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Fleishman, Mark 1990. Workshop theatre as oppositional form. South African Theatre Journal, 4(1):88-118.

Fleishman, Mark 1991. Workshop theatre in South Africa in the 1980s: a critical examination with specific reference to power, orality and the carnivalesque. Unpublished master’s thesis. Cape Town: University of Cape Town.

Fleishman, Mark 1996. Physical images in the South African theatre, in Davis, Geoffrey V. & Fuchs, Anne (eds.). Theatre and Change in South Africa. Amsterdam: Harwood Academic Publishing. 173-182.

Fleishman, Mark 1997 Physical images in the South African theatre. South African Theatre Journal, 11(1&2):199-214.

Fleishman, Mark 1998. Making People’s Theatre, by Robert Mshengu Kavanagh. Reviewed in: South African Theatre Journal, 12(1&2):253-256.

Fleishman, Mark 2001. Unspeaking the centre, in Kriger, Robert & Zegeye, Abebe (eds.). Culture in The New South Africa: After Apartheid. Vol.2. Cape Town: Kwela Books. 91-115.

Fleishman, Mark & Davids, Nadia 2007. Moving theatre: of the place of theatre in the process of memorializing District Six through an examination of Magnet Theatre’s production Onnest’bo. South African Theatre Journal, 21:149-165.

Fleishman, Mark 2005. 'Stories like the wind': recontextualising /Xam narratives for contemporary audiences. South African Theatre Journal, 19:43-57.

Fleishman, Mark 2009. Knowing performance: performance as knowledge paradigm for Africa. South African Theatre Journal, 23:116-136.

Fleishman, Mark 2011. Cargo: staging slavery at the Cape. Contemporary Theatre Review, 21(1):8-19.

Fletcher, D. 1976. Etienne Rousseau Theatre. South African Builder. 55(1):14-15. January.

Fletcher, Jill 1990. Puppetry, A Guide for Beginners, by Marie Kruger. Reviewed in: South African Theatre Journal, 4(2):114.

Fletcher, Jill 1994. The Story of Theatre in South Africa: A Guide to its History from 1780-1930. Cape Town: Vlaeberg.

Flockemann, Miki 1991. Gcina Mhlope’s Have You Seen Zandile? English or english? The situation of drama in literature and language departments in the emergent post-Apartheid South Africa. South African Theatre Journal, 5(2):40-54.

Flockemann, Miki 1992. The State of South African Drama up to February 1990: the case of an(other) drama. Pretexts, 4(1):99-108.

Flockemann, Miki 1994a. Imagining Women: Cultural Representation and Gender, edited by F. Bonner, L. Goodman, R. Allen, L. James & C.King. Reviewed in: South African Theatre Journal, 8(1):81-83.

Flockemann, Miki 1994b. A situated perspective on contemporary feminist theatres. Studies in Theatre Production, 10:31-38.

Flockemann, Miki 1996a. From ghosts of the past to cross-cultural love stories for teens. Theatre and fictions of childhood for teaching in the transition, in Wittenberg, Hermann & Nas, Loes (eds.). AUETSA 96 : proceedings of the conference of the Association of University English Teachers of South Africa, University of the Western Cape, 30 June-5 July 1996. Vol 1, 131-142.

Flockemann, Miki 1996b. Medeas from Corinth and Cape-Town: cross-cultural encounters, theatre, and the teaching context. Alternation, 3(1):82-93.

Flockemann, Miki 1997. Teaching large classes, reaching across multilingualism: a UWC experiment with playtexts. Journal for Language Teaching, 31(3):276-283.

Flockemann, Miki 1998a. Categories and cultural continuums: a response to Theatre and Society in South Africa by Temple Hauptfleisch. Reviewed in: South African Theatre Journal, 12(1&2):244-252

Flockemann, Miki 1998b. White men with weapons, Black women with dresses: The TRC and refashioning myths of identity. JTD: Journal of Theatre and Drama, 4:7-22.

Flockemann, Miki & Mazibuko Thuli 1999a. Between women -- an interview with Gcina Mhlope. Contemporary Theatre Review, 9(1):41-51.

Flockemann, Miki 1999b. Getting harder? From post-Soweto to post-election: South African theatre and the politics of gender. Contemporary Theatre Review, 9(3):37.

Flockemann, Miki 1999c. On not giving up -- an interview with Fatima Dike. Contemporary Theatre Review, 9(1):17-26.

Flockemann, Miki 2001 The aesthetics of transformation: reading strategies for South African theatre entering the new millennium. South African Theatre Journal, 15:25-39.

Flockemann, Miki 2002. Translations, affirmations, inventions and subversions: Grahamstown 2002. South African Theatre Journal, 16:198-207.

Flockemann, Miki, Gino Fransman, Linda Tini, Ignatius Ticha. Furiously enthused? Performing identities, encountering iMumbo Jumbo: a UWC case study. 2005. South African Theatre Journal, 19:191-207.

Flockemann, Miki, Roberts, Wahseema, Castle, Andrea, Krog, Antjie and Ngara, Kudzayi. 2009. Performing xenophobia: a conversation with Jonathan Nkala and Bo Petersen. South African Theatre Journal, 23:207-220.

Flockemann, Miki, Ngara, K, Roberts, Wahseema, & Castle, Andrea 2010. The everyday experience of xenophobia: performing The Crossing from Zimbabwe to South Africa', Critical Arts, 24(2):245-259.

Flockemann, Miki 2010. Experiments in freedom : explorations of identity in new South African drama, by A. Krueger. Reviewed in: Scrutiny2, 15(2):70-73.

Flockemann, Miki 2010b. Little perpetrators, witness-bearers and the young and the brave: towards a post-transitional aesthetics. English Studies in Africa, 53(1):

Flockemann, Miki 2011. Facing the stranger in the mirror: staged complicities in recent South African performances. South African Theatre Journal, 25(2):129-141.

Flockemann, Miki 2013. Repeating and disrupting embodied histories through performance: Exhibit A, Mies Julie and Itsoseng. Critical Arts, 27(4):403-417.

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