Difference between revisions of "Getrouw tot in den Dood"
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1826: Performed by [[Door Yver Vruchtbaar]] on 22nd August in Cape Town, as an afterpiece to ''[[Het Schandmerk, of De Twee Galeiboeven]]''. | 1826: Performed by [[Door Yver Vruchtbaar]] on 22nd August in Cape Town, as an afterpiece to ''[[Het Schandmerk, of De Twee Galeiboeven]]''. | ||
| − | 1849: Performed by [[Hoop en Trouw]] in the [[African Theatre]], Cape Town on 8 May , as afterpiece to ''[[ | + | 1849: Performed by [[Hoop en Trouw]] in the [[African Theatre]], Cape Town on 8 May , as afterpiece to ''[[De Onechte Dochter]]'' (J.P. Meijer). |
1849: Performed by [[Hoop en Trouw]] in the [[Hope Street Theatre]] on 23rd July of the same year (as afterpiece to ''[[Claudine]]'' (Van der Willigen). | 1849: Performed by [[Hoop en Trouw]] in the [[Hope Street Theatre]] on 23rd July of the same year (as afterpiece to ''[[Claudine]]'' (Van der Willigen). | ||
Revision as of 09:17, 26 June 2014
A Dutch two-act comedy, including a dance, by M. Westerman.
1826: Performed by Door Yver Vruchtbaar on 22nd August in Cape Town, as an afterpiece to Het Schandmerk, of De Twee Galeiboeven.
1849: Performed by Hoop en Trouw in the African Theatre, Cape Town on 8 May , as afterpiece to De Onechte Dochter (J.P. Meijer).
1849: Performed by Hoop en Trouw in the Hope Street Theatre on 23rd July of the same year (as afterpiece to Claudine (Van der Willigen).
Sources
Bosman, 1928: 251;453-4;
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