Difference between revisions of "Take the Floor"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | Premièred at the [[Market Theatre]] in June 1994, directed by [[Lara Foot-Newton]], assisted by [[Gerard Bester]], with [[Sue Pam-Grant]], [[Joss Levine]], [[Mark Hoeben]], [[Basil | + | Premièred at the [[Market Theatre]] in June 1994, directed by [[Lara Foot-Newton]], assisted by [[Gerard Bester]], with [[Sue Pam-Grant]], [[Joss Levine]], [[Mark Hoeben]], [[Basil Appolis]] and [[Molly Seftel]], with set designed by [[Alex Desole]], lighting by [[Richard Barnes]] and costumes by [[Sue Steele]]. Original music was composed by [[Philip Miller]] and sound design by [[Dean Pitman]]. Production managers [[Richard Barnes]] and [[Dean Pitman]], stage manager [[Bongani Motsepe]], sound operator [[Wayne Ervine]]. The same production went to the [[Grahamstown Festival]] in 1994. |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 13:20, 1 May 2014
A play by Sue Pam-Grant and D.J. Grant (1994).
Performance history in South Africa
Premièred at the Market Theatre in June 1994, directed by Lara Foot-Newton, assisted by Gerard Bester, with Sue Pam-Grant, Joss Levine, Mark Hoeben, Basil Appolis and Molly Seftel, with set designed by Alex Desole, lighting by Richard Barnes and costumes by Sue Steele. Original music was composed by Philip Miller and sound design by Dean Pitman. Production managers Richard Barnes and Dean Pitman, stage manager Bongani Motsepe, sound operator Wayne Ervine. The same production went to the Grahamstown Festival in 1994.
Translations and adaptations
Sources
National Arts Festival programme, 1994
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>>>>>>>>>> by Sue Pam-Grant and D.J. Grant. The writing of the play was inspired by the authors' recognition of the activities in a dance class as a microcosm of life at large. Performed at the National Arts Festival, 1994, directed by Lara Foot, assisted by Gerard Bester. The cast included Mark Hoeben, Susan Pam-Grant, Basil Appollis, Molly Seftel and Joss Levine. Set designed by Alex Desole, lighting by Richard Barnes and costumes by Sue Steele. Original music was composed by Philip Miller and sound design by Dean Pitman. Production managers Richard Barnes and Dean Pitman, stage manager Bongani Motsepe, sound operator Wayne Ervine.
