Difference between revisions of "ESAT Bibliography Es-Ez"
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[[Johan Esterhuizen|Esterhuizen, Johan]] 2005. The [[HB Thom Theatre]]: an evaluation of its potential as a regional arts and cultural centre. Unpublished master’s thesis. Stellenbosch: Universiteit van Stellenbosch. | [[Johan Esterhuizen|Esterhuizen, Johan]] 2005. The [[HB Thom Theatre]]: an evaluation of its potential as a regional arts and cultural centre. Unpublished master’s thesis. Stellenbosch: Universiteit van Stellenbosch. | ||
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+ | [[Johan Esterhuizen|Esterhuizen, Johan]] 2012. ''Blind Voices – A Ccollection of Radio Plays'', by Kobus Moolman. Reviewed in: ''[[South African Theatre Journal]]'', 26(1):102-103. | ||
[[Nicole Estvanik|Estvanik, Nicole]] 2005. Grootvlei, South Africa (a sampler from the world stage). ''American Theatre'', 22(2):99. | [[Nicole Estvanik|Estvanik, Nicole]] 2005. Grootvlei, South Africa (a sampler from the world stage). ''American Theatre'', 22(2):99. |
Revision as of 16:51, 22 February 2013
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Esterhuizen, D. 1980a. Joan Brickhill: follies tot filosofie. Rooi Rose, 36(13):16-19. January 30.
Esterhuizen, D. 1980b. Skaam, nuwe aktrise: (Ida Wessels). Rooi Rose, 37(4):82-83. September 24.
Esterhuizen, D. 1980c. Trix is soos ‘n kurkprop. Rooi Rose, 36(17):16-18. March 26.
Esterhuizen, Johan 1993a. Dancing with John by Nataniël. Reviewed in: South African Theatre Journal, 7(2):134-135.
Esterhuizen, Johan 1993b. Theatre Management and Production in America, by Stephen Langley. Reviewed in: South African Theatre Journal, 7(2):135-136.
Esterhuizen, Johan 1994 Bringing Cinderella to the Ball: National Arts Coalition Conference on Arts and Culture in the new South Africa. South African Theatre Journal, 8(2):155-160.
Esterhuizen, Johan 1997 Cinderella goes shopping: A response to the Standard Bank International Conference on the economic benefits of Arts and Culture. South African Theatre Journal, 11(1&2):232-237.
Esterhuizen, Johan 2005. The HB Thom Theatre: an evaluation of its potential as a regional arts and cultural centre. Unpublished master’s thesis. Stellenbosch: Universiteit van Stellenbosch.
Esterhuizen, Johan 2012. Blind Voices – A Ccollection of Radio Plays, by Kobus Moolman. Reviewed in: South African Theatre Journal, 26(1):102-103.
Estvanik, Nicole 2005. Grootvlei, South Africa (a sampler from the world stage). American Theatre, 22(2):99.
Estvanik, Nicole 2006. Cape Town, South Africa. (Cape Town International Performing Arts Festival). American Theatre, 23(3):79.
Estvanik, Nicole 2007. Global spotlight. American Theatre, 24(4):74-75.
Estvanik Taylor, Nicole 2009. National Arts Festival (Grahamstown, South Africa). American Theatre, 26(6):56.
Etherton, Michael 1982. The Development of African Drama. London: Hutchinson University Library for Africa.
Euba, Femi 2002. Drama for a New South Africa: seven plays, by David Graver; African Theatre: Playwrights and Politics, by Martin Banham, James Gibbs, & Femi Osofisan . Reviewed in: Theatre Journal, 54(4):671-672.
Evans, Celia 1946. Children’s theatre in Johannesburg: an educaional and social experiment. Transvaal Educational News, 42(4):19-20.
Evian, Claude 1992. Community Theatre and AIDS Education. Progress, (Summer):34-37.
Experience of the theatre: its physiology: an interpretation of Richard Neutra’s idea of what man experiences when exposed to drama. 1960. Architect and Builder, 10(11):14-19.
Eybers, G.W. 1946. Die Drama In Ons Volksopvoeding. Pretoria: Staatsdrukker.
Eyck, Hans 1944. Toneel: Pinkie deur Pierre de Wet. Reviewed in: Trek, 8(10):15. November 5.
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