Difference between revisions of "Ma-Gents"
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== Performance history in South Africa == | == Performance history in South Africa == | ||
| − | Premièred on the Fringe of the [[Grahamstown Festival]] in July 1997, directed by [[Lara Foot-Newton]] with [[Lionel Newton]], [[Kholofelo Kola]] and [[Peter Mashigo]]. The same production went to the [[Hilton Drama Festival]] in September 1997. | + | Premièred on the Fringe of the [[Grahamstown Festival]] in July 1997, directed by [[Lara Foot-Newton]] with [[Lionel Newton]], [[Kholofelo Kola]] and [[Peter Mashigo]]. The same production went to the [[Hilton Drama Festival]] in September 1997 and the Barney Simon in the [[Market Theatre]] in March 1998. |
==Translations and adaptations== | ==Translations and adaptations== | ||
Revision as of 17:05, 14 March 2014
physical theatre piece workshopped by Lara Foot-Newton with members of the North-West Drama Company (1997).
Contents
Subject
In a physical theatre style, including mime, song and dance and using four languages in the dialogue, the play explores perceptions of masculinity in the New South Africa (1997) through three male actors in an energetic ensemble piece examining communication and inter-cultural interaction in the new Rainbow Nation. [Van Heerden (2008)][1]. p 156.
Performance history in South Africa
Premièred on the Fringe of the Grahamstown Festival in July 1997, directed by Lara Foot-Newton with Lionel Newton, Kholofelo Kola and Peter Mashigo. The same production went to the Hilton Drama Festival in September 1997 and the Barney Simon in the Market Theatre in March 1998.
Translations and adaptations
Sources
Go to ESAT Bibliography
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