Difference between revisions of "Ga-Mchangani"
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Drama by [[Obed Baloyi]], first performed in 1998. | Drama by [[Obed Baloyi]], first performed in 1998. | ||
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| + | == Subject == | ||
| + | Essentially focused on xenophobia and also deals with a number of other social issues like gang violence, rape, child abuse and criminality. After the premiere production the reviewer of [[The Sowetan]] noted, “While the country is firmly gripped by politically correct customs and notions about the Rainbow Nation, ''[[Ga-Mchangani]]'' exposes the tribalism still prevalent in black communities. ... The play deals with stereotypes and people who tend to regard certain ethnic groups as outcasts” (Mokoena, 1998). [Van Heerden (2008)][http://www.google.co.za/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCUQFjAA&url=http%3A%2F%2Fscholar.sun.ac.za%2Fbitstream%2Fhandle%2F10019.1%2F1443%2Fvanheerden_theatre_2008.pdf%3Fsequence%3D1&ei=_egBU77CNYWJhQeE5oCADQ&usg=AFQjCNEWnD1BzeLnFmOV2tvyGLoMyNeT6Q&bvm=bv.61535280,d.Yms] | ||
== Performance history in South Africa == | == Performance history in South Africa == | ||
Revision as of 07:54, 25 February 2014
Drama by Obed Baloyi, first performed in 1998.
Contents
Subject
Essentially focused on xenophobia and also deals with a number of other social issues like gang violence, rape, child abuse and criminality. After the premiere production the reviewer of The Sowetan noted, “While the country is firmly gripped by politically correct customs and notions about the Rainbow Nation, Ga-Mchangani exposes the tribalism still prevalent in black communities. ... The play deals with stereotypes and people who tend to regard certain ethnic groups as outcasts” (Mokoena, 1998). [Van Heerden (2008)][1]
Performance history in South Africa
In 1998 the theme of xenophobia was brilliantly explored in Obed Baloyi's Ga-Mchangani, a community theatre project that became a hit production at the 1998 Market Theatre Laboratory Community Theatre festival and in 2004 the piece was converted to a mainstream production directed by Arthur Molepo and revived for a 10th Year of Democracy season in the Laager at the Market Theatre.
Translations and adaptations
Sources
Go to ESAT Bibliography
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