Basta verskoning vra vir Eurosentriese teater! In: Rapport, May 7, 2000: 5. | Retief, Hanlie. 2000. Basta verskoning vra vir Eurosentriese teater! In: Rapport, May 7, 2000: 5. | ||
Retief, M. 1970a. Spog-skouburg skiet op [Nico Malan]. Huisgenoot, 42(2531): 28-33. April. | Retief, M. 1970a. Spog-skouburg skiet op [Nico Malan]. Huisgenoot, 42(2531): 28-33. April. | ||
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Retief, M. 1970b. Toneel moet soos rugby wees! Huisgenoot, 42(2527): 28-31. September 4. | Retief, M. 1970b. Toneel moet soos rugby wees! Huisgenoot, 42(2527): 28-31. September 4. | ||
Retief, M. 1971. Daar’s lewe in die Nico Malan! Huisgenoot, 42(2569): 46-53. July 2. | Retief, M. 1971. Daar’s lewe in die Nico Malan! Huisgenoot, 42(2569): 46-53. July 2. | ||
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Retief, M. 1972. Vermaak wat betaal, is die wet van Transvaal! Huisgenoot, 42(2598): 18-23. January 28. | Retief, M. 1972. Vermaak wat betaal, is die wet van Transvaal! Huisgenoot, 42(2598): 18-23. January 28. | ||
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RETIEF, P.J.B. Toneelkritiek en die Nasionale Toneelorganisasie (1947-1961). ‘n Ondersoek na die aard en bestaan van kritiek rakende die verhoogaanbieding van die drama. [“Theatre criticism and the National Theatre Organisation (1947-1961). A study of the nature and existence of criticism regarding the staging of drama.”] Unpublished MA thesis, University of the Orange Free State , 1966. | RETIEF, P.J.B. Toneelkritiek en die Nasionale Toneelorganisasie (1947-1961). ‘n Ondersoek na die aard en bestaan van kritiek rakende die verhoogaanbieding van die drama. [“Theatre criticism and the National Theatre Organisation (1947-1961). A study of the nature and existence of criticism regarding the staging of drama.”] Unpublished MA thesis, University of the Orange Free State , 1966. | ||
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Retief, R. 1987. Drama-in-die-onderwys. Klasgids, 22(1): 3-10. February. | Retief, R. 1987. Drama-in-die-onderwys. Klasgids, 22(1): 3-10. February. | ||
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Return of South African stage [efforts of Gwen Ffrangcon-Davies and Marda Vanna]. 1941. Forum. 4(2): 31-32. | Return of South African stage [efforts of Gwen Ffrangcon-Davies and Marda Vanna]. 1941. Forum. 4(2): 31-32. | ||
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Revival of professional stage. 1941. Forum. 4(19): 18. | Revival of professional stage. 1941. Forum. 4(19): 18. | ||
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REYNEKE, EUNICE. Introduction to Book Reviews South African theatre journal, 2(1):64-66. | REYNEKE, EUNICE. Introduction to Book Reviews South African theatre journal, 2(1):64-66. | ||
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Riccio, Thomas 1996. Politics, slapstick, and Zulus on tour. The drama review, 40(4): 94-117. | Riccio, Thomas 1996. Politics, slapstick, and Zulus on tour. The drama review, 40(4): 94-117. | ||
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Riccio, Thomas 1997. N!ngongaio: people come out of here: making a new story with the !Xuu and Khwe Busmen. TheatreForum, 10: 45-59. | Riccio, Thomas 1997. N!ngongaio: people come out of here: making a new story with the !Xuu and Khwe Busmen. TheatreForum, 10: 45-59. | ||
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RICHARDS, SANDRA L. Ancient Songs Set Ablaze. The Theatre of Femi Osofisan (Eckard Breitinger) South African theatre journal, 13(1&2):209-213 | RICHARDS, SANDRA L. Ancient Songs Set Ablaze. The Theatre of Femi Osofisan (Eckard Breitinger) South African theatre journal, 13(1&2):209-213 | ||
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RIJSDIJK, IAN-MALCOLM. 1996. Black film and power dynamics in contemporary American culture. South African theatre journal, 10(2):117-133. | RIJSDIJK, IAN-MALCOLM. 1996. Black film and power dynamics in contemporary American culture. South African theatre journal, 10(2):117-133. | ||
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Rizzo, Frank 2009. You can go home again. American theatre, 26(1): 30. | Rizzo, Frank 2009. You can go home again. American theatre, 26(1): 30. | ||
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Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English studies, 10(3): 85-86. September. | Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English studies, 10(3): 85-86. September. | ||
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ROBERTSON, H. 1994. Feeling Our Way to the Future. Interview with Walter Chakela and John Matshikiza. In: Tribute June: 76-78. | ROBERTSON, H. 1994. Feeling Our Way to the Future. Interview with Walter Chakela and John Matshikiza. In: Tribute June: 76-78. | ||
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Robins, S. (1998) ‘Silence in my father's house: memory, nationalism, and narratives of the body’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa. Cape Town: Oxford University Press. | Robins, S. (1998) ‘Silence in my father's house: memory, nationalism, and narratives of the body’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa. Cape Town: Oxford University Press. | ||
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Robinson, Helen. 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House. | Robinson, Helen. 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House. | ||
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Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish affairs, 61(4): 73-78. | Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish affairs, 61(4): 73-78. | ||
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Robinson, Marguerite. 2001. Uitgewekene se pyn uitgebeeld. In: Rapport, August 12, 2001: 15. | Robinson, Marguerite. 2001. Uitgewekene se pyn uitgebeeld. In: Rapport, August 12, 2001: 15. | ||
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Ronél, skuilnaam. 1951. Toneel op doe platteland. Landbouweekblad, 33(1669): 46-47. July 11. | Ronél, skuilnaam. 1951. Toneel op doe platteland. Landbouweekblad, 33(1669): 46-47. July 11. | ||
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Ronge, Barry 1977. Other side of the swamp; in retrospect. Scenaria, August/September: 31. | Ronge, Barry 1977. Other side of the swamp; in retrospect. Scenaria, August/September: 31. | ||
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Ronge, Barry 1978. Criticism. Scenaria, December/January: 33. | Ronge, Barry 1978. Criticism. Scenaria, December/January: 33. | ||
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Ronge, Barry 1986. Elize Cawood : acting seriously. Fair lady, 21(2) : 57, 59. March 5. | Ronge, Barry 1986. Elize Cawood : acting seriously. Fair lady, 21(2) : 57, 59. March 5. | ||
RONGE, BARRY. 1986. A Theatre Windfall that is Fascinating. The Sunday Times. October 16, 1986. | RONGE, BARRY. 1986. A Theatre Windfall that is Fascinating. The Sunday Times. October 16, 1986. | ||
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RONGE, BARRY. 1993. Murmurings of money matters hold the stage. The Sunday Times. 11 July 1993 | RONGE, BARRY. 1993. Murmurings of money matters hold the stage. The Sunday Times. 11 July 1993 | ||
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RONGE,BARRY. 1986. Outrage over attack by SA Black Writers’. The Sunday Times. September 28, 1986. | RONGE,BARRY. 1986. Outrage over attack by SA Black Writers’. The Sunday Times. September 28, 1986. | ||
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Roodt, P.H. 1982. Verteller/teks leser : die driehoeksverhouding in Jaarringe. Tydskrif vir letterkunde, 20(3) : 40-50. | Roodt, P.H. 1982. Verteller/teks leser : die driehoeksverhouding in Jaarringe. Tydskrif vir letterkunde, 20(3) : 40-50. | ||
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Roodt, M. 1956. Mathilde Hanekom vertel van ’n dominee se flater. Rooi Rose, 11(128): 55. March. | Roodt, M. 1956. Mathilde Hanekom vertel van ’n dominee se flater. Rooi Rose, 11(128): 55. March. | ||
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Roodt, P.H, 1984. Verteller/teks/leser : die driehoeksverhouding in Jaarringe. [Tydksrif vir letterkunde aug 1982] | Roodt, P.H, 1984. Verteller/teks/leser : die driehoeksverhouding in Jaarringe. [Tydksrif vir letterkunde aug 1982] | ||
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Roodt, P.H. 1984. Sluitingsteks in Jaarringe. [Tydskrif vir letterkunde Nov 1982]. | Roodt, P.H. 1984. Sluitingsteks in Jaarringe. [Tydskrif vir letterkunde Nov 1982]. | ||
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| + | ROOME, D. 2002. The Serious ‘consequences’ of comedy: Negotiating cultural change and difference through humour. South African theatre journal, 16: 44 – 62. | ||
Roos, Gideon 1985. Die Dramatiese, Artistieke en Literêre Regte Organisasie (DALRO). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 119-121. | Roos, Gideon 1985. Die Dramatiese, Artistieke en Literêre Regte Organisasie (DALRO). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 119-121. | ||
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Roos, Martjie 1986. Ian Roberts : elke meisie en skoonma se droom. Rooi rose, 43(8) : 12-13. April 30. | Roos, Martjie 1986. Ian Roberts : elke meisie en skoonma se droom. Rooi rose, 43(8) : 12-13. April 30. | ||
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Roos, Martjie 1986. Susanne Beyers : is sy die moordenaar ? Rooi rose, 43(4) : 10-11. March 5. | Roos, Martjie 1986. Susanne Beyers : is sy die moordenaar ? Rooi rose, 43(4) : 10-11. March 5. | ||
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Roos. M. 1985. Christine [Basson] wil nie Marietjie wees nie. Rooi rose, 42(8) : 10-11. November 13. | Roos. M. 1985. Christine [Basson] wil nie Marietjie wees nie. Rooi rose, 42(8) : 10-11. November 13. | ||
Rosenberg, V. 1964. Contribution to contemporary culture. South African panorama, 9(12): 21-25. | Rosenberg, V. 1964. Contribution to contemporary culture. South African panorama, 9(12): 21-25. | ||
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ROSENSTONE, ROBERT A. Visions of the Past: The Challenge of Film to Our Idea of History (Edwin Hees) South African theatre journal, 10(2):181-185. | ROSENSTONE, ROBERT A. Visions of the Past: The Challenge of Film to Our Idea of History (Edwin Hees) South African theatre journal, 10(2):181-185. | ||
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Rosenthal, Eric 1964. Early Shakespeare productions in South Africa. English studies in Africa, 7:202-216. | Rosenthal, Eric 1964. Early Shakespeare productions in South Africa. English studies in Africa, 7:202-216. | ||
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Rosenthal, Eric. 1974. You have been listening. Cape Town: Purnell & Sons. | Rosenthal, Eric. 1974. You have been listening. Cape Town: Purnell & Sons. | ||
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Rosenthal, Eric 1982 From Drury Lane to Mecca. Cape Town: Howard Timmins. (painter of stage sets – London, Austr, SA – insluit?) | Rosenthal, Eric 1982 From Drury Lane to Mecca. Cape Town: Howard Timmins. (painter of stage sets – London, Austr, SA – insluit?) | ||
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Ross, F. 2008. Training moves to centre stage: on the cover. HR future, 24(4): 32-33. | Ross, F. 2008. Training moves to centre stage: on the cover. HR future, 24(4): 32-33. | ||
Ross, Laura 1984. A question of certainties. American theatre, 1(5): 4-9. | Ross, Laura 1984. A question of certainties. American theatre, 1(5): 4-9. | ||
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Ross, Robert L. 1991. What colour is coloured? Lewis Sowden’s The Kimberley train. South African theatre journal, 5(2): 55-65. | Ross, Robert L. 1991. What colour is coloured? Lewis Sowden’s The Kimberley train. South African theatre journal, 5(2): 55-65. | ||
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Ross, Verity 1986. Lighting up the Market Theatre : South Africa’s Covent Garden. Scenaria, (61) : 21-22. | Ross, Verity 1986. Lighting up the Market Theatre : South Africa’s Covent Garden. Scenaria, (61) : 21-22. | ||
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Ross, Verity 1986. Lighting Gold Reef City’s Hippodrome. Scenaria, (66) : 16. | Ross, Verity 1986. Lighting Gold Reef City’s Hippodrome. Scenaria, (66) : 16. | ||
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Rossouw, Kobus 1999. From strength to strength: Thoughts on the Little Karoo National Arts Festival, March 1999. South African theatre journal, 13(1&2):175-178. | Rossouw, Kobus 1999. From strength to strength: Thoughts on the Little Karoo National Arts Festival, March 1999. South African theatre journal, 13(1&2):175-178. | ||
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Rousseau, W. 1975. Easy booking: [Computicket]. South African panorama, 20(7): 30-31. July. | Rousseau, W. 1975. Easy booking: [Computicket]. South African panorama, 20(7): 30-31. July. | ||
ROUTH, GUY. 1950a. The Johannesburg Art Theatre. Trek September: 25-27. | ROUTH, GUY. 1950a. The Johannesburg Art Theatre. Trek September: 25-27. | ||
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ROUTH, GUY. 1950b. The Bantu People’s Theatre. Trek October: 20-23. | ROUTH, GUY. 1950b. The Bantu People’s Theatre. Trek October: 20-23. | ||
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Routh, Guy 1950c. Theatrical memories. Trek, 14(9): - 14 (10). Sept-Oct. | Routh, Guy 1950c. Theatrical memories. Trek, 14(9): - 14 (10). Sept-Oct. | ||
Roux, A. 1983. Analise van Die joiner van Pieter Fourie. Klasgids, 18(3) 81-86. | Roux, A. 1983. Analise van Die joiner van Pieter Fourie. Klasgids, 18(3) 81-86. | ||
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Roux, A. 1984. Oor die funksie van die ‘flits’ in Christine. Tydskrif vir letterkunde, 22(2) : 1-7. | Roux, A. 1984. Oor die funksie van die ‘flits’ in Christine. Tydskrif vir letterkunde, 22(2) : 1-7. | ||
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Roux, Adriaan 1986. Die absurde drama in Afrikaans. Klasgids, 21(1) : 63-69. | Roux, Adriaan 1986. Die absurde drama in Afrikaans. Klasgids, 21(1) : 63-69. | ||
Rubin, H. 1960. Stage and auditorium lighting control. Transactions of the South African Institute of Electrical Engineers, 51: 169-192. | Rubin, H. 1960. Stage and auditorium lighting control. Transactions of the South African Institute of Electrical Engineers, 51: 169-192. | ||
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Rubin, H. 1961. Stage and auditorium lighting control. Discussion. Transactions of the South African Institute of Electrical Engineers, 52: 49. | Rubin, H. 1961. Stage and auditorium lighting control. Discussion. Transactions of the South African Institute of Electrical Engineers, 52: 49. | ||
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Rudakoff, Judith 2004. Somewhere, over the rainbow: white female Canadian dramaturge in Cape Town. TDR, 48(1): 126-163. | Rudakoff, Judith 2004. Somewhere, over the rainbow: white female Canadian dramaturge in Cape Town. TDR, 48(1): 126-163. | ||
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Rudakoff, Judith. "Somewhere, Over the Rainbow: White-Female-Canadian Dramaturge | Rudakoff, Judith. "Somewhere, Over the Rainbow: White-Female-Canadian Dramaturge | ||
in Cape Town." TDR: The Drama Review 48.1 (2004): 126-163. | in Cape Town." TDR: The Drama Review 48.1 (2004): 126-163. | ||
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Rudakoff, Judith 2004. Why did the chicken cross the cultural divide? TDR, 48(2): 80-90. | Rudakoff, Judith 2004. Why did the chicken cross the cultural divide? TDR, 48(2): 80-90. | ||
Rudden, R. 1957. Passion play of Oberammergau: the Durban production. Outspan, 59(1571): 34-37. April 19. | Rudden, R. 1957. Passion play of Oberammergau: the Durban production. Outspan, 59(1571): 34-37. April 19. | ||
Revision as of 11:12, 25 August 2010
Click on the appropriate letter of the alphabet below to find the relevant list.
A B C D E F G H-Hay He-Hu I J K L M N O P Q R S T U V W X Y Z
Return to A Bibliography of South African South African Theatre and Performance
Rabe, D. de V. 1983. Mimiek: die kuns van die gehoorgestremde. Opvoedkundige kultuur, 6(3): 26-27.
Rabe, L. 1985. In Shakespeare se towerwoud. Sarie, 14-16. January 30.
Rabe, S. 1982. Introduction to the art of stage make-up. Arabesque, 13 : 36. April.
Rabson, J.S. 1979. Psychodrama with alcoholics.: a social work perspective. Social work, 15: 220-221. October.
RACSTER, Olga 19**. “Performing Arts in South Africa” . In Department of Information, South African Yearbook??**. Pretoria:, Swan Press.
Racster, Olga 1951. Curtain up! The story of Cape theatre. Cape Town: Juta and Company.
Raditlhalo, S.I. 2002. South African theater as/and intervention, edited by Marcia Blumberg and Dennis Walder; The drama of South Africa: plays, pageants and publics since 1910, by Loren Kruger. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds.); Plastow, Jane (reviews ed.), African theatre. Women. Oxford: James Curry. p. 171-175.
Raditlhalo S. 2009. Truth in Translation: The TRC and the Translation of the Translators. Biography: An Interdisciplinary Quarterly [serial online]. Winter 2009;32(1):89-101.
RAE, Almeda K. 1971. Dialogue and Characterization in the Plays of Athol Fugard. Unpublished M.A. Dissertation, University of Pretoria.
Raghavan, Sudarsan. 1995. ‘You’re Free to Escape the Past’. In: Newsweek, August 21, 1995: 56.
Rahner, Christiane 2007. “Führt was vor!” Traditionelle “Vorträge” in deutschsprachigen Gemeinden Südafrikas. In: Fassel, Horst, Ulrich, Paul S., Schindler, Otto G. (eds.) Deutsches Theater im Ausland vom 17. zum 20. Jahrhundert: Interkulturelle Beziehungen in Geschichte und Gegenwart. Berlin, Germany: Lit; p. 267-274.
Raikes, R. Stage is set. 1971. Personality, 68-75. February 5.
Raine, Craig. 1980. An interview with Athol Fugard. Quarto. (9):9-14.
RASSOOL, C. and WITZ, L. 1993. The 1952 Jan van Riebeeck Tercentenary Festival: Constructing and Contesting Public National History in South Africa. Journal of African History 34: 447-468.
Rautenbach, Elmarie. 1999. Pieter-Dirk verklap Evita se geheim. Insig, 12/99: 24.
Ravenscroft, A. 1955. Teaching of set books: a play. Ons eie boek, 21(1): 31-33.
RAYMER, JOHN DAVID. 1975. Eight Recent Plays by South African Dramatist Athol Fugard: his Method, his Development as a Playwright, his South African Context, and the Major
Raymond, Gerard 1993. Karma of violence. TheaterWeek, 6(306): 24-30. June 21.
Razis, N. 1980. Popular theatre. South African outlook, 110: 102-103.
READ, JOHN (COMP.). 1991. Athol Fugard. A Bibliography. Grahamstown: NELM.
Rebirth of Port Elizabeth’s opera house. 1968. Architect and builder, 18(2): 16-19.
Reconsidering Theatre-Making in South Africa: A Study of Theatre in Education
Reddinsdaadbond propaganda and the stage. 1941. Forum. 4(9): 28-29.
Reinecke, Dennis 1985. Die Staatsteater Pretoria ["The State Theatre Pretoria"] In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 87-90.
Retief, Hanlie. 2000. Basta verskoning vra vir Eurosentriese teater! In: Rapport, May 7, 2000: 5.
Retief, M. 1970a. Spog-skouburg skiet op [Nico Malan]. Huisgenoot, 42(2531): 28-33. April.
Retief, M. 1970b. Toneel moet soos rugby wees! Huisgenoot, 42(2527): 28-31. September 4.
Retief, M. 1971. Daar’s lewe in die Nico Malan! Huisgenoot, 42(2569): 46-53. July 2.
Retief, M. 1972. Vermaak wat betaal, is die wet van Transvaal! Huisgenoot, 42(2598): 18-23. January 28.
RETIEF, P.J.B. Toneelkritiek en die Nasionale Toneelorganisasie (1947-1961). ‘n Ondersoek na die aard en bestaan van kritiek rakende die verhoogaanbieding van die drama. [“Theatre criticism and the National Theatre Organisation (1947-1961). A study of the nature and existence of criticism regarding the staging of drama.”] Unpublished MA thesis, University of the Orange Free State , 1966.
Retief, R. 1987. Drama-in-die-onderwys. Klasgids, 22(1): 3-10. February.
Return of South African stage [efforts of Gwen Ffrangcon-Davies and Marda Vanna]. 1941. Forum. 4(2): 31-32.
Revival of professional stage. 1941. Forum. 4(19): 18.
REYNEKE, EUNICE. Introduction to Book Reviews South African theatre journal, 2(1):64-66.
Ricci, Digby 1988. Twelfth night: Joseph Ribiero’s production for the Wits School of Dramatic Art. Shakespeare in Southern Africa, 2: 105-108.
Riccio, Thomas 1994. Emandulo: process and performance in a changing South Africa. Theatre research international, 19: 238-261.
Riccio, Thomas 1996. Politics, slapstick, and Zulus on tour. The drama review, 40(4): 94-117.
Riccio, Thomas 1997. N!ngongaio: people come out of here: making a new story with the !Xuu and Khwe Busmen. TheatreForum, 10: 45-59.
RICHARDS, SANDRA L. Ancient Songs Set Ablaze. The Theatre of Femi Osofisan (Eckard Breitinger) South African theatre journal, 13(1&2):209-213
RIJSDIJK, IAN-MALCOLM. 1996. Black film and power dynamics in contemporary American culture. South African theatre journal, 10(2):117-133.
Rizzo, Frank 2009. You can go home again. American theatre, 26(1): 30.
Roberts, S. 1972. Walter Saunders, Emperor Bolly or When the balloon went up. [Literary criticism]. Unisa English studies, 10(3): 85-86. September.
Roberts, S. 1982. “No lessons learnt”: reading the texta of Fugard’s A lesson from aloes and Master Harold … and the boys. English in Africa, 9(2): 27-33.
ROBERTSON, H. 1994. Feeling Our Way to the Future. Interview with Walter Chakela and John Matshikiza. In: Tribute June: 76-78.
Robins, S. (1998) ‘Silence in my father's house: memory, nationalism, and narratives of the body’. In Nutall and Coetzee (Eds.) Negotiating the past. The making of memory in South Africa. Cape Town: Oxford University Press.
Robinson, Helen. 2005. Shakespeare at Maynardville. Wynberg [South Africa] : Houghton House.
Robinson, H. 2006. Rene Ahrnson and Cecilia Sonnenberg: their contribution to theatre in Cape Town. Jewish affairs, 61(4): 73-78.
Robinson, Marguerite. 2001. Uitgewekene se pyn uitgebeeld. In: Rapport, August 12, 2001: 15.
Rogaly, Frank 1947. South African audiences like to laugh. Outspan. 42(1077): 29. October 17.
Rolfes, C. 1982. Pascual – olé ! Fair lady, 18(1) : 142-148. November 3. (kostuumontwerp)
Ronél, skuilnaam. 1951. Toneel op doe platteland. Landbouweekblad, 33(1669): 46-47. July 11.
Ronge, Barry 1977. Other side of the swamp; in retrospect. Scenaria, August/September: 31.
Ronge, Barry 1978. Criticism. Scenaria, December/January: 33.
Ronge, Barry 1986. Elize Cawood : acting seriously. Fair lady, 21(2) : 57, 59. March 5.
RONGE, BARRY. 1986. A Theatre Windfall that is Fascinating. The Sunday Times. October 16, 1986.
RONGE, BARRY. 1993. Murmurings of money matters hold the stage. The Sunday Times. 11 July 1993
RONGE,BARRY. 1986. Outrage over attack by SA Black Writers’. The Sunday Times. September 28, 1986.
Roodepoort se stadsteater. 1982. Plaaslike regering in Suidelike Afrika, 10-11. August.
Roodt, P.H. 1982. Sluitingsteks in Jaarringe. Tydskrif vir letterkunde, 20(4) : 67-78.
Roodt, P.H. 1982. Verteller/teks leser : die driehoeksverhouding in Jaarringe. Tydskrif vir letterkunde, 20(3) : 40-50.
Roodt, M. 1956. Mathilde Hanekom vertel van ’n dominee se flater. Rooi Rose, 11(128): 55. March.
Roodt, P.H, 1984. Verteller/teks/leser : die driehoeksverhouding in Jaarringe. [Tydksrif vir letterkunde aug 1982]
Roodt, P.H. 1984. Sluitingsteks in Jaarringe. [Tydskrif vir letterkunde Nov 1982].
ROOME, D. 2002. The Serious ‘consequences’ of comedy: Negotiating cultural change and difference through humour. South African theatre journal, 16: 44 – 62.
Roos, Gideon 1985. Die Dramatiese, Artistieke en Literêre Regte Organisasie (DALRO). In Hauptfleisch, Temple (ed.). The Breytie book: a collection of articles on South African theatre dedicated to P.P.B. Breytenbach. Johannesburg: The Limelight press. p. 119-121.
Roos, Martjie 1986. Ian Roberts : elke meisie en skoonma se droom. Rooi rose, 43(8) : 12-13. April 30.
Roos, Martjie 1986. Susanne Beyers : is sy die moordenaar ? Rooi rose, 43(4) : 10-11. March 5.
Roos. M. 1985. Christine [Basson] wil nie Marietjie wees nie. Rooi rose, 42(8) : 10-11. November 13.
Rosenberg, V. 1964. Contribution to contemporary culture. South African panorama, 9(12): 21-25.
ROSENSTONE, ROBERT A. Visions of the Past: The Challenge of Film to Our Idea of History (Edwin Hees) South African theatre journal, 10(2):181-185.
Rosenthal, Eric 1964. Early Shakespeare productions in South Africa. English studies in Africa, 7:202-216.
Rosenthal, Eric. 1974. You have been listening. Cape Town: Purnell & Sons.
Rosenthal, Eric 1982 From Drury Lane to Mecca. Cape Town: Howard Timmins. (painter of stage sets – London, Austr, SA – insluit?)
Ross, F. 2008. Training moves to centre stage: on the cover. HR future, 24(4): 32-33.
Ross, Laura 1984. A question of certainties. American theatre, 1(5): 4-9.
Ross, Robert L. 1991. What colour is coloured? Lewis Sowden’s The Kimberley train. South African theatre journal, 5(2): 55-65.
Ross, Verity 1986. Lighting up the Market Theatre : South Africa’s Covent Garden. Scenaria, (61) : 21-22.
Ross, Verity 1986. Lighting Gold Reef City’s Hippodrome. Scenaria, (66) : 16.
Rossouw, Johann. 2001. Bondige opsomming van Breyten-drama. In: Beeld, May 19, 2001: 10.
Rossouw, Kobus 1999. From strength to strength: Thoughts on the Little Karoo National Arts Festival, March 1999. South African theatre journal, 13(1&2):175-178.
Rousseau, W. 1975. Easy booking: [Computicket]. South African panorama, 20(7): 30-31. July.
ROUTH, GUY. 1950a. The Johannesburg Art Theatre. Trek September: 25-27.
ROUTH, GUY. 1950b. The Bantu People’s Theatre. Trek October: 20-23.
Routh, Guy 1950c. Theatrical memories. Trek, 14(9): - 14 (10). Sept-Oct.
Roux, A. 1983. Analise van Die joiner van Pieter Fourie. Klasgids, 18(3) 81-86.
Roux, A. 1984. Oor die funksie van die ‘flits’ in Christine. Tydskrif vir letterkunde, 22(2) : 1-7.
Roux, Adriaan 1986. Die absurde drama in Afrikaans. Klasgids, 21(1) : 63-69.
Rubin, H. 1960. Stage and auditorium lighting control. Transactions of the South African Institute of Electrical Engineers, 51: 169-192.
Rubin, H. 1961. Stage and auditorium lighting control. Discussion. Transactions of the South African Institute of Electrical Engineers, 52: 49.
Rudakoff, Judith 2004. Somewhere, over the rainbow: white female Canadian dramaturge in Cape Town. TDR, 48(1): 126-163.
Rudakoff, Judith. "Somewhere, Over the Rainbow: White-Female-Canadian Dramaturge in Cape Town." TDR: The Drama Review 48.1 (2004): 126-163.
Rudakoff, Judith 2004. Why did the chicken cross the cultural divide? TDR, 48(2): 80-90. Rudden, R. 1957. Passion play of Oberammergau: the Durban production. Outspan, 59(1571): 34-37. April 19.
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