Difference between revisions of "Woyzeck"
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| − | An unfinished play by Georg Buchner, about a German soldier who murders his mistress. Deals with jealousy, murder and the individual’s struggle against society. A number of incomplete versions written in 1836-7, then later edited by Karl Emil Franzos and published posthumously in 1879. First produced only in 1913 | + | An unfinished play by Georg Buchner, about a German soldier who murders his mistress. Deals with jealousy, murder and the individual’s struggle against society. A number of incomplete versions written in 1836-7, then later edited by Karl Emil Franzos and published posthumously in 1879. First produced by Max Reinhardt, but only in 1913 in München. |
== Performance history in South Africa == | == Performance history in South Africa == | ||
Revision as of 07:41, 20 November 2013
An unfinished play by Georg Buchner, about a German soldier who murders his mistress. Deals with jealousy, murder and the individual’s struggle against society. A number of incomplete versions written in 1836-7, then later edited by Karl Emil Franzos and published posthumously in 1879. First produced by Max Reinhardt, but only in 1913 in München.
Performance history in South Africa
First produced in South Africa by ***.
In the early 1960s it was one of the first plays produced by the Serpent Players.
Barney Simon did a version for PACT in the Arena in 1973
The play became a popular training piece for drama students in the 1970s.
Translations and adaptations
Translated into Afrikaans (under the title Woyzeck) from the German and based upon the German source material, by Johann van Heerden, for production with students of the Drama Department, Stellenbosch University in 1981.
The play became the basis of the first collaboration between William Kentridge and the Handspring Puppet Company (1992) entitled Woyzeck on the Highveld. This major adaptation of Büchner’s unfinished play comments on present day South Africa through a multi-layered structure taking place on three levels, namely the rear-projected animation of filmed charcoal drawings and ink-drawn shadow puppets, and in front of the screen, the roughly carved wooden rod puppets, each manipulated by four puppeteers and an actor. The distance between the inner world as projected on the screen and the action on stage forms the thin line between Woyzeck’s twisted dream and reality. It opened at the Grahamstown Festival in 1992, with Adrian Kohler, Basil Jones, Louis Seboko, Busie Zokufa and Tale Motsepa as puppeteers, played at the Market Theatre and then toured the world. Later the puppets were sold to the Munich City Museum’s puppet collection. In 2008, they were loaned for a revival for the UNIMA Festival in Perth, Australia, with Mncedisi Shabangu taking Motsepa’s place. This also played in South Africa at the Baxter Theatre.
Sources
http://en.wikipedia.org/wiki/Woyzeck
Curriculum Vitae of Johann van Heerden (2011).
The Handspring Puppet Company website[1]
Go to ESAT Bibliography
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