Difference between revisions of "Zoé"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | 1849: Performed by [[Tot Oefening en Vermaak]] in the [[Hope Street Theatre]], Cape Town in [[Dutch]] on 8 June, under the title ''Zoë, of De Zegepraal eener Standvastige Liefde'', with ''[[De Hoefsmid]]'' (Quétant), and some comic songs as "divertissement" (''[[Oude Meisjes van drie en vyftig Jaren]]'' and ''[[Die het Schoentje past, die trekt ze aan]]''). | + | 1849: Performed by [[Tot Oefening en Vermaak]] in the [[Hope Street Theatre]], Cape Town in the [[Dutch]] translation on 8 June, under the title ''Zoë, of De Zegepraal eener Standvastige Liefde'', with ''[[De Hoefsmid]]'' (Quétant), and some comic songs as "divertissement" (''[[Oude Meisjes van drie en vyftig Jaren]]'' and ''[[Die het Schoentje past, die trekt ze aan]]''). |
== Sources == | == Sources == | ||
Revision as of 06:05, 3 July 2014
A play in three acts by Louis Sébastien Mercier (1740-1814)
Contents
The original text
Published under the French title: Zoé, drame en trois actes Neuchatel:Impr. de la société typographique,1782.
Translations and adaptations
Translated into Dutch by Philip Hendrik Lijnslager as Zoé, tooneelspel and published in Amsterdam by Pieter Johannes Uylenbroek, 1785. The translation dedicated to the theatrical society "Kunstmin spaart geen vlijt".
Performance history in South Africa
1849: Performed by Tot Oefening en Vermaak in the Hope Street Theatre, Cape Town in the Dutch translation on 8 June, under the title Zoë, of De Zegepraal eener Standvastige Liefde, with De Hoefsmid (Quétant), and some comic songs as "divertissement" (Oude Meisjes van drie en vyftig Jaren and Die het Schoentje past, die trekt ze aan).
Sources
Text on Antiqbook website[1]
Louis Sébastien Mercier entry, Wikipedia[http://search.ugent.be/meercat/x/bkt01?q=900000072310 http://en.wikipedia.org/wiki/Louis-S%C3%A9bastien_Mercier]
F.C.L. Bosman, 1928: pp. 453, 455
Go to ESAT Bibliography
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Return to PLAYS I: Original SA plays
Return to PLAYS II: Foreign plays
Return to PLAYS III: Collections
Return to PLAYS IV: Pageants and public performances
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