Difference between revisions of "The Mistake"
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==Translations and adaptations== | ==Translations and adaptations== | ||
− | Known in South Africa through productions of ''[[Lovers' Quarrels, or Like Master Like Man]] | + | Known in South Africa through productions of ''[[Lovers' Quarrels, or Like Master Like Man]]'', a farce in one act, attributed to Thomas King (1730-1805), though often credited to Vanbrugh, since it was an shortened adaptation of ''[[The Mistake]]''. Allardyce Nicoll (''History of English Drama, 1660-1900'', republished 2009) also mentions two other adaptations under the same title, one by "D.L." (1816) and one by "Vic." (1864). |
== Performance history in South Africa == | == Performance history in South Africa == |
Revision as of 06:51, 11 April 2015
A comedy attributed to Sir John Vanbrugh (1664-1726), who, in collaboration Betterton, had done an adaptation of Molière's Dépit Amoureux (1653) (which in its turn had derived from L' Interesse by Nicolò Secchi). The Vanbrugh & Betterton version was first performed on 27 December 1705 at the Haymarket. It was first published without the author's name by Tonson in January 1706.
Contents
Translations and adaptations
Known in South Africa through productions of Lovers' Quarrels, or Like Master Like Man, a farce in one act, attributed to Thomas King (1730-1805), though often credited to Vanbrugh, since it was an shortened adaptation of The Mistake. Allardyce Nicoll (History of English Drama, 1660-1900, republished 2009) also mentions two other adaptations under the same title, one by "D.L." (1816) and one by "Vic." (1864).
Performance history in South Africa
Translations and adaptations
Sources
http://en.wikisource.org/wiki/Vanbrugh,_John_(DNB00)
Bosman, 1928: pp. 124,
Go to ESAT Bibliography
Return to
Return to S in Plays II Foreign Plays
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page
Sources
Bosman, 1928: pp.
Go to ESAT Bibliography
Return to
Return to M in Plays II Foreign Plays
Return to South_African_Theatre/Plays
Return to The ESAT Entries
Return to Main Page