Difference between revisions of "Vivien Talleur"
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| − | (b.**/**/**** - d. **/**/****). Dancer, choreographer. Before she came to South Africa, probably in 1917, Vivien Talleur had danced throughout Europe and between 1906 and 1911 often performed with George Edwardes’ theatrical company in such shows as ''The Merveilleuses'' and ''The Merry Widow''. By 1914 she was in Australia and became well known for demonstrating the then somewhat risqué tango, as well as other new dances, such as the turkey trot. She and Fred Reade performed at the popular Tivoli Theatre Tango Teas and their demonstrations were usally followed by | + | (b.**/**/**** - d. **/**/****). Dancer, choreographer. Before she came to South Africa, probably in 1917, Vivien Talleur had danced throughout Europe and between 1906 and 1911 often performed with George Edwardes’ theatrical company in such shows as ''The Merveilleuses'' and ''The Merry Widow''. By 1914 she was in Australia and became well known for demonstrating the then somewhat risqué tango, as well as other new dances, such as the turkey trot. She and Fred Reade performed at the popular Tivoli Theatre Tango Teas and their demonstrations were usally followed by young women modelling new evening gowns and lingerie. In South Africa she was employed by the [[African Theatres Trust]] and was not only in charge of the corps de ballet, but staged many of the musical numbers for their revues. She frequently performed in these shows and apparently opened a studio of her own in the tea-room attached to [[His Majesty’s Theatre]]. For [[African Film Productions]] she seems to have appeared in the film [[Bond and Word]] ([[Dick Cruikshanks]]/1918) in an unidentified role, as well as in [[H. Lisle Lucoque]]’s version of [[King Solomon’s Mines]] (1918), in which she played the witch, Gagool. In July 1922, Variety reported that after six years in South Africa, she was leaving for England. She was married to the baritone William Talleur Andrews, who often appeared in the same shows as she did – at least in Great Britain and Australia. She presumably took his second name as her stage name. (FO) |
== Sources == | == Sources == | ||
Revision as of 20:14, 28 March 2013
(b.**/**/**** - d. **/**/****). Dancer, choreographer. Before she came to South Africa, probably in 1917, Vivien Talleur had danced throughout Europe and between 1906 and 1911 often performed with George Edwardes’ theatrical company in such shows as The Merveilleuses and The Merry Widow. By 1914 she was in Australia and became well known for demonstrating the then somewhat risqué tango, as well as other new dances, such as the turkey trot. She and Fred Reade performed at the popular Tivoli Theatre Tango Teas and their demonstrations were usally followed by young women modelling new evening gowns and lingerie. In South Africa she was employed by the African Theatres Trust and was not only in charge of the corps de ballet, but staged many of the musical numbers for their revues. She frequently performed in these shows and apparently opened a studio of her own in the tea-room attached to His Majesty’s Theatre. For African Film Productions she seems to have appeared in the film Bond and Word (Dick Cruikshanks/1918) in an unidentified role, as well as in H. Lisle Lucoque’s version of King Solomon’s Mines (1918), in which she played the witch, Gagool. In July 1922, Variety reported that after six years in South Africa, she was leaving for England. She was married to the baritone William Talleur Andrews, who often appeared in the same shows as she did – at least in Great Britain and Australia. She presumably took his second name as her stage name. (FO)
Sources
The Daily News, Perth, 17 April 1914
Variety, 14 July 1922
Grut, Marina - The history of ballet in South Africa
Le Roux, André I. & Fourie, Lilla – Filmverlede: geskiedenis van die Suid-Afrikaanse speelfilm
http://special.lib.gla.ac.uk/sta/search/detailp.cfm?NID=60691&EID=21795&DID=&AID=
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