Difference between revisions of "Donaldson Orlando Community Centre"

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(Created page with "This has also been referred to as the Donaldson Orlando Cultural Club by a number of speakers and writers about theatre, but this is most proably an error deriving from a misread...")
 
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This has also been referred to as the Donaldson Orlando Cultural Club by a number of speakers and writers about theatre, but this is most proably an error deriving from a misreading of the acronym. Among those using the alternative name are Ian Steadman, Ramolao Makhene (cited by Geoffrey V. Davis and Anne Fuchs) and Loren Kruger. However the officla name appears in most other documents, including the [[Donaldson Trust]] website and SA History Online.  
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== The name ==
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Officially named the Donaldson Orlando Community Theatre, after its first sponsor, the Donaldson Trust. It is usually referred to by its acronym (DOCC) but has also been referred to as the '''Donaldson Orlando Cultural Club''' by a number of speakers and writers about theatre. This is most probably an error deriving from a misreading of the acronym. Among those using the alternative name are [[Ian Steadman]], [[Ramolao Makhene]] (cited by [[Geoffrey V. Davis]] and [[Anne Fuchs]]) and [[Loren Kruger]]. However the official name appears in most other documents, including interviews with [[Gcina Mhlope]], the [[Donaldson Trust]] website and [[SA History Online]].  
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It was later renamed the '''Orlando East Community Hall''', though the '''DOCC''' acronym is still used by many.
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== Its function ==
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A community centre and community hall in Soweto, originally funded by the [[Donaldson Trust]], later by different organisations and trusts and run by people who live in Soweto. Uncomfortably squeezed into a corner of one of Soweto's busiest streets, the DOCC had no dedicated theatre space , just a fairly big room called "the hall" which offered little more than an all-purpose  space with no theatrical facilities. Productions there include [[Maishe Maponya]]’s [[The Hungry Earth]] (1979), [[Pula]] (1982) ***
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Mandla Dube was in charge in the early 1980s.
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== Its use for theatre ==
  
  
  
  
A community centre and community hall in Soweto, originally funded by the [[Donaldson Trust]], later by different organisations and trusts and run by people who live in Soweto. Mandla Dube was in charge in the early 1980s. Uncomfortably squeezed into a corner of one of Soweto's busiest streets, the DOCC had no dedicated theatre space , just a fairly big room called "the hall" which offered little more than an all-purpose  space with no theatrical facilities. Productions there include [[Maishe Maponya]]’s [[The Hungry Earth]] (1979), [[Pula]] (1982) ***
 
  
 
== For more information ==
 
== For more information ==

Revision as of 15:39, 11 November 2010

The name

Officially named the Donaldson Orlando Community Theatre, after its first sponsor, the Donaldson Trust. It is usually referred to by its acronym (DOCC) but has also been referred to as the Donaldson Orlando Cultural Club by a number of speakers and writers about theatre. This is most probably an error deriving from a misreading of the acronym. Among those using the alternative name are Ian Steadman, Ramolao Makhene (cited by Geoffrey V. Davis and Anne Fuchs) and Loren Kruger. However the official name appears in most other documents, including interviews with Gcina Mhlope, the Donaldson Trust website and SA History Online.

It was later renamed the Orlando East Community Hall, though the DOCC acronym is still used by many.


Its function

A community centre and community hall in Soweto, originally funded by the Donaldson Trust, later by different organisations and trusts and run by people who live in Soweto. Uncomfortably squeezed into a corner of one of Soweto's busiest streets, the DOCC had no dedicated theatre space , just a fairly big room called "the hall" which offered little more than an all-purpose space with no theatrical facilities. Productions there include Maishe Maponya’s The Hungry Earth (1979), Pula (1982) *** Mandla Dube was in charge in the early 1980s.


Its use for theatre

For more information

Kruger, 1999: 141, 164; Wakashe, 1986

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