Difference between revisions of "ESAT Bibliography Wem-Wil"

From ESAT
Jump to navigation Jump to search
(Created page with "Click on the appropriate letters of the alphabet in the sub-list below. Waa-Wal Wam-Wel [[ESAT Bibliography Wem-Wil|...")
 
Line 8: Line 8:
  
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 
Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]]
 +
 +
 +
 +
 +
Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The road to Mecca. Essays in theatre, 5(1): 15-25.
 +
 +
Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The island. Themes in drama, 9: 229-237.
 +
 +
Wertheim, AAlbert 1995. Euripides in South Africa: Medea and Demea. Comparative drama, 29(3): 334-347.
 +
 +
Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African theatre journal, 10(1): 94-100.
 +
 +
Wertheim, Albert 2000. The dramatic art of Athol Fugard :from South Africa to the world Bloomington: Indiana University Press.
 +
 +
Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. [Wilna Snyman]. Sarie Marais, 27(23): 109-111. May 5.
 +
 +
Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20): 42-46. April 5.
 +
 +
Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.
 +
 +
Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.
 +
 +
Wetmore, Kevin J 2005.Exits and entrances by Athol Fugard; Nothing but the truth by John Kani. Reviewed in Theatre journal, 57(2): 269-272.
 +
 +
Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot. 25(959): 22. Augustus 9.
 +
 +
Whitaker, R. 1981. Dimoetes to dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English studies in Africa, 24: 45-59.
 +
 +
Whales, R.D. 1974. Young playmakers. South African panorama, 19(3): 36-37. March.
 +
 +
WHITE, Landeg and COUZENS, Tim.  1984.  Literature and Society in South Africa.  Cape Town: Maskew Miller Longman.
 +
 +
Whitehouse, Audrey 1985. Port Elizabeth Shakespearean festival » the first 25 nyears. Education and  culuret,  8(3) : 8-10.
 +
 +
Wilhelm-Solomon, Matthew. 2002.  Kani taps into his own story to bring us ‘nothing but the truth’. In: The Sunday Independent, July, 21, 2002” 11.
 +
 +
Wilkens, Ivor and Strydom, Hans. 1980, Die Super Afrikaners. Johannesburg: Ball.
 +
 +
Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa.
 +
Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto
 +
Italo-Africano [serial online]. June 1999;54(2):193.
 +
 +
Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2: 69-70.
 +
 +
Willems, Jos (ed.) 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch :  Pro Ecclesia.
 +
 +
Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10/1:107.
 +
 +
Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) ???: 59-68.
 +
 +
Willoughby, Guy 1995. Abroad on the boards : a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67.
 +
 +
Willoughby, Guy. 2000.  Insect lament for our times. In: Mail & Guardian, February 3, 2000: 5.
 +
 +
Willoughby, Guy. 2001.  Freeing Fugard. In: Weekly Mail & Guardian, August 30, 2001: 5.
 +
 +
Willoughby, Guy. 2004.  Brett Bailey: The days of miracle and wonder. In: This Day, March 3, 2004: 9.
 +
 +
WILLOUGHBY, GUY. 1995. SA’s Gay Stage. Sunday Times. 29 October: 24
 +
 +
Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274): 22. July 27.
 +
 +
Wilson, Andrew. 1997.  Forward to the past. In: Mail & Guardian, August, 14, 1997: 19.
  
  

Revision as of 18:04, 6 December 2010

Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance



Wertheim, Albert 1986. The darkness of bondage, the freedom of light: Athol Fugard’s The road to Mecca. Essays in theatre, 5(1): 15-25.

Wertheim, Albert 1987. The prison theatre and the theatre as prison: Athol Fugard’s The island. Themes in drama, 9: 229-237.

Wertheim, AAlbert 1995. Euripides in South Africa: Medea and Demea. Comparative drama, 29(3): 334-347.

Wertheim, Albert 1996. The 1995 Grahamstown Festival. South African theatre journal, 10(1): 94-100.

Wertheim, Albert 2000. The dramatic art of Athol Fugard :from South Africa to the world Bloomington: Indiana University Press.

Wessels, I. 1976. Toegewyd en afgerond – dis Wilna. [Wilna Snyman]. Sarie Marais, 27(23): 109-111. May 5.

Wessels, I. 1978. Anna Neethling-Pohl, ‘n porttret. Sarie, 29(20): 42-46. April 5.

Weston, L. 1954. They keep our theatre alive. Spotlight, 6-9. September.

Wetmore, Kevin J. 2002. The Athenian sun in an African sky : modern African adaptations of classical Greek tragedy. Jefferson, N. C.: McFarland.

Wetmore, Kevin J 2005.Exits and entrances by Athol Fugard; Nothing but the truth by John Kani. Reviewed in Theatre journal, 57(2): 269-272.

Wetherell, Violet 1940. Wenke vir amateuropvoerings: hoe Leontine Sagan reperteer. Huisgenoot. 25(959): 22. Augustus 9.

Whitaker, R. 1981. Dimoetes to dimetos: the evolution of myth: [literary criticism of Fugard’s Dimetos]. English studies in Africa, 24: 45-59.

Whales, R.D. 1974. Young playmakers. South African panorama, 19(3): 36-37. March.

WHITE, Landeg and COUZENS, Tim. 1984. Literature and Society in South Africa. Cape Town: Maskew Miller Longman.

Whitehouse, Audrey 1985. Port Elizabeth Shakespearean festival » the first 25 nyears. Education and culuret, 8(3) : 8-10.

Wilhelm-Solomon, Matthew. 2002. Kani taps into his own story to bring us ‘nothing but the truth’. In: The Sunday Independent, July, 21, 2002” 11.

Wilkens, Ivor and Strydom, Hans. 1980, Die Super Afrikaners. Johannesburg: Ball.

Wilkinson J. 1999. 'The Sayings of Tsikinya-Chaka': Shakespeare in South Africa. Africa: Rivista Trimestrale di Studi e Documentazione dell'Istituto Italo-Africano [serial online]. June 1999;54(2):193.

Wille, Franz 1992. Wir spielen Weiter. Theater Heute, 2: 69-70.

Willems, Jos (ed.) 1966. Die H.B. Thom-teater, Universiteit van Stellenbosch. Stellenbosch : Pro Ecclesia.

Williams, J.J. 1995. Report of the Arts and Culture Task Group presented to the Minister of Arts, Culture, Science and Technology. Critical Arts 10/1:107.

Williams, Owen 1965. Theatre in South Africa. Contrast, 4(1) ???: 59-68.

Willoughby, Guy 1995. Abroad on the boards : a new-look Fiona Ramsay faces the international limelight. Style, 17(7): 64-67.

Willoughby, Guy. 2000. Insect lament for our times. In: Mail & Guardian, February 3, 2000: 5.

Willoughby, Guy. 2001. Freeing Fugard. In: Weekly Mail & Guardian, August 30, 2001: 5.

Willoughby, Guy. 2004. Brett Bailey: The days of miracle and wonder. In: This Day, March 3, 2004: 9.

WILLOUGHBY, GUY. 1995. SA’s Gay Stage. Sunday Times. 29 October: 24

Wilmot, E. de B. 1951. Rep’s new theatre has everything. Outspan, 48(1274): 22. July 27.

Wilson, Andrew. 1997. Forward to the past. In: Mail & Guardian, August, 14, 1997: 19.



Click on the appropriate letters of the alphabet in the sub-list below.

Waa-Wal Wam-Wel Wem-Wil Wim-Woo Wop-Wz

To return to any other letter, click on the list below

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Return to A Bibliography of South African South African Theatre and Performance

Retrieved from "https://esat.sun.ac.za/index.php?title=ESAT_Bibliography_Wem-Wil&oldid=7097"