Difference between revisions of "Cathy Henegan"
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==Contribution to SA theatre, film, media and/or performance== | ==Contribution to SA theatre, film, media and/or performance== | ||
− | She has collaborated with [[Lara Foot Newton]] on ''[[Equus]]'' (1991), ''[[Times of the Sign]]'' ([[PACT]], 1993), ''[[Victoria Almost Falls]]'' ( | + | She has collaborated with [[Lara Foot Newton]] on ''[[Equus]]'' (1991), ''[[Times of the Sign]]'' ([[PACT]], 1993), ''[[Victoria Almost Falls]]'' (Grahamstown 1994), ''[[Karaoke and Me]]'' {[[Playhouse Company]] 1995), ''[[Wombtide]]'' ([[Market Theatre]] 1995), ''[[Oxygen by Art Attack]]'' ([[Market Theatre]] 1996, ''[[The Crucible]]'' ([[Market Theatre]] 1996). |
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+ | '''Catherine Henegan''' graduated from [[University of the Witwatersrand Drama Department|Wits Drama School]] in 1992. She has designed several productions for the [[Market Theatre]], including ''[[The Crucible]]'', ''[[Endgame]]'', ''[[Wombtide]]'' and ''[[ Woman in Spirit]]''. In 1995 she won the regional [[Vita Award]] for best set design in ''[[Karaoke & Me]]''. She has worked extensively with Dogtroep, a Dutch theatre company. | ||
== Awards, etc == | == Awards, etc == |
Revision as of 16:49, 22 August 2014
(19**-19**) Designer
Contents
Biography
Training
Graduated from Wits Drama School in 1992.
Career
Contribution to SA theatre, film, media and/or performance
She has collaborated with Lara Foot Newton on Equus (1991), Times of the Sign (PACT, 1993), Victoria Almost Falls (Grahamstown 1994), Karaoke and Me {Playhouse Company 1995), Wombtide (Market Theatre 1995), Oxygen by Art Attack (Market Theatre 1996, The Crucible (Market Theatre 1996).
Catherine Henegan graduated from Wits Drama School in 1992. She has designed several productions for the Market Theatre, including The Crucible, Endgame, Wombtide and Woman in Spirit. In 1995 she won the regional Vita Award for best set design in Karaoke & Me. She has worked extensively with Dogtroep, a Dutch theatre company.
Awards, etc
Sources
The Crucible programme, 1996.
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