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| | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] | | Return to [[South_African_Theatre/Bibliography|A Bibliography of South African South African Theatre and Performance]] |
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| − | Dahms, E.K.. 1983. Décor designer. My career, 34 : 17-18.
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| − | Dalamba, Yolisa. 2000. Towards and African Renaissance: Some thoughts on the Renaissance Conference September 28 & 29, 1998 and its future implications. Critical Arts 14/1: 44.
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| − | DALRO. Wat kan ons opvoer? Deel 1 (Eenbedrywe). Johannesburg: Dramatiese, Artistieke en Letterkundige Regte Organisasie.
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| − | Dalrymple, Lynn 1983. Ritual performance and theatre : with special reference to Zulu ceremonial. Durban: University of Natal. (MA thesis).
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| − | Dalrymple, Lynn 1987a. Explorations in drama, theatre and education :a critique of theatre studies in South Africa. Durban: University of Natal. (Ph.D. thesis).
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| − | Dalrymple, Lynn 1987b Some thoughts on identity, culture and the curriculum and the future of South African theatre. South African theatre journal, 1(2): 20-51.
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| − | Dalrymple, Lynn 1989. Drama to the people :the challenge of the 1990's : an inaugural address delivered on 14 April 1992 at the University of Zululand. South Africa : University of Zululand.
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| − | Dalrymple, Lynn 1990. From ritual to rationality: a semiotic analysis of schooling rites. South African theatre journal, 4(1): 119-147.
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| − | Dalrymple, Lynn I. 1992. Drama to the people: the challenge of the 1990’s. Kwa Dlangeswa: University of Zululand.
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| − | Dalrymple, Lynn & Mlungwana, J. 1993. AIDS: drama in the villages: health education in KwaNgwanase. Matlhasedi, 12(2): 36-39.
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| − | Dalrymple, Lynn 1995a. Personal perspectives on three conferences: Researching drama and theatre in education (Exeter; Ilitha Arts Education (Grahamstown); Idea ’95: Reflections in the river (Brisbane). South African theatre journal, 9(2):137-146.
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| − | Dalrymple, Lynn 1995b. Researching drama and theatre in education in South Africa. South African theatre journal, 9(2): 61-82.
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| − | Dalrymple, Lynn 2006. Has it made a difference? Understanding and measuring the impact of applied theatre with young people in the South African context. Research in drama education, 11(2): 201-218.
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| − | Daneel, Roeline 2008. Still evolving: the 14th Klein Karoo Nasionale Kunstefees. South African theatre journal, 22: 193-197.
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| − | Dannhauser, D. 1985. Two decades of ‘magic’. South African panorama, 30(5) : 32-35.
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| − | Darroll, L. 2004. Private investment in public space - redevelopment of the Theatre Precinct, Braamfontein : urban renewal. The urban green file, 9(3): 28-31.
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| − | Daugherty J. 2001. A comparison of the use of space in Alfred Jarry's Ubu roi and Jane Taylor's Ubu & the Truth Commission, in Wilson, Rita & Von Maltzan, Carlotta (eds.). Spaces and crossings: Essays on literature and culture in Africa and beyond. New York, NY: Peter Lang. 349-361.
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| − | Davidoff, Terri 2006. Deconstructing Jay Pather’s location specific theatre: creating space for transformative dialogue. South African theatre journal, 20: 128-149.
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| − | Davids, Nadia 2007. Inherited memories: performing the archive. Cape town: University of Cape Town. (Ph. D. Thesis, Drama).
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| − | Davie, Elaine 1978. PACT playwork [children’s theatre]. Scenaria, December/January: 36-37.
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| − | Davis, G. 1991. Acting the drama of education. Educamus 37(5): 45-46.
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| − | Davis, Geoffrey V. 1995. Theatre for a post-apartheid society. Journal of
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| − | Commonwealth literature, 30(1): 5.
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| − | Davis, Geoffrey V. & Fuchs, Anne 1996a. ‘I will remain an African’: an interview with Maishe Maponya. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 183-192.
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| − | Davis, Geoffrey V. & Fuchs, Anne 1996b. ‘An interest in the making of things’: an interview with William Kentridge. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 140-154.
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| − | Davis, Geoffrey V. & Fuchs, Anne 1996c. It’s time to have a South African culture: an interview with Ramolao Makhene. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Amsterdam: Harwood Academic Publishing. p. 272-297.
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| − | Davis, Geoffrey V. & Fuchs, Anne (eds.) 1996d. Theatre and change in South Africa. Amsterdam: Overseas Publishers Association.
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| − | Davis, Geoffrey V. & Fuchs, Anne 1996e. ‘This compost heap of a country’: an interview with Barney Simon. In Davis, Geoffrey V. & Fuchs, Anne (eds.) Theatre and change in South Africa. Australia:: Harwood Academic Publishing. p. 225-241.
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| − | DAVIS, Geoffrey V. 1997. Beyond the echoes of Soweto, Five Plays by Matsemela Manaka. The Netherlands: Harwood.
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| − | Davis, Geoffrey V. 1999a. Addressing the silences of the past: truth and reconciliation in post-apartheid theatre. In Hutchinson [i.e. Hutchison] Yvette & Breitinger Eckhard (eds.) History and theatre in Africa. Bayreuth, Germany : E. Breitinger ; [Stellenbosch? South Africa] : Centre for Theatre and Performance Studies, University of Stellenbosch, c2000. p. 59-72. Bibliografiese inligting soos in SACat
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| − | Of net : South African theatre journal, 13(1&2):59-72.
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| − | Davis, Geoffrey V. 1999b. “Days of miracle and wonder”: Standard Bank National Arts Festival, Grahamstown, South Africa, July 3-13, 1997. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.287-292.
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| − | Davis, Geoffrey V. 1999c. Of “undesirability”: the control of theatre in South Africa during the age of Apartheid. In Fuchs, A. New theatre in francophone and anglophone Africa: a selection of papers held at a conference in Mandelieu, 23-26 June, 1995. p.183-208.
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| − | Davis, Geoffrey V. 2000. Addressing the silences of the past: truth and reconciliation in post-Apartheid theatre. South African theatre journal, 13(1-2): 59-72.
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| − | Davis, Geoffrey V. 2002 “The critical and the dissident, the irreverent and the plaful”: drama in the new South Africa. In Maufort, Marc & Bellarsi, Franca (eds.), Crucible of cultures: Anglophone drama at the dawn of a new Millennium. Brussels. P.I.E. Peter Lang. p. 255-270.
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| − | Davis, Geoffrey V. 2005. Role-play in South African theatre, by H. Frank. Reviewed in: English in Africa, 32(2): 253-258.
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| − | Davis, I. 1983. Dramatist: Henry Hlope. Informa, 30(6): 8-9.
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| − | Davis, L.E. 1979. That controversial opera house: [Pretoria Opera House]. Construction in Southern Africa, 23(10): 24-37. January.
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| − | Davis, L.E. 1980. Pretoria Opera House. Professional builder, 4(1): 13-15.
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| − | Davis, Myra 1987. Vuka: sharing the image. Critical arts, 4(3): 29-38.
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| − | Daymond, Margaret J., Jacobs, Johan & Lenta, Margaret (eds) 1984. Momentum. on recent South African writing. Pietermaritzburg: University of Natal Press.
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