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Waddis, Carol 1992. Changing worlds. Theatreforum, 1(1): 57-60. Waetjen, T. (2004) Workers and Warriors. Masculinity and the Struggle for Nation in South Africa. Urbana and Chicago, University of Illinois Press. Wakashe, T. Philemon 1986a. Matsemela Manaka: human problems that come from a political situation. TDR, 30(4): 48-50. Wakashe, T. Philemon 1986. Pula: an example of Black protest theatre in South Africa. The drama review, 30(4): 36-47. Walder, Dennis. 1980. Selected plays of Fugard. London and Beirut: Longman York Notes. WALDER, DENNIS. 1984. Athol Fugard. London: Macmillan. Walder, Dennis 1992. Resituating Fugard.New theatre quarterly, 8(32): 343-361. Walder, Dennis 1993. Crossing boundaries: the genesis of the township plays. Twentieth century literature, 39(4): 409. WALDER, DENNIS. 1993. Introduction to Athol Fugard Township Plays. Oxford: Oxford University Press. WALDER, DENNIS. 1998a. South African Literature in the Interregnum In: Walder: Post-colonial Literatures in English. Oxford: Blackwell. Walder, Dennis 1998b. Spinning out the present: narrative, gender, and the politics of South African theatre. In: Attridge, Derek and Jolly, Rosemary (eds). Writing South Africa: literature, apartheid, and democracy, 1970-1995. Cambridge: Cambridge University Press. p. 204-220. Walder Dennis 1999. 'My English Name is Patience': Mediating the Voice of the Other in South African Theatre Today. Contemporary Theatre Review [serial online]. April 2, 1999;9(2):51. Walder, Dennis 1999. The number of girls is growing: an interview with Gcina Mhlophe. Contemporary Theatre Review, 9(1): 27. Walder, Dennis 2000. Suffering visions and present bearings: Fugard’s theatre of the interior. South African theatre journal, 13(1&2):50-57. Walder, Dennis. 2001. National Arts Festival, Grahamstown, South Africa: 29 June-11 July 1999. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: playwrights & politics. Oxford : James Currey. p. 258-260. Walder, Dennis 2004a. The dramatic art of Athol Fugard :from South Africa to the world by Albert Wertheim. Reviewed in: Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 150-152. Walder, Dennis. 2004b. ‘On the threshold of the future?’ Interview with Athol Fugard. London, 24 March 2002. In Banham, Martin, Gibbs, James & Osofisan, Femi (eds). African theatre: Southern Africa. Oxford : James Currey. p. 68-78. Wale, Laurie 1986. Architectural aluminium gains ground. Architect and builder, 2-11. August. Walk with me. (The walking project (Iprojethi yohambo)). 2006. American theatre, 23(4): 12-13. Walker, Janine. 2000. Winning with teamwork. In: The Star, July 7, 2000: 20. Wallström, Catharina 1997. Det är på tiden att våra liv blir synliggjorda (It’s time that our lives are visualized). Entré, 24(6) : 39-43.

Walsh, Aylwyn Mae 2006. Chasing after white rabbits: directing community theatre for the National Arts Festival. South African theatre journal, 20: 65-78. Walters, A. 1980. Boet en Sus raak laf: [Pieter-Dirk en Tessa Uys]. Sarie, 31(25): 18-20. June 25. Warren Crystal 2003. South Africa. Journal of Commonwealth Literature [serial online]. December 2003;38(4):125-182 (compiled by the National English Literary Museum, introduction by Crystal Warren1) Warren, Stanley A 1968. Theatre in South Africa. Educational theatre journal, 20(3): 408-419.

Warenfalk, Wiveka 1985. Det far skrapa och väsa [let it scratch and hiss].. Entré, 12(6) : 15-16. Warner, P. 1950. Drama in the university. Theoria, 23-38. Warnes, C. Postcolonial Writing in South Africa. Unpublished manuscript. Warnes, Christopher 2004. The plays of miracle and wonder by Brett Bailey. Reviewed in: South African theatre journal, 18: 287-290. Wasserman, H. and Jacobs, S. (2003) Introduction. In Wasserman and Jacobs (eds) Shifting selves. Post-apartheid essays on Mass Media, culture and Identity. Cape Town: Kwela books. Watson, Marthy 2002. A discussion on key issues in the implementation of the Arts and Culture Programme in schools in South Africa. South African theatre journal, 16: 192-197. WATSON, P. 1994. Does Heart to Heart Work as an Effective Resource in Sexuality Education? A Preliminary Research Report. Johannesburg: Storyteller Group. WATSON, P. 1998. Producing a Rural Comic beyond the Learner Paradox. Unpublished M.A. thesis, University of the Witwatersrand. We salute Anna Naeethling-Pohl. 1978. Scenaria, April/May: 47. Weales, G. 1978. The embodied images of Athol Fugard. Hollins Critic, 15 (1): 1-2. Weber, C. (1989) AC/TC: Currents of theatrical exchange. Performing arts journal, Vol. 11, No. 3, The Interculturalism Issue, pp. 11-21. Weer die N.T.O. 1961. Standpunte, 14(6): 19-38. Wegg, Avis 1978. Humble fabrics into costumes of magic. Scenaria, December/January 20-21. Weiss, H. 1963. André Huguenet, edited by A.M. van Schoor et al. Reviewed in: Tydskrif vir geesteswetenskappe. 3(1): 62-63. Weitsz, B.B. 1945. Afrikaanse beroepstoneel. Huisgenoot, 30(1236): 35. December 7. Welch People’s College Comics (Tessa) South African Theatre Journal, Vol. 2(2):119-124 Wellwarth, George E. 1988. On comedy. South African theatre journal, 2(1): 3-16. Welman, D. 1952a. By N.T.O. aan-huis. Brandwag, 16(12): 11. April 18. Welman, D. 1952b. Met N.T.O. op toer. Brandwag, 16(36): 19. September 29. Welman, D. 1952c. Ons het ‘n harde leerskool gehad. Helikon, 1(3): 45-52. Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The road to Mecca. Essays in theatre, 5(1): 15-25. Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The island. Themes in drama, 9: 229-237. Wertheim, AAlbert 1995. Euripides in South Africa: Medea and Demea. Comparative drama, 29(3): 334-347. Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African theatre journal, 10(1): 94-100. Wertheim, Albert 2000. The dramatic art of Athol Fugard :from South Africa to the world Bloomington: Indiana University Press.

Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. [Wilna Snyman]. Sarie Marais, 27(23): 109-111. May 5. Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20): 42-46. April 5. Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September. Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland. Wetmore, Kevin J 2005.Exits and entrances by Athol Fugard; Nothing but the truth by John Kani. Reviewed in Theatre journal, 57(2): 269-272. Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot. 25(959): 22. Augustus 9. Whitaker, R. 1981. Dimoetes to dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English studies in Africa, 24: 45-59. Whales, R.D. 1974. Young playmakers. South African panorama, 19(3): 36-37. March.

WHITE, Landeg and COUZENS, Tim. 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.

Whitehouse, Audrey 1985. Port Elizabeth Shakespearean festival » the first 25 nyears. Education and culuret, 8(3) : 8-10.

Wilhelm-Solomon, Matthew. 2002. Kani taps into his own story to bring us ‘nothing but the truth’. In: The Sunday Independent, July, 21, 2002” 11.

Wilkens, Ivor and Strydom, Hans. 1980, Die Super Afrikaners. Johannesburg: Ball.

Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano [serial online]. June 1999;54(2):193.

Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2: 69-70. Willems, Jos (ed.) 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch : Pro Ecclesia. Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10/1:107.

Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) ???: 59-68. Willoughby, Guy. 2000. Insect lament for our times. In: Mail & Guardian, February 3, 2000: 5.

Willoughby, Guy. 2001. Freeing Fugard. In: Weekly Mail & Guardian, August 30, 2001: 5.

Willoughby, Guy. 2004. Brett Bailey: The days of miracle and wonder. In: This Day, March 3, 2004: 9.

WILLOUGHBY, GUY. 1995. SA’s Gay Stage. Sunday Times. 29 October: 24 Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274): 22. July 27. Wilson, Andrew. 1997. Forward to the past. In: Mail & Guardian, August, 14, 1997: 19. Windmills of the mind, 1978 Amstel Award winning play. 1979. Scenaria, (14): 21. Winer, Stan. 2000. Play gives an outlet to collective betrayal. In: The Sunday Independent, July, 16, 2000: 8. Winterbach, W. 1974. Tine Balder is terug in Vlaandere. Rooi rose, 30(13): 46-48. January 23. Wintersteen, David 2003. South Africa: the National Arts Festival. Theatre Journal, 55(2): 362-364. Witch in my heart. [Literary criticism, Hilda Kuper]. 1972. African studies, 32(2): 149-150. With songs in its heart. (Colorado Festival of World Theatre). 2007. American theatre, 24(7): 12. Wittenberg, Hermann 2007 Alan Paton's writing for the stage : towards a non-racial South African theatre. South African theatre journal, 21: 307-327. Wixley, Meridy. 1999. R16 million has a history. In: Pretoria News, May 22, 1999: 6. Woddis, Carole et al. 1984. Saturday night at The Palace [newspaper reviews for Paul Slabolepszy’s play]. London theatre record, 4(8): 287-289. Apr 9. Wolf, Matt 1993. Lightening up (escapism in the South African theater). American theatre, 10(4): 42-44. Wood, J.T. 1960. Survey of the control of stage lighting. Proceedings of the convention of the Association of Municipal Electricity Undertakings of Southern Africa, 59-73. Wood, M. 2005. Children’s theatre: in search of an approach to theatre by children, for children. Stellenbosch: University of Stellenbsoch. (M.Dram-thesis.) Woodrow, Mervyn W. 1970. South African drama in English. Englsih studies in Africa, 13(2): 391-410. WOODROW, MERVYN W. 1972. A Critical Consideration of English Plays written in South Africa with Special Reference to the Emergence of a Common Theme. University of Pretoria: Unpublished M.A. Dissertation. Woodyatt, J.R. 1947. Anatomy of 1946’s stage. Libertas. 7(4): 68-69. Woolfson, Malcolm 1986. The long road that led to the Natal Playhouse. Durban: Natal Performing Arts Council. WOOLFSON, MALCOLM. 1992. But the Melody Lingers On. Johannesburg: Perskor. Words and acts. (Letter to the editor). 2003 American theatre, 20(8): 7. Worthen, W.B. 1996. Convicted reading. In Reinelt, Janelle (ed.) Crucibles of crisis: performing social change. Ann Arbor MI: University of Michigan Press. p. 165-184. Wren, Celia 1990. Wrestling with apartheid. American theatre, 7(1): 52.

Wright, Laurence 1987. Shakespeare against apartheid, by Martin Orkin. Reviewed in Shakespeare in Southern Africa, 1: 72-74.

Wright, Laurence 1988. Shakespeare and the bomber pilot: a reply to Colin Gardner. Shakespeare in Southern Africa, 2: 83-89.

Wright, Laurence & Gubb, L. 1989. A tribute to ‘Stratford-on-Baakens’: thirty years of the Port Elizabeth Shakespearean Festival. Shakespeare in South Africa, 3: 1-8.

Wright Laurence 1997. Editorial. Shakespeare in Southern Africa [serial online]. January 1997:IV.

Wright Laurence 1998. Editorial. Shakespeare in Southern Africa [serial online]. January 1998:IV.

Wright Laurence 2001. Confronting the African nightmare: Yael Farber's SeZaR. Shakespeare in Southern Africa, 13:102.

Wright, Laurence 2002. The taming of the shrew: Mannville's 30th anniversary production. Shakespeare in Southern Africa, 14: 49- .

Wright, Laurence 2002. "A checklist of South African theses and dissertations on Shakespeare." Shakespeare in Southern Africa 14.(2002): 43.

Wright, Laurence 2002. Heiner Müller’s Hamletmachine, directed by Gideon van Eeden for the Technikon Pretoria Drama Department at the National Arts Festival, 2002. Shakespeare in Southern Africa, 14: 43-47.

Wright, Laurence 2002. The taming of the shrew: Mannville’s 30th anniversary production; Helen Flax’s production for the Mannville Open-Air Theatre, February 2002. Shakespeare in Southern Africa, 14: 49-50.

Wright, Laurence 2003. Apartheid Shakespeare on trial. Shakespeare in South Africa: stage productions during the Apartheid era, by Rohan Quince. Reviewed in: Shakespeare in Southern Africa, 15: 83-102.

Wright, Laurence 2004. Shakespeare in South Africa: Alpha and 'Omega'. Postcolonial studies, 7(1): 63-81.

Wright, Laurence 2004. The Marowitz Hamlet. Shakespeare in Southern Africa, 16: 73-74.

Wright, Laurence 2005a. A magical 'Dream': the Port Elizabeth Shakespearean Festival 2005. Shakespeare in Southern Africa, 17: 53- .

Wright, Laurence 2005b. The relevance of (South African) Renaissance studies. Shakespeare in Southern Africa, 17: 19.

Wright, Laurence 2007a. Theatre reviews. Shakespeare in Southern Africa, 19(7): 81-83.

Wright, L.aurence 2007b. Trafficking in Shakespeare: origins and prospects for the ‘Southern Hemisphere Spread of Shakespeare’ research and publication programme. Shakespeare in Southern Africa, 19(7): 71-75.

Wright, Laurence. 2008. Cultivating Grahamstown: Nathaniel Merriman, Shakespeare and books. Shakespeare in Southern Africa, 20: 25.

Wright, Laurence 2008. “Something rotten in this age of hope”, the Hamletmachine. Shakespeare in Southern Africa, 20: 66-68.

WYNCHANK, ANNY. 1998. Touki-Bouki: The new wave on the cinematic shores of Africa. South African theatre journal, 12(1&2):53-72.

Wyngaard, Heinrich. 1999. Feesvoos? Never! Insig, 05/99: 37.

Wyngaard, Heinrich. 2000. Want die fees kom nader. Insig, 04/00: 35.

Click on the appropriate letter of the alphabet below to find the relevant list.

A B C D E F G H-Hay He-Hu I J K L M N O P Q R S T U V W X Y Z

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