Difference between revisions of "Dick Cruikshanks"
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(b. West Ham, London, **/**/1874 – d. South Africa, **/**/1947). British-born actor and director. Richard Wheatley Cruikshanks was a stalwart of the silent film industry in South Africa. An employee of African Film Productions, he directed or co-directed 13 of the films the company produced and acted in more than half of their total output. He clearly had the confidence of I.W. Schlesinger and when Harold M. Shaw walked out before The Symbol of Sacrifice commenced production, this prestigious film was entrusted to Cruikshanks. In the English Census of 1901, Cruikshanks, then aged 26, was said to be in the music profession and in 1907 his military drama entitled La Vivandiere, based on the Ouida novel “Under two flags”, was staged in London (the cast included two horses who had “fought” in the South African War). In February 1900 he had married actress Florence Elizabeth Denty, who had taken the stage name of Florence Creagh and was seven years his senior. According to The Stage Year Book of 1911, the couple were both members of The Sketch Association and they probably came out to South Africa together in 1914 to act in a H.G. Brandon play. In between films he continued to appear on stage, including Goodness Gracious, Annabella (1918) with Marie Tempest, Hilda Attenboro & Harcourt Collett in the cast. In 1924 he and Florence performed in The Rising Generation for African Theatres and in July 1925 he acted in Baby Mine at His Majesty’s in Johannesburg. The following year he was part of a theatrical company that left for a tour of East Africa. He made a last film appearance in 1938 in the role of Paul Kruger in the English-language version of They Built a Nation, and was singled out by the Cape Times for a “sensitive and, at times, extremely moving portrayal”. He died in 1947, a year before his wife passed away. | (b. West Ham, London, **/**/1874 – d. South Africa, **/**/1947). British-born actor and director. Richard Wheatley Cruikshanks was a stalwart of the silent film industry in South Africa. An employee of African Film Productions, he directed or co-directed 13 of the films the company produced and acted in more than half of their total output. He clearly had the confidence of I.W. Schlesinger and when Harold M. Shaw walked out before The Symbol of Sacrifice commenced production, this prestigious film was entrusted to Cruikshanks. In the English Census of 1901, Cruikshanks, then aged 26, was said to be in the music profession and in 1907 his military drama entitled La Vivandiere, based on the Ouida novel “Under two flags”, was staged in London (the cast included two horses who had “fought” in the South African War). In February 1900 he had married actress Florence Elizabeth Denty, who had taken the stage name of Florence Creagh and was seven years his senior. According to The Stage Year Book of 1911, the couple were both members of The Sketch Association and they probably came out to South Africa together in 1914 to act in a H.G. Brandon play. In between films he continued to appear on stage, including Goodness Gracious, Annabella (1918) with Marie Tempest, Hilda Attenboro & Harcourt Collett in the cast. In 1924 he and Florence performed in The Rising Generation for African Theatres and in July 1925 he acted in Baby Mine at His Majesty’s in Johannesburg. The following year he was part of a theatrical company that left for a tour of East Africa. He made a last film appearance in 1938 in the role of Paul Kruger in the English-language version of They Built a Nation, and was singled out by the Cape Times for a “sensitive and, at times, extremely moving portrayal”. He died in 1947, a year before his wife passed away. | ||
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== FILMS == | == FILMS == | ||
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DIRECTOR: Zulutown Rink (1917), Zulutown Races (1917), And Then--- (1917, co-directed with Joseph Albrecht), The Major’s Dilemma (1917, co-directed with Joseph Albrecht), The Piccanin’s Christmas (1917, co-directed with Joseph Albrecht), The Symbol of Sacrifice (1918), Bond and Word (1918), The Bridge (1918), Fallen Leaves (1919), Prester John (1920), The Vulture’s Prey (1922), Sam’s Kid (1922), The Blue Lagoon (1923, co-directed with William Bowden). | DIRECTOR: Zulutown Rink (1917), Zulutown Races (1917), And Then--- (1917, co-directed with Joseph Albrecht), The Major’s Dilemma (1917, co-directed with Joseph Albrecht), The Piccanin’s Christmas (1917, co-directed with Joseph Albrecht), The Symbol of Sacrifice (1918), Bond and Word (1918), The Bridge (1918), Fallen Leaves (1919), Prester John (1920), The Vulture’s Prey (1922), Sam’s Kid (1922), The Blue Lagoon (1923, co-directed with William Bowden). | ||
Revision as of 12:28, 13 April 2013
(b. West Ham, London, **/**/1874 – d. South Africa, **/**/1947). British-born actor and director. Richard Wheatley Cruikshanks was a stalwart of the silent film industry in South Africa. An employee of African Film Productions, he directed or co-directed 13 of the films the company produced and acted in more than half of their total output. He clearly had the confidence of I.W. Schlesinger and when Harold M. Shaw walked out before The Symbol of Sacrifice commenced production, this prestigious film was entrusted to Cruikshanks. In the English Census of 1901, Cruikshanks, then aged 26, was said to be in the music profession and in 1907 his military drama entitled La Vivandiere, based on the Ouida novel “Under two flags”, was staged in London (the cast included two horses who had “fought” in the South African War). In February 1900 he had married actress Florence Elizabeth Denty, who had taken the stage name of Florence Creagh and was seven years his senior. According to The Stage Year Book of 1911, the couple were both members of The Sketch Association and they probably came out to South Africa together in 1914 to act in a H.G. Brandon play. In between films he continued to appear on stage, including Goodness Gracious, Annabella (1918) with Marie Tempest, Hilda Attenboro & Harcourt Collett in the cast. In 1924 he and Florence performed in The Rising Generation for African Theatres and in July 1925 he acted in Baby Mine at His Majesty’s in Johannesburg. The following year he was part of a theatrical company that left for a tour of East Africa. He made a last film appearance in 1938 in the role of Paul Kruger in the English-language version of They Built a Nation, and was singled out by the Cape Times for a “sensitive and, at times, extremely moving portrayal”. He died in 1947, a year before his wife passed away.
FILMS
DIRECTOR: Zulutown Rink (1917), Zulutown Races (1917), And Then--- (1917, co-directed with Joseph Albrecht), The Major’s Dilemma (1917, co-directed with Joseph Albrecht), The Piccanin’s Christmas (1917, co-directed with Joseph Albrecht), The Symbol of Sacrifice (1918), Bond and Word (1918), The Bridge (1918), Fallen Leaves (1919), Prester John (1920), The Vulture’s Prey (1922), Sam’s Kid (1922), The Blue Lagoon (1923, co-directed with William Bowden).
ACTOR: An Artist’s Inspiration (1916), A Zulu’s Devotion (Lorimer Johnston, 1916), The Silver Wolf (Lorimer Johnston, 1916), The Illicit Liquor Seller (Lorimer Johnston, 1916), The Water Cure (B.F. Clinton/1916), The Splendid Waster (Lorimer Johnston/1916), Gloria (Lorimer Johnston, 1916), De Voortrekkers (Harold M. Shaw/1916), Sonny’s Little Bit (Lorimer Johnston/1917), A Border Scourge (Ralph Kimpton & Joseph Albrecht/1917), And Then--- (Cruikshanks & Joseph Albrecht/1917), The Major’s Dilemma (Cruikshanks & Joseph Albrecht/1917), The Symbol of Sacrifice (Cruikshanks/1918), Bond and Word (Cruikshanks/1918), Fallen Leaves (Cruikshanks/1919), Prester John (Cruikshanks/1920), The Man Who Was Afraid (Joseph Albrecht/1920), The Madcap of the Veld (Joseph Albrecht/1920), The Vulture’s Prey (Cruikshanks & William Bowden/1922), Swallow (Leander De Cordova/1922), Sam’s Kid (Cruikshanks/1922), The Blue Lagoon (Cruikshanks & William Bowden/1923), The Reef of Stars (Joseph Albrecht/1924), They Built a Nation (Joseph Albrecht & Andries A. Pienaar/1939). (FO)
Sources
Gutsche, Thelma - The history and social significance of motion pictures in South Africa 1895-1940
Le Roux, André I. & Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm
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